True Heart Susie

1919 "The story of a plain girl"
6.9| 1h27m| en
Details

Susie secretly loves her neighbor, William Jenkins, but neither, it seems, can confess their feelings for each other.

Director

Producted By

D.W. Griffith Productions

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Reviews

Solidrariol Am I Missing Something?
Fairaher The film makes a home in your brain and the only cure is to see it again.
Janae Milner Easily the biggest piece of Right wing non sense propaganda I ever saw.
Guillelmina The film's masterful storytelling did its job. The message was clear. No need to overdo.
marlene_rantz What a beautiful movie, and as the familiar expression goes, they don't make them like this, anymore! Lillian Gish is True Heart Susie, a plain young woman devotedly in love with her neighbor, portrayed by Robert Harron, who, in turn, is attracted to a more flashier type of woman, portrayed by Clarine Seymour. He is totally unaware of True Heart Susie's love, devotion, and sacrifice for him, as she deprives herself to help him get ahead in his profession. All ends well, and true love wins out in the end! As always, Lillian Gish was excellent. She may have been plain, but her heartfelt expressions made her a beautiful woman, in my opinion. Robert Harron and Clarine Seymour were both excellent, and it is so sad to note that both of them died very young soon after this movie. The direction by D.W. Griffith was excellent.
Nick Delasbour This is a classic case of allowing society and traditionalism hold you back from what you really desire. There was once a time in society where the belief was that things had to be done strictly by the book and if you did them any other way then you were wrong. This belief system was not only for one part of life, but for all. There was a strict way for church's to operate, people to dress, families to conduct business, and also for people to interact with each other and if you did any of these differently than the norm then you were out of order. This was not the time to be different in society; it was a time to conform to traditionalism. Susie was as true to the traditional ways as "the needle to the pole." Susie allows her traditional ways to keep her from getting the man that she longed for from childhood. She was never willing to tell him what she truly wanted to neither through actions nor words while other girls did. Susie sat on the sideline and watched as other women robbed her of the stock she had invested so much in. Susie was so caught in tradition and being nice that it was too a fault. In the end it hurt her more than it helped. One thing I noticed was that Susie was more loyal to her mother than she was to her own desires and that loyalty cost her many years of happiness. Susie eventually married the man of her dreams, but it was well into her later years of life and she could never be as happy as she could have been had she gone with her gut feeling and told the young man how she felt. Susie surely had a true heart.
finchy9-976-77969 This is a good little film. Seems like one of D.W. Griffith's more calmer films especially considering he directed Birth of a Nation. But it is the acting that is the essential backbone of this film, particularly Lillian Gish. It is said that most actors starting out in silent films were once stage actors in plays, so their expressions and styles of acting can tend to be dramatized and somewhat overreacted. But not Lillian Gish, she basically created the sincere actress, her facial expressions are brilliant and it totally personifies her character in the film. In the film the character Susie has to sit back and watch the person she loves most in the world love someone else. To most actresses of that time that would be a pretty hard character to act especially when there is no dialog to be said, but she does it with such great poise and sincerity that the audience gets a true feel for the pain she is experiencing. I can't help but think that most actresses of the present time wouldn't be near what they were if she hadn't raised the bar from where it was. There are also signs that D.W. Griffith was a feminist filmmaker. The lead male actor in this film, Robert Harron, plays William Jenkins, a stereotypical male who is, quite frankly, more oblivious than Griffith gives the average male credit for. Griffith does a wonderful job of creating a want to hop through the screen and tell William to wake up and stop loving the "slightly unfaithful" woman. But in the end all is well and justice is served to those who deserve it.
MartinHafer It's rare that the ending of a film can undo so much of the rest of the movie, but "True Heart Susie" by D.W. Griffith is one of those films. It's really a shame, as the movie had been quite good up until that point and had a lot to recommend it.The film begins with Lillian Gish wanting to help her sweetheart (Robert Harron) get the money for college. When a rich guy meets Harron and promises to one day help him (but doesn't), Gish decides she'll be his benefactor--secretly giving him money he assumes is from this rich man. Using the money Gish obtained by selling her farm animals, Harron is able to work on campus and earn enough to get his education. When he returns, he's now an ordained minister and appears ready to settle down in his home town. However, he still doesn't know that Gish helped him. She assumes they'll one day marry, but he never has popped the question.When a flirty lady bent on marriage arrives in town, Gish's subtle and lady-like ways are no match. Even though it's obvious to the viewers that this new lady is a tramp (as you see her doing lots of evil things behind Harron's back), the guy never realizes his new girlfriend is just plain bad. Now you'd think that Gish would lay it on the line and just tell him that she paid for his education as well as her love for him, but she doesn't. Perhaps she only wants him if he wants her--perhaps this is just a plot device! Either way, Gish is simply beautiful and sweet in the film and it's hard to imagine Harron marrying the tramp...but he does.The marriage soon turns out to be a huge mistake, as the new wife really could care less about being married or any aspect of domesticity. Harron, though, is easily manipulated and time after time, his cheating, no-good, scumtastic wife breaks her marriage vows--partying with old friends, kissing other men and just being a skank.Now up until this part, I'd liked the film. It had nice production values and very nice acting. I thought Griffith had done himself proud. Then, however, bad writing really sunk the film. First, when Gish sees that the new wife is a cheat, she does NOT tell Harron. This is odd, but perhaps understandable. However, when the cheating wife is caught out in the rain (as she'd sneaked out to go partying), Gish actually agrees to help the wife hide her actions. Why?! This made no sense. Second, and this was dumb, Gish didn't tell Harron a thing. Third, and this was just awful, the cheating wife gets sick and dies as a result of her being out in the rain!! This is the sort of death that can only happen in movies and just seemed to come from no where. Fourth, after the awful wife dies, Gish STILL doesn't say anything to Harron!!! However, you know that somehow it will all work out--and the entire last 10 minutes of the film is a mess--and it's a shame, as the rest of it was lovely.

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