SpecialsTarget
Disturbing yet enthralling
Lidia Draper
Great example of an old-fashioned, pure-at-heart escapist event movie that doesn't pretend to be anything that it's not and has boat loads of fun being its own ludicrous self.
Cissy Évelyne
It really made me laugh, but for some moments I was tearing up because I could relate so much.
Woodyanders
Rugged Montana rancher Jim Calhoun (an earnest and effective performance by Jim Mitchum) searches the seedy underbelly of Los Angeles for his naive 17-years-old runaway sister Betsy (the comely and appealing Karen Lamm), who has become entangled in a dangerous world of drugs, vice, and prostitution. Director Richard T. Heffron, working from a taut and involving script by Paul Edwards, relates the gripping story at a brisk pace, makes excellent use of authentically gritty urban locations (sleazy bars and clubs, grimy back alleys, Hollywood Boulevard in all its grungy neon glory), maintains a tough seamy tone throughout, and stages a couple of last reel action set pieces with real skill and verve (a sequence involving two elevators is both original and very exciting). Moreover, this film warrants extra points not only for the way it vividly captures the coldness and harshness of the big bad city, but also for having the courage to pull off a genuinely shocking and unexpected downbeat plot twist about two thirds of the way into the narrative. The fine acting by the able cast rates as another substantial asset: Erik Estrada as smooth, yet decent small-time hustler Chucho, Anne Archer as shrewd and classy madame Barbara, Cathy Lee Crosby as helpful and sympathetic social worker Lynn Strong, Vince Cannon as ruthless crime boss Johnny Dee, John Kerry as the cynical Sgt. Miller, and Ray Sharkey as slimy pimp Flash. Tony Burton pops up in a memorable minor part as a would-be mugger transvestite. Gene Polito's sharp cinematography gives this picture a pleasing vibrant look. Charles Bernstein's funky grinding score hits the get-down groovy spot. Recommended viewing for fans of hard-hitting 70's drive-in action fare.
lost-in-limbo
It might paint itself as a rough and tumble, by-the-numbers 70s revenge thriller and for most part it's typically generic in its story's progression, but there are some strong themes and capable performances by its cast led by Jim Mitchum and Cathy Lee Crosby. There's a brutal and downbeat side to some scenarios, but never does it becomes overly exploitative despite its angle on forced prostitution and underground violence. The bad guys are scum… truly scum. Where the seedy backdrop of Los Angeles breeds crime and those people take advantage of young naïve runaways looking to hit it big in LA. Some sequences do pack a punch and the script, while not entirely rounded does do enough to evoke some emotional pull when it comes to the overall payback. Sixteen year old Betsy Calhoun flees from her Montana ranch heading to Los Angeles, but her dreams soon become a nightmare when she's kidnapped and sold to a prostitution ring. Her older brother Jim heads to Los Angeles to find her, but finds little help until he meets a social worker and a former gang member who knew of his sister's kidnapping. Jim Mitchum in the lead role is stolid, but fitting with a more psychical performance told through his facials and in doing so making it more effective. You do feel his pain. He shares good chemistry with a head strong Crosby. Half of the film focuses on his search, while the other follows that of Karen Lamm's wholesome turn as Betsy. Watching how she becomes a prostitute, to how she copes with it and the touching relationship she forms with Anne Archer's prostitute character. Some moments do have a disturbing edge. Not unexpected, but they're powerful because there's enough time invested in these characters. So the story moves between different plot arches before all coming together and offering a surprise or so. The film looks bare-bones and on the cheap, but it remains authentic with its on shot locations and gritty action exchanges. Nothing about the direction really ignites itself, but there are set-pieces that craft out an exciting barrage of vicious violence. Like the intense gunfire jousting involving moving lifts was a nice touch. Its plain look might have that made for TV feel, but it doesn't hurt it. At times it can be slow and talky, but its steady handling keeps to its strengths and never over delivers on the old-hat set-up."You know. You're breaking my chops".
buttonwillow
This movie is now available on DVD though Warner Home Video. It's a good action movie that makes up in creativity and strong performances what it lacks in budget. There is an action sequence involving an elevator shaft that is particularly good. It was made in the 1970s and really feels like that era in terms of styles, settings, and attitudes. I thought the weakest part of the film was the beginning. We're told the teenage girl is not getting along with her mother but we never see any conflict or even see the mother, then there is a long shot of Jim Mitchum herding horses before he arrives in LA to track her down. It all seemed rather clumsy. When Jim gets to LA, the story finds a groove that plays out at a good pace with a nice mix of action and character development. All of the actors do a nice job. Jim Mitchum and Erik Estrada play well off of each other. It's too bad they didn't make another movie together. It's great to see the always beautiful, always classy Ann Archer in an early role.
angelsunchained
I saw this movie as a sneak preview at the Shores Theater in Miami Shores, Florida. It's a "B" film sure, but it's surprising well-acted, brutally realistic, and extremely well-acted. In a nut-shell, an attractive blonde (played by the late Karen Lamm)leaves her country home to go to the big city and meets me a tragic ending. She is forced to become a call-girl and then is savagely beaten to death by a trick. The killer is never caught or brought to justice ala Death Wish I. Even Anne Archer in a fine early supporting role is killed off in a "surprise". Jim Mitchum shines in his best role. Seems if he had been cast in similar roles he may have gone on to have become another Clint Eastwood. And Cathy Lee Crosby and Erik Estrada, both in their youthful prime, give solid performances. You should "trackdown" Trackdown and see it. 8 out of 10.
