Sameer Callahan
It really made me laugh, but for some moments I was tearing up because I could relate so much.
Stephanie
There is, somehow, an interesting story here, as well as some good acting. There are also some good scenes
Billy Ollie
Through painfully honest and emotional moments, the movie becomes irresistibly relatable
oparthenon
For a B Western, Top Gun provides top entertainment and makes a more-than-adequate contribution to its genre. The initial conflict uses the basic premise of the Western: lone male figure, having been subjected to privation and now alone and searching for spiritual peace, finds the ultimate show-down when confronted with evil, which he tries to set right -- despite the all-powerful forces of law and nature which try to stop him. The situation -- that a top gunman is revisiting his home town to warn the citizens of a raid by the very gang he used to belong to -- is set up quickly and convincingly, even uniquely -- in a graveyard. The ensemble cast of veteran actors works well to create the tension necessary to convey a well-crafted and believable script. Sterling Hayden exudes gravitas, if not exactly charm, and his masculine presence is undeniable, nearly coming off the screen, as it does in all his films. The sets are well-constructed, and the camera work is consistent and well-planned, if not exactly subtle. The script even provides a few memorable one-liners, as when John Dehner (the heavy) gleefully tells Sterling Hayden, "Rick, you ole catamount, may you live until I kill you."For Western fans, a gem; for Sterling Hayden fans, a treat (as the camera lingers on both his lumbering body and his rugged face for much of the film); and for cinephiles, a well-worth it adventure.
MartinHafer
This film is a low-budgeted re-working of the classic film "High Noon". Instead of the hero being the sheriff, however, Rick Martin's a gunman who is thoroughly hated by his old home town and he returns to try to save them from a band of sociopaths headed their way. At first, they are very hostile towards Martin and make his stay short and nasty--and refuse his offer of help. But when the gang approaches, the town shows itself to be gutless again and again...and folks somehow think Martin is going to help them regardless of his reception.This film would have been a lot better had it not been so much like "High Noon". It's not a remake but coming just a few years after, you cannot help but make the comparison...and in every way it comes up a bit short. A decent time-passer made a bit better by Hayden's strong performance.
drystyx
This fairly typical formula Western of "Town not trusting a gun man", in this case a gun man who has a history with the town.Sterling Hayden is the stone faced lead, and that's not unusual. In many cases, it is a stone faced lead who goes through the motions, surrounded by more likable characters. Here, the supporting characters aren't "likable", but are credible.What I like best about this Western is the "bad guys". They are dirty, unshaven, sloppy, and imperfect even at mayhem. Quite believable. It is this group of ravaging skunks, flea bitten mongrels, that makes this Western superior to the modern idiotic spaghetti garbage in which the bad guys are demi gods.The townspeople are credible once one gets past the few stereotypes, like the uppity young gun. Ironically, this most ridiculous cliché has one of the biggest names of the movie portraying him (Rod Taylor).Just a few more assets than detriments make this a decent Western.
Neil Doyle
Western fans who like their stories brisk and to the point, should find enough reason to like this mildly interesting western with STERLING HAYDEN as a gunslinger who returns to his hometown after a prison stay and runs into trouble again when he finds corruption rampant and the town's citizens all have him wrongly responsible for a series of murders.KAREN BOOTH is the love interest and she gets to play a crucial role toward the climax when she saves Hayden from a gunman's bullet. WILLIAM BISHOP is a corrupt landowner who had something to do with the death of Hayden's mom and becomes his staunch adversary throughout the plot.The opening credits fail to mention ROD TAYLOR who plays a town bully interested in provoking Hayden into a gunfight. He makes a convincing braggart with hardly a trace of his Austrlian accent showing. But the real villain of the piece is JOHN DEHNER as the head of an outlaw gang that Sterling Hayden tries to warn the villagers about.It's a decent enough western with a theme similar to HIGH NOON in that the town's sheriff has trouble rounding up a posse to take care of the invading outlaws.Summing up: All of the principal players do a decent enough job but it's more or less a standard western with some conniving characters getting their comeuppance in time for Hayden and Booth to ride off into the sunset.
