Dorathen Better Late Then Never

Maidexpl Entertaining from beginning to end, it maintains the spirit of the franchise while establishing it's own seal with a fun cast

Ezmae Chang This is a small, humorous movie in some ways, but it has a huge heart. What a nice experience.

Brooklynn There's a more than satisfactory amount of boom-boom in the movie's trim running time.

classicsoncall I've seen Phil Silvers in movies before, primarily in bit parts. My best recollection of him is from the hit TV series "The Phil Silvers Show", better known as 'Sgt. Bilko'. Great name Bilko, because it described his con-man character to a T. Reading a bit about this picture from other reviewers helps set the stage (no pun intended) for what it was all about. The movie for the most part looks like it was a filmed stage play, but with stuff occurring 'off stage' between Jerry Biffle (Silvers) and his coterie of friends and business acquaintances. The transitions aren't very smooth, so it's difficult at times to know if what you're watching is a play, or the troupe getting ready for a play. Biffle barks orders and demands one-liners from his writer Vic Davis (Jack Albertson), and when delivered, many of them fall flat, unintentionally or otherwise. A semblance of a romantic sub-plot is offered between singer Cliff Lane (Danny Scholl) and would be actress Sally Peters (Judy Lynn) who also catches Jerry's eye, but it's a mish-mash that's nuked by Silvers' rapid fire delivery and undiscerning attitude toward those around him. Second billed Rose Marie doesn't appear until well into the story, and when a moment of triumph seemed to present itself with Jerry, the let down was palpably embarrassing. By the time the second half rolled around, the whole thing got rather tedious for this viewer, but I stuck it out for the colorful production numbers which if anything, showed that they put in some significant rehearsal time to pull them off. Die hard Phil Silvers fans would probably make this a must see; for all others, tune in for as long as you can take it.

bkoganbing I imagine that Top Banana was a Broadway show that was difficult to adapt to the big screen. The producers decided to eschew reality and settle for a photographed stage play. Not unlike the early musicals made when the talkies arrived. Guys And Dolls did that also, but it was a much better show.Fans who liked old time burlesque flocked to see Top Banana on Broadway which ran for 350 performances. Phil Silvers, Rose Marie, Jack Albertson and a whole bunch of the cast repeated their roles. For all the other talent Top Banana is essentially a showcase for Phil Silvers. You'd better be a big fan of his otherwise you will not enjoy this film.Silvers was a guy who scored his biggest success on the small screen as Sergeant Ernie Bilko. For me he's fine in small doses, but I've often wondered what he was like in private life, was he always 'on' as he is here.The plot such as it is has Silvers unwittingly playing cupid for the singer in his show Danny Scholl with Judy Lynn whom he likes. In the meantime Rose Marie likes Silvers, but he can't see her. Do I need to go any further.Johnny Mercer one of the most talented men of music ever, mostly wrote lyrics to other's melodies, but occasionally did music as well. Here he wrote the music and lyrics for the whole score, but you'll find nothing here that especially stands out.For fans of Phil Silvers and others curious to see what his comedy style was about this film is recommended.

Ripshin Previous users have done a great job of commenting on this "film." It's definitely B-grade - a poorly filmed Broadway production. Actually, quite a bit of early-50s television is BETTER than this Vaudeville rehash. TCM plays this every once in a while, and I happened to tape it this afternoon. Although I rarely fast-forward through a film, I couldn't resist it with this bomb. Sure, it is great to see Rose Marie as an early version of "Sally" from "The Dick Van Dyke Show," but that's about all it has going for it.....well, that, and the Johnny Mercer score. I'm really surprised at how low-tech this film appears, in production value, as well as color quality.

tonypapaleo As a record of a type of Broadway entertainment we see very little of nowadays, plus a documentation of classic Vaudeville material presented by the people who actually performed it, this movie should be a little gem.Should be, but it ain't. The version foisted on us by MGM/UA Home Video is a total travesty and completely unrepresentative of the original film. "Top Banana" as released in 1953, had at least 2 more musical numbers, a number of Vaudeville acts (hello, Hogan the Talking Dog), and 3-D sequences(!).There's got to be a complete print of this film out there for us to appreciate the genius of Phil Silvers. The version of this movie put out on VHS is an abomination.To understand why, you have to realize the what was going on at the time of the creation of "Top Banana:" This was a low-budget exploitation flick capitalizing on Phil Silvers' surge in popularity on TV following his winning a Tony award for the original Broadway version of Top Banana. 1950's Hollywood, in it's paranoid fear of television, loves another chance to sneer at cheesy variety programs that seem to be recycling Vaudeville material ad nauseum.OK, it looks like virtually no money is spent on production values: they apparently transported the play, sets, costumes, and all to an L.A. theater and set up a couple of cameras. Sound recording of dialogue is done with little or no technical enhancement, unless we are hearing playback of songs. And yes, the director apparently never heard of a closeup, let alone anything but straight-ahead shots of the cast moving right to left across the screen.But look at what it purports to be: Basically a filmed record of a Broadway musical comedy. Jeez, PBS does it and everyone thinks it's brilliant. Somebody at the studio apparently tried to dress it up by inserting shots of a live audience..."Hey, I get it, Mabel! We are watching a PLAY!" But within the little universe of the movie, it makes no sense, since the audience does not make one peep during the most of the show. Actually with the butchered print, it's hard to follow what was going on. The long takes where Silvers and cast perform straight-ahead old-time comedy are interesting, and make you wish the whole movie was intact.