SunnyHello Nice effects though.

Phonearl Good start, but then it gets ruined

Ceticultsot Beautiful, moving film.

Freeman This film is so real. It treats its characters with so much care and sensitivity.

MartinHafer This is a short film from MGM that is in very vivid Three-Color Technicolor--the first truly full color film used in movies beginning about 1934. Up until then, color films were two-color varieties-- such as Two-Color Technicolor and Cinecolor...and the pictures looked rather orangey green. So, it's obvious when you watch the film that it is very pretty.Joe (Gus Shy) works at a department store and apparently spends all his time getting drunk. After getting amazingly drunk, he begins hallucinating...seeing the mannequins all coming to life and then singing and dancing. These are mostly very dull numbers--even the really odd one with evil villains through history (and fiction) coming to life. It's supposed to be funny...but they thought wrong...and it's only passable entertainment.

Neil Doyle Although the musical interludes are on shaky ground, they're a lot better than what usually was done by the '30s Warner "Brevities" at another studio. In fact, a lot of imagination and creativity went into the making of this MGM short about an inebriated custodian of wax window models who sees them all come to life.GUS SHY is a vaudevillian who does his drunken act well, but the accent here is on what he sees once the window displays come alive. Especially interesting are "The Greatest Villains" featuring a very striking use of the Frankenstein creature, bearing a strong resemblance to Boris Karloff in the old Universal film.The songs are a weak lot but the imagination goes into the various antics of the live wax mannequins who go from window to window experiencing different settings and interacting with the various characters.Summing up: Inventive use of early Technicolor makes watching it worthwhile.

Michael_Elliott Two Hearts in Wax Time (1935) ** 1/2 (out of 4) Technicolor short from MGM is a rather interesting viewing experience but for reasons you might not think of. The story centers around a drunk department store worker (Gus Shy) who has one too many and begins to think that the mannequin's are coming to life and doing music numbers. There are a few pluses here including the interesting set design and of course the beautiful color. The color really jumps off the screen and like many of these early Technicolor shorts you can tell someone went to great trouble to make sure the film was as colorful as possible. The music numbers are decent at best and to be honest I thought the best song as the drunken Shy doing "I'm Always Chasing Rainbows." Now, what makes this short so interesting is a brief appearance of Frankenstein's monster. Why is that interesting? Well, this short was apparently released before BRIDE OF FRANKENSTEIN yet the monster here is clearly "trying" to look like Karloff did in that film. However, there's actually a lot more because the monster is talking here and even samples some dialogue that would appear in the James Whale film. So, if the release date of this coming out first is true, then this here is the first film to feature the monster not only talking but also in color. It really makes you wonder if someone saw an early preview of the Whale film, if this was just luck or perhaps something else was going on.

Matt Cyganik When a department store custodian gets drunk, the short follows a night of hallucinating that the mannequins are alive.The musical ditty itself isn't very distinguishable from others of the era, although the "Greatest Menace Of Them All" bit is almost surreal it's content. Think of a preemptive to Herman Munster & The Penguin and you've got an idea of the 'menaces'.At 17 minutes, it's hard to take offense to the short, even if you don't like musicals. But the bookends about the alcoholic department custodian is at least a different approach to the musical genre set-up.6/10