SnoReptilePlenty Memorable, crazy movie

Protraph Lack of good storyline.

Tayloriona Although I seem to have had higher expectations than I thought, the movie is super entertaining.

Frances Chung Through painfully honest and emotional moments, the movie becomes irresistibly relatable

dmuel Aside from a few good Kung-fu sequences, this story of Hong Kong triad godfather, or da ge, Sammo Hung, and his feud with rival criminals inspires little emotion from the viewer. Rivalry within the triad plays out against a back-drop of half-assed cops who are usually a day late and a dollar short trying to catch the bad guys. The action rises and falls during the flick where we meet a strange assortment of murderers. One youngster with blue hair and a shock of over-sized bangs relishes dispatching his victims with a sword. We only hope someone puts him out of his bad-hair misery quickly. I'm sure the end was intended to arouse sympathy from the viewer, maybe even a tear or two was hoped for, but the characters arouse little emotion. We see them for what they are, cutthroats. When we see the "Tommy" character killed in Scorsese's Goodfellas, we are not moved by sorrow; there's no need for it here either. What were they thinking??

grandmastersik Sigh.I have to admit that Simon Yam is my favourite actor in Hong Kong cinema. I'll now also confess that Jacky Wu (or "Wu Jing" as he's known in Asia) is simply fantastic to watch; and then we have Sammo Hung who is a legend...With this main cast and a violent, dramatic, martial arts setting then, one would naturally expect something great. Alas, this was not the case.It's difficult to say just went wrong with Fatal Move but the disjointed storytelling is definitely the main factor. Simon Yam's character starts out as having the potential to be compelling and Jacky Wu certainly looks to be the man with whom not to ***k (as his talent deserves), but things quickly fall apart as too many characters are chucked at us too quickly, for no real reason and after an hour or so of action scenes occasionally having been slotted in to keep our interest in an otherwise dull, difficult to follow film, I soon found myself scratching my head, wondering how the mess on screen before me escaped some serious script re-writes.Aside from men carrying out hits with ninja weapons in a ludicrous excuse for more M.A. choreography when a machine gun could have done all the work in half the time, there's also some truly awful CGI blood and gore effects which made me wonder why the art of film is de-evolving (compare Lord of the Rings to Ghandi; Lone Wolf and Cub to this), and to make matters worse, the dramatic element which had been so sorely lacking throughout, only graces us right at the very end when Sammo's wife, Soso, turns in a deft performance, too little, too late..No Simon Yam lines to justify wasting his talent; no unarmed Jacky Wu.Fair enough, Sammo still surprises us with a cool scene to show he's still got the moves despite his age, but nothing could save this wreck once it had been green-lit without undergoing serious surgery at a local script doctor's.It's unfair to say that there's no story, for as jumbled as it is, it's there, but the action just seemed to be tossed in for the sake of it for the most part, was unrewarding, and the total of this flick came up incredibly short given its concept, cast, budget and just about any other pro it had.

webmaster-3017 Tagline: Almost as good as SPL… Review by Neo: Dennis Law have finally come of age and after 2 unfulfilled attempts, Law have strike third time luckily with Fatal Move. Fatal Move is not just a good movie, as saying that would be a clear understatement, but one that Neo can proudly claim as the best in 2008 HK cinema so far. Despite a few unnecessary parts in between and some moments of predictability, Fatal Move qualifies as an action movie with HK flair and almost matching the feat of 2005's SPL. It's been a while since Neo have witnessed a good HK movie and with it being so close to his 22nd birthday, Fatal Move comes just at the right timing.Director Dennis Law have previously debuted in the teenage targeted Love @ First Note and have since then gone on to make his first shot at action cinema with the above average Fatal Contact. There is no doubt that Law's career lies in action cinema and if this flick is any indication, his direction is only heading one way and that is up and coming. It is always refreshing to witness a new generation director producing a good quality flick and it is all the more exciting when it comes to action cinema. Law smartly casts a trio from SPL, namely Sammo Hung, Simon Yam and Wu Jing and the result is some quality martial arts sequence and lots of fun to be had.Also of special mention, it is probably the first time in years, where action flicks have succeeded without the involvement of Donnie Yen. Perhaps it is time to unleash Wu Jing on his first true starring in almost a decade since Tai Chi 2. Like his role in SPL, Wu Jing, the protégé of Jet Li is cool enough to rock the screen and likable enough to keep the audience attention. His fighting is slick and his youthfulness sets him apart from the rest of the aging cast. Still, these kinds of roles might make him look cooler than anyone deserves to be, but ultimately they are paper thin and not ones that allows Wu Jing to show his full potential. However, it is nonetheless a sigh of fresh air as the days of Sammo Hung is closer to retirement than debutant.Also in the mix is Lee Sir, Danny Lee and without a second though there is no doubt that Lee have aged considerably since his The Killer days and the sight of him with a gun is about as believable as a pensioner robbing a bank. With that being said, it is always a pleasure to see him back on the big screen and once again reminding the audience exactly how movies are used to be made. Sammo Hung almost reprises his role of SPL but this time with a degree of remorseless and thus allowing the audience to maintain interest in his character. Unfortunately one of Law's weak points is that he is no Wilson Yip, which means that he is not a character director. Luckily, the fight sequences more than compensate and the result are some quietly entertaining long takes of these coolly filmed scenes.Simon Yam also appears here and there, but is somewhat subdued and almost certainly a role more suited to the likes of Francis Ng. Veteran actress Tien Niu impresses the audience with a performance that is menacing yet understanding. Those final words of her are strong and her facial expression matched the strong dialogue given to her. As for Lam Suet, he is just himself, but for an actor that does so little, Lam is damn memorable and his acting is just priceless to laugh or cry for.All in all, Fatal Move is easily the best movie of 2008 so far and it is safe to say that it is a movie that Neo actually liked. I understand that the current reviewer has been a little too strict in recent times, but there is no argument that the quality being delivered so far this year has largely been disappointing. With that being said, it always feel good and makes Neo's day a hell lot better whenever he witness good HK cinema. Firstly, it is surprising, secondly, it makes him feel like his effort and passion for this industry isn't just going straight to the garbage dump and finally, it allows the current review to sleep well at night. So what's wrong with Fatal Move, the answer is that there is nothing wrong, but the fact that Neo got sort of over-excited like a little kid receiving a balloon… (Neo 2008) I rate it 9/10www.thehkneo.com

Lee Alon There's no guarantee in life that another day means another dollar, but you can pretty much count on a new Simon Yam movie coming along. And here he is again in a triad story, but don't let the fact bring you down or put you off: this is actually a cool movie, marrying as it does serious underworld scheming with fantasy violence. It's kind of like the Infernal Affairs trilogy condensed and on crack.Fatal Move is a Category III for violence only – and it's indeed relatively bloody, even if much of the gore is cheap CGI. This is no Hostel, but nonetheless the body count is impressive and the range of physical outrages quite extensive, including one torture scene where Simon not only says it's pain time, but also does most of the inflicting in person.The result of all this bears some similarity to last summer's Invisible Target, although Fatal Move isn't as compelling or refreshing, nor are its characters quite as appealing. It also has crooks masquerading as cops, a raid on a police station and a SWAT/SDU team being made fools of, and does possess considerable talent – in addition to Yam, we get Sammo Hung and Wu Jing, both very capable performers, albeit not in their strongest outings here. This is especially true for Wu Jing, whose looney-aggressive act appears lifted directly from SPL, only not as sincere. Sammo gets very little time to show off his moves, yet does well as clan leader Lin Ho Lung, a veteran criminal who for once bothers with differentiating between "triad" and "mafia", a point rarely noted on the big screen.The story begins with Boss Lin celebrating the birth of his first son, and all's well – his deputies Ah Tung (Simon Yam) and Tin Hung (Wu Jing) seem to have things under control, while his female right hand person Soso (Tien Niu) maintains the books balanced and the money flowing in.This being a triad actioner, calm isn't the primary directive, and quickly things go sour as internal conniving and treachery become the order of the day on top of pressure from ever-present cops, led by Danny Lee as Inspector Liu, and with Lam Suet throwing in a cameo for some tragic-comic relief.Soon the choppings, sword slashings, bludgeoning and outright gunning down of cronies by the van load commence, accompanied by a rather convoluted string of double-dealing and treachery that affects all involved parties. Although this means the characters aren't totally flat and do have motivations, this facet of the story is left somewhat under-developed and thus results in mild confusion. As a consequence, the ending, which has a couple of supposed stunner-twists, fails to stuff the bucket, as they say, instead coming across as a bit of a red herring in fancy evening wear. This applies to many parts of Fatal Move – even at two hours it still feels cut in many instances, like they had to remove scenes at the last minute or something.Overall, Director Law (who did Fatal Contact before, also with Wu Jing) supervised a competent project here. This is a worthy addition to an already heavily populated herd of jiang hu flicks, and Fatal Move is all-told a memorable and visceral release that's unlikely to go down as a classic despite being a solid viewing with a healthy dose of both Election-like gangland politics and comic book hyperbole. We'd say go for it, it's one move you'll live to not regret.