Bardlerx Strictly average movie

Senteur As somebody who had not heard any of this before, it became a curious phenomenon to sit and watch a film and slowly have the realities begin to click into place.

Ogosmith Each character in this movie — down to the smallest one — is an individual rather than a type, prone to spontaneous changes of mood and sometimes amusing outbursts of pettiness or ill humor.

filippaberry84 I think this is a new genre that they're all sort of working their way through it and haven't got all the kinks worked out yet but it's a genre that works for me.

dbdumonteil It is actually the second version (I would not write "remake" ) of Japrisot' s thriller ;it was already transferred to the screen in 1965(two years after the novel was released).The director was André Cayatte ,an excellent old school artist too often ridiculed by the overrated new wavelet.(see "Piège Pour Cendrillon")By and large ,I'm not a fan of Japrisot whose plots are often complicated instead of complex and I do not put him in the same league as Boileau-Narcejac ("diaboliques","vertigo"),Frédéric Dard (whose "Toi Le Venin" broached the subject of the "double"in early sixties ),let alone Agatha Christie.That said ," Piège Pour Cendrillon " is a different matter;the subject is not new ("Spellbound" , the contemporary " the third day " ( 1965) "shattered" and countless others dealt with amnesia );but the treatment,including four parts ,each one containing the same verb in four different tenses of French conjugation was downright disturbing;and the ending was all the more baffling since the mystery was not solved .(It was the reader who decided )On the plus side,Kerry Fox took on Robinson's role-in the French movie- with consummate skill ;Alexandra Roach as brittle Do is eye candy;but it's not all good news :with such a story,it would have taken a great director and (mainly) a talented script writer (Japrisot wrote himself the screenplay of the French effort).Adding an overt lesbian relationship between Mi and Do does not help ,today it's no longer risqué and even trendy ,à la mode, as we French would say;an intrusive music does not help either.Editing is botched.Whereas the story was essentially psychological thriller,this flashy movie fills its quota of topless women and sex ,neglecting the harrowing frames of mind of the heroine.

gridoon2018 A moody, absorbing, intelligent thriller. For a lot of its running time, I thought the main twist was easily guessable (especially if you've seen the 1991 amnesia thriller "Shattered"), but in the end the film proves to be at least one step ahead of the viewer; I only THOUGHT I knew what was going on. But the film is not all about the twists; at its center there is a complex, deep-rooted, emotional relationship between two women, exceptionally well acted by Tuppence Middleton and Alexandra Roach; though Middleton has the more showy role(s) (and exposes more flesh), Roach is the revelation of the movie - I bet she will have a great career. Ultimately, "Trap For Cinderella" is a triumphant success. *** out of 4.

spotlightne After being in a serious fire, and suffering facial burns, reconstructive surgery, and amnesia, a 20 year old girl, Micky, sets out to find out her real identity.She discovers a diary that reveals a very close friendship bordering on lesbian love with another girl called Do.Micky unravels a web of deceit. But is she the player or the one being played? The plot takes twists and turns and isn't always coherent. I found myself questioning many things that didn't make much sense.Nevertheless, Trap for Cinderella is a good low budget British film. If you've been drawn to this movie because of the lesbian love aspect (due to the trailer), then you may be disappointed. The lesbianism is suggested, rather than being all out there. And it is all one sided.7/10.

euroGary 'Trap for Cinderella' features Tuppence Middleton (most recently seen in the BBC's version of 'The Lady Vanishes') as Micky, a fun-loving party girl who is caught in an explosion at the South of France villa of her aunt Elinor (Frances de la Tour), of whom she happens to be heiress-presumptive. Suffering from amnesia (and having undergone reconstructive surgery) as a result of the accident, Micky discovers the diaries of her childhood friend 'Do' (Alexandra Roach, Channel Four's 'Utopia') and enters a sequence of flashbacks - and flashbacks-within-flashbacks - piecing together the events that led to the explosion and frequently unveiling her breasts. Watching with keen interest is Julia (Kerry Fox), Elinor's long-time PA.Clever - or manipulative - editing of the trailer has made this seem like your bog-standard psycho-lesbo-revenge flick, but it isn't (although there is a touch of Sappho about it). Although written and directed by men, with all the main characters being female and only token presence from a couple of pretty-boys on the male side, it might appeal more to women than men, although if you're more interested in genre - psychological thriller - than gender that shouldn't matter. It's not the cleverest plot - without trying to I guessed most of the big reveals, which probably means most other people will too - and some plot points aren't adequately explained (eg: why Elinor made the decision she did about who gets her money, although it's pretty obvious from the preceding story). But it's entertaining enough, and the acting is agreeable, with Fox being a particular stand-out in her portrayal of scheming frustration. If I had been directing, I would have made more of the swimming pool bitch slap-down between Fox and Middleton, but then I was spoiled as a younger man by those Joan Collins/Linda Evans fights in 'Dynasty'...