Stometer Save your money for something good and enjoyable

Inclubabu Plot so thin, it passes unnoticed.

Grimossfer Clever and entertaining enough to recommend even to members of the 1%

Plustown A lot of perfectly good film show their cards early, establish a unique premise and let the audience explore a topic at a leisurely pace, without much in terms of surprise. this film is not one of those films.

Michael Ledo This film could be a "so bad it is good" film. It takes a log time to develop. The part I liked best was Gilbert Roland talking to the audience with a drink in his hand. I was ready to hear him say, "Stay thirsty my friends." A group of people look in Mexico for the Tayopa treasure left behind by padre miners killed in 1646 in Arizona according to the narration. Kathryn (Rena Winters) leads a small group of men who are ready to strap 17 tons of treasure to their backs and walk out. A crazy man named Sally (Phil Trapani) has his eye on Kathryn. There is also a snake curse.It takes 50 minutes to get to Tayopa. There is a lot of dialogue and narration. The action was minimal. Kathryn gets naked and we get to see underwater blurred nudity. They do use metal detectors to look for the treasure. Is there a metal detector that works with the detector held at waist level? No reason. Just asking.Guide: No swearing, sex. Near nudity. Some unintended camp value.

talisencrw This is one of the most unusual films I have ever seen. Director Bob Cawley tried many intriguing things in telling basically a very predictable story of greed and sexual tension destroying a group of four's journey to cross the border, find and take 17 tons of gold from a Mexican village. It has a host--which instantly reminded me of that suave spokesman for those foreign beer commercials--and had at least two of the main actors act as narrators, so that you could tell what they were thinking. It was zero-budget, but had some bizarre aspects of filmmaking which I found quite admirable, a few ideas that really worked and made the otherwise forgettable story worth watching. There were a few things I could certainly glean and learn from, and put someday in a film I made, should at some point in the future, I was blessed to make cinematic artwork for the world to see. In my opinion, to get your ideas from your mind, and to do everything necessary to make a lasting 60-120 minute visualization of them, is the pinnacle of the living experience and the highest honour one can achieve, at least in this world.

Rainey Dawn Another Mill Creek Drive-in 50-pack film. This one should be retitled to "Garbage of Tayopa" -- it's completely garbage. 100% trash not one thing salvageable about this snooze-fest.Z-grade acting. Almost anyone can do this film because acting talent is not what they were looking for - everything sounds staged and phony. The one scene with the sun glaring in the camera seemed to drag on and on... time filler I would guess.This is the most boring treasure hunt you can watch. You are much better off gathering up your family and friends to treasure hunt in your back yard - you'd have more fun than watching this dreary film.1/10

smittie-1 Joking aside, this is a competently made, if rather low budget, thriller about a bunch of gringos (and Fillipe) who trek off into the Sierra Madres in search of . . . the treasure of Tayopa. Duh. Despite the cowboy hats and six-shooters it's less of a western and more of a '70s survivalist movie, with Trapani stealing the show as crazy ass Sally . . . though all of the actors are good, especially Rena Winters, who I could swear I've seen elsewhere, though the IMDb lists this as her sole credit. Numerous spoilers follow.After being introduced to our main characters the film jumps into a bit of back story, with "host/star" Gilbert Roland's narration accompanied by murals of the (fictional?) 17th century Tayopa mission, where Jesuit priests mined gold until they were massacred by Indians. Quickly enough we segue back into our tale, where, as already mentioned, Sally proves himself to be one messed upped mutha, coming on to Rena with increasing frequency and intensity, harassing Fillipe the guide, and locking horns with the ineffectual Stoppard. Along their merry way to Tayopa Sally murders some bandito types ("They pushed my horse - nobody does that" is a cheesy line, but Trapani made me believe it), resulting in the party being stalked by the ruffians' former employer, a sinister looking fellow dressed all in black. And he has a scar. But he's nice to his horse. Upon reaching their destination Sally snaps completely, attempts to rape Rena, kills Stoddard and Fillipe, and finally dies laughing maniacally, after his head is bashed in with a rock. The sinister fella only shows up to witness the aftermath. He is NOT the villain of the piece after all, despite what Mill Creek's product write up states. Really, most of the action centers on Rena and Sally, as individuals and as antagonists to each other. Rena shows herself as particularly resilient, at one point eating raw rattlesnake to stave off death, only after crawling out of a creek half-drowned and covered in welts. In her dying moments, she hallucinates (as I interpreted it) a priest, who offers her water. She dies. The end.After all that unpleasantness, Roland again addresses the audience, restating his assertion that "Tayopa's past will continue to drive people to search today, and plan to search for tomorrow." ---Spoilers end---Despite its low budget, Treasure of Tayopa makes good use of editing techniques and cinematography. I really can't see why it's as obscure as it is, or why nobody connected to it went on to bigger and better things.