Konterr Brilliant and touching

Freaktana A Major Disappointment

Dotbankey A lot of fun.

Geraldine The story, direction, characters, and writing/dialogue is akin to taking a tranquilizer shot to the neck, but everything else was so well done.

atlasmb "Torremolinos 73" starts out looking like just another dreary dirge about the down-on-his-luck salesman whose soul is being crushed by the emptiness of his existence. Alfredo is struggling to provide for his wife, but failing. Door-to-door sales are being phased out.Not to worry--his employer has an alternate plan. They will produce "scientific" films about Spanish reproduction customs for sales in Scandinavia.I don't want to relate any more of the action, but the story turns into a light-hearted comedy about a married couple who truly love each other. By following an odd pathway--spurred by their need for money--they manage to achieve what each wants from life.Some of the best touches are the use of iconic cinematic images in the filming of the titular film within this film.Though some reviewers focus on political commentary within the film, this film can be enjoyed on a purely comedic level. Javier Camera, who plays Alfredo, is an affable everyman. Candela Pena, as his wife Carmen, is an unassuming woman who longs for the simple things in life. Together they are a likable couple whose happiness springs from their love for each other.

Ajit Tiwari Spanish Cinema has a fairly different wave and it is pleasant to see such movies coming from the new directors with different content & storytelling."Torremolinos 73" is an honest movie, as a débutant Pablo Berger has come up with something amusing and solemn.Set in 1973, an encyclopedia salesman Alfredo who sells it door-by door is not able to meet his ends. He has been given only an alternative by his chief – to make adult movies with wife Carmen or leave the company. After some dithering, they reluctantly accept the proposal and it starts the journey of ecstasy & agony.Using fade colors, it gives a feel of 70's with some good dialogs and funny situations. Javier Cámara is good as a Bergman's admirer (camera Buff), Candela Peña is incredible as a timid person having some desires to fulfill.Recommended7.5/10

avidadollars When I first watched this film in 2005, I loved it, although at the time I was perhaps ready to agree that the second half of the film stumbles in a lot. But having recently seen 'Camera Buff' by Krzysztof Kieslowski, I am absolutely convinced 'Torremolinos 73' was inspired by it, in one way or another. This is not to deny originality to Berger's creation, but the acquaintance with the Polish film can seriously help understand and evaluate 'Torremolinos'. It can let us appreciate some details (compare, for instance, a cameo appearance of another Polish filmmaker, Zanussi, in 'Camera Buff' to the ever-powerful presence of Bergman's loudspeaker in 'Torremolinos'), but, most importantly, it allows to see, what exactly the subject of the film is. If our understanding is not informed by 'Camera Buff', then 'Torremolinos' is a vinaigrette of politics, porn and art-house cinema. If it is, then the main topic is exactly the one that makes the film somewhat 'heavy' in its second part and which was one of the central topics in Kieslowski's film. Cinema becomes a wedge, which is hammered between the routine and creativity. Aspiration to make 'serious' films and the cherishing of a film as one's child violently confronted the parental responsibilities of Kieslowski's protagonist, who gave in to creative impulses. The conflict in 'Torremolinos' is slightly reversed in that cinema becomes a more complex agent: it is the reason for misunderstanding, but it also unveils the problem and in the end even helps to resolve it. It is nevertheless the importance of the choice and its connection to various problems concerning family life that bring a kind of dullness into the second part of 'Torremolinos'. In this case it might be useful to agree with those who call this part 'subtler' in comparison to the upbeat start. In particular, this second part contains an easily-unnoticed topic of how much insult the male pride can take, and whether or not it is worth being guarded when love is at stake.

jotix100 Pablo Berger, the director of "Torremolinos 73", takes us back to the Spain of the seventies when Franco was still around and where he sets the scene for this satire about the clandestine porno industry. Mr. Berger also wrote the screen play, that at times is mildly amusing by the situation he creates. If you haven't seen the movie, please stop reading here.We first see Alfredo trying to sell books door to door without much success. His boss calls his staff and informs a new revamping in the business. He is going to start a series of experimental films about sex education that will be marketed abroad. The employees are shocked, and only Alfredo and his wife Carmen, and another man, agree to participate. Carmen wants to have children, which seems not to come to her and Alfredo.Carmen becomes a favorite sight in the Scandinavian countries, and she is even as identified in a department store in Madrid by one of her fans. Since their Scandinavian instructors keep on quoting the great Ingmar Bergman, Alfredo decides to make his own film that parallels "The Seventh Seal". The shooting is in an empty hotel in Torremolinos where Alfredo and his crew are seen filming the movie in the artistic black and white, but suddenly Carlos, the money man, wants a bit of sex in the picture. Alfredo is shocked because since he is not participating, Carmen will have to perform with the leading man! Javier Camera, who was so good in "Talk to Her" plays Alfredo, the book peddler turned porno film director. Candela Peña makes a good suffering Carmen who is lured into the scheme because of necessity. Juan Diego is seen as Alfredo's boss.The film has a faded look that blends well with the period its trying to reproduce. The film has some funny moments.