Tokyo Joe

1949 "Bogart rips the Jap underworld apart over a blonde in a Tokyo hot spot !"
6.3| 1h28m| NR| en
Details

An American veteran returns to Tokyo to try to pick up the threads of his pre-World War II life there, but finds himself squeezed between criminals and the authorities.

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Cubussoli Very very predictable, including the post credit scene !!!
SpecialsTarget Disturbing yet enthralling
Kailansorac Clever, believable, and super fun to watch. It totally has replay value.
Bob This is one of the best movies I’ve seen in a very long time. You have to go and see this on the big screen.
froberts73 His company produced it, he starred in it, but Bogie didn't like it. Still, in my most humble opinion, "Tokyo Joe" is a helluva good movie, and Bogart is Bogart and that's good enough for me. This is an action thriller with a 'keeps-you-glued-to-the-screen' plot.It was made just after the end of WW2 when Americans were the occupying troops, hanging around, as Bogie notes, "to help the people get back on their feet." We did a helluva good job - witness the automobile showrooms around the world. I'm certainly not complaining. I've been driving Toyotas for a few decades.Those around Bogie, including a hassle of Japanese actors, were quite good - oh - and Bogie spoke most credible Japanese -- I guess.Czech actress, Florence Marly, who was busy acting mostly in her home country, is very attractive, but the individual that really impressed was 7-year-old Lora Lee Michel who made a lot of films but, at this writing, no one knows what happened to her, not even her sister. She was button cute and convincing in a Margaret O'Brien sort of way.All in all, I can easily recommend "Tokyo Joe." It's a helluva lot better than most of today's schlock which rely on dazzling special effects.
PWNYCNY Although this movie is not one of Humphrey Bogart's more noted projects, it is a good movie. At first the plot seems absurd but as the story unfolds it becomes more comprehensible. It is hard to imagine that there was a time when the United States actually occupied Japan and directly supervised the Japanese people. It was another era, when the United States was in every sense of the term the dominant power. Once again Humphrey Bogart believes that he has been jilted by a woman and once again finds out that there is more to the story, and in this movie, this scenario works well. Alexander Knox is great as the other main male character but it is Sessue Hayakawa who once again delivers a strong performance as a shady, underworld figure in post-war Japan. This movie is worth watching.
MartinHafer I wonder if Humphrey Bogart ever traveled to Japan. Sure, the film is set there and much of it was filmed there, but in practically ever scene you see Bogart, it either was filmed in a studio or he appears to be acting in front of a projected image. So, it seems that they shot the backgrounds with one film unit and superimposed Bogie onto the backgrounds repeatedly. It is pretty noticeable and makes the film seem a tad cheap.The film finds Bogart coming to Japan just after the war. He claims he is there to try to reopen a business he'd left behind when the war broke out--a bar. But, it's obvious that the US military (who is in charge of Japan at this point in history) is keeping Bogart ('Joe') under surveillance. When Joe finally does make his way to the closed bar, he meets with his old Japanese partner (Teru Shimada--who you may remember as a villain from YOU ONLY LIVE TWICE) for a stupid reunion scene (you just have to see it to know what I mean). It soon becomes apparent that Joe and his old friends were not so much bar owners but running their own black market business--and Bogie is there to start it up once again--along with a new partner (Sessue Hayakawa).There is a side plot as well. Before the war, Joe was involved with a Russian lady who lived in Japan (Florence Marly) and thought she'd been killed in the war. However, when he finds her after all these years he finds that she's married and with a child...HIS child! What to do, what to do? This film finds Bogart in a more sedate role. Later in his career, he often was less of the action hero or tough guy. While he is a bit seedy here, the is not the sort to shoot or beat up people in TOKYO JOE--and many who want that super-manly Bogie may be disappointed. He made several films like this, such as SIROCCO and LEFT HAND OF GOD--all decent films but with a much more sedate sort of anti-hero. Now considering the actor's age, this sort of transition wasn't that bad an idea though they are far from his best films.
sol (There may be Spoilers) Pretty good Humphrey Bogart flick that has the distinction of being the first US made movie filmed in post-war Japan with a beautiful rendition of the song "These Foolish Things" sung by co-star and Bogie's love interest in the movie the exotic and hauntingly beautiful Florence Marly, Trina Pechinkov Landis, that rivals the song "As Time Goes By" in the Humphrey Bogart classic WWII movie "Casablanca". Joe Barrett, Humphrey Bogart, who owned a nightclub in Tokyo, the "Tokyo Joe Cabaret" before the outbreak of the war between Japan and the USA goes back after the war to start where he left off in the nightclub business. Discharged from the US Army Joe finds it almost impossible to have a business in Japan without the approval of the US Military Occupation Government and is given only a 60 day visa to stay in the country.Finding out from his friend and co-owner of the "Tokyo Joe" Ito, Teru Shimada, that he wife Trina, Florence Marly, and singer at the nightclub is alive not that she died during the war as Joe thought, makes Joe want to stay over his allowed 60 days. Joe is in for a big surprise when he finds out that Trina had married a top US lawyer working in Japan Mark Landis, Alexander Knox. Joe even more shocked when he finds out from Barom Klmura, Sesssue Hayakawa, an air freight owner whom Joe is fronting for to extend his visa that she also did propaganda broadcasts during the war for the Japanese government making her a traitor to America. Trina is an American citizen and libel to be prosecuted by the US Military Government in Japan. Things get far more complicated for Joe when he discovers that Trina has a seven year old girl Anya, Lora Lee Michel, who was born after Joe left her for the USA in 1941 and who he's the father of. The fact that Trina did broadcasts for the Imperial Japanese government was because they took Anya away from her as she, like all Americans stranded in Japan during the war, was thrown into a Japanese prison camp. While Joe is struggling with this dilemma his working for Kumura is unknowing helping him smuggle dangerous Japanese Communists and dreaded Black Dragon leaders into the country to start an open and bloody revolt against the occupying American Military Government. Better then you would expect Bogart film since it's almost unknown when you compare it to Bogie's many great movies.The movie also has one of the most exciting fight as well as shoot-out sequences you'll ever see in an Humphrey Bogart movie. The great photography of post-war Japan in the film as well as the fine cast make "Tokyo Joe" more then worth watching but the most intriguing thing about the movie is it's very interesting story-line that was in a way really prophetic. That had the Communists who were trying to overthrow the US installed democratic Japenese Government working out of South Korea. A country that was invaded by the North Korean Communist on June 25, 1950 a year after the movie "Tokyo Joe" was released.