MamaGravity good back-story, and good acting

Twilightfa Watch something else. There are very few redeeming qualities to this film.

HottWwjdIam There is just so much movie here. For some it may be too much. But in the same secretly sarcastic way most telemarketers say the phrase, the title of this one is particularly apt.

Hattie I didn’t really have many expectations going into the movie (good or bad), but I actually really enjoyed it. I really liked the characters and the banter between them.

LeonLouisRicci Typical of its Type, this is another Teen Phenom Film that doesn't have a clue. First, more than once the Script puts down Rock n Roll as a thing of the Past and berates it and says there is no need for that Flash in the Pan, forget it, because now there is "The Twist".Well, The Twist is RnR albeit a safe variation thereof that got accepted by Middle Agers before the Kids could say "get your own groove Daddy-O". This Movie was just another example of Dumbed Down, Cash Raking, Corporate Sanitizing and Filtration, by way of The Twist Craze, of the Raw and Raunchy Music that was the first wave of Rock n' Roll and deemed a Blight on America's Youth.Most of these Movies have at the Lead some White Bread Spasmodic embarrassingly mimicking His betters. A Clean-Cut Crooner with all the right "Attributes" except Talent. Here there is some Dolt named Clay Cole making an Ass out of Himself through most of the Film while a couple of real Stars are given time to Perform a few Real Hits.Chubby Checker, who stole Hank Ballard's Song and Singing Style and Re-Released Hank's "The Twist" Record without a mention or a nod, does do one Legitimate Song, Twistin USA. Dion does His two Biggest Hits, The Wanderer and Runaround Sue, both Great Pop Teen Anthems. There is also an appearance by The Marcels that had a huge Hit or two, but here deliver only a Novelty called Merry Twistmas.There is more in this Movie to Hate than to Love and overall it is worth a View for a Few Minutes of Time-Capsule Song Performances by Chubby Checker and Dion but that's it.

ptb-8 I really enjoyed TWIST AROUND THE CLOCK as a genuinely snazzy low budget 1961 dance pic with a roster of (still) very well known songs. Other comments will tell you how identical it is to ROCK AROUND THE CLOCK (it certainly is) but for me that did not diminish any of the delight. I am quite fascinated by Vicki Spencer who I see only made one other film TEENAGE MILLIONAIRE. What happened to her? In TWIST she is almost everything Ann-Margret is a year later in BYE BYE BIRDIE... even in her gorgeous looks. Dion I had never seen but knew the songs well (The Wanderer, Runaround Sue) ... he is certainly the iconic 60s nightclub star in the Bobby Darin style. I found the script hilarious. It is actually funny with some great sly comments... especially between the father and daughter nemeses... Chubby Checker is his dynamite fun self... I also thought he was very handsome in this film, given I guess he was in his mid 20s, something I had never observed... perhaps that is because I am used to seeing later years material when he looks good, but here, younger he is certainly compelling. TWIST is enormous musical fun and for kids to enjoy because they could actually dance along with it. My DVD is a Canadian reprint with new titles over the original Katzman/Columbia 35mm release... the body of the film is the same as the original film. I had such a good time watching this film... I really laughed with it and thought the songs terrific... and then there is the dance team fun.... and The incredible Marcels to top it off.

Bud_Brewster TCM showed a marathon of rock n' roll movies on January 31, 2007 and I taped the entire 12-hour run. I really enjoyed "Rock Around the Clock" (1956). It was energetic and fun, with plenty of good music.Then I started watching the next feature, "Twist Around the Clock" (1961).I expected the two films to be similar -- but I was flabbergasted when I realized that "Twist" was filmed using exactly the same script as "Rock"! The plot elements were copied perfectly, scene-for-scene. In fact, the dialog was even the same – word-for-word – throughout both movies!Watching these two films back-to-back is like a trip to the Twilight Zone -- a perfect example of parallel universes.

gallifreyent Teen potboilers should not be viewed with hope that great cinematography or compelling plots loom within. Instead, catch Twist and its counterparts through the decades just for the music, slang, and fashion. Ignore loose lip-syncs...even big-budget musicals have missed the alignment at times. Forgive this film for failing to meet music video standards, and just appreciate the stage performances by hit acts of the era. Understand that the Twist was a hugely popular dance that spawned several hit songs just about the dance, a movement across the country that loosened up the straight-laced post-McCarthy public, increased popularity of African-American performers who had more often up to that time been known better by the cover records of their songs by white stars. There was even paperback book about the impact the Twist had on "discoteques" around the planet. Maybe this little film would have been better had the producers simply stripped out the plot and made a documentary of the performers, but there were other films of this kind, and continue to be. Think about it...is showcasing the performers that different from Twist to Justin Loves Kelly, Get Rich or Die Trying', Our Dancing Daughters, 8 Mile, Spice Girls, Help, or Orchestra Wives? But do people go to a film if there's no plot, even a thin one? Some are better than others, but they're all showcases of a music in its time and place. If you don't like the music circa 1961, then pass it by. Otherwise, don't hold it to the same standards as your favorite blockbuster or art house Golden Palm winner.