Incannerax What a waste of my time!!!

Afouotos Although it has its amusing moments, in eneral the plot does not convince.

2freensel I saw this movie before reading any reviews, and I thought it was very funny. I was very surprised to see the overwhelmingly negative reviews this film received from critics.

TrueHello Fun premise, good actors, bad writing. This film seemed to have potential at the beginning but it quickly devolves into a trite action film. Ultimately it's very boring.

JohnHowardReid I guess the appeal of this movie was aimed primarily at the kids. They would identify with the young players, although it does seem that Republic wanted to rope in adults as well, as some of the scenes are rather gruesome. In fact, as the plot progresses, it seems that Republic was keen to rope in picture-goers of all ages and tastes. It's a ploy that doesn't work because the movie's various components and plot strands tend to work against each other and thus antagonize picture-goers of all stripes and ages. For example, if the film is aimed at the kids, there are many scenes that kids would find either plain boring or - even worse - distressing! The film also goes overboard to maintain the star's appeal to horse lovers. In fact, I'm amazed that Trigger's name does not form part of the title. "Trigger Kidnapped!" is what I would use. Or you could easily dream up a title that would appeal to the large juvenile audience that the film is also obviously aimed at. Instead, the movie strives to be all things to all viewers and ends up satisfying none. The title itself is a cop-out. "Under California Stars" contains no clues as to the movie's content. Why not be brave and come right out with "Trigger Snatched" or "Trigger Abducted"."Under California Stars" tells us nothing. True, some of the scenes are well done but, as said, they don't make a cohesive whole but tend to work against each other!

MartinHafer This is a very unusual Roy Rogers film in that it is in the public domain and yet is complete--and in really nice condition. Many of Rogers' films are in the public domain but they are truncated versions--chopped to pieces in order to fit them into TV time slots back in the 1950s. It's nice to get a chance to see one in its entirety.Unlike many Rogers films, this one features neither Dale Evans nor Gabby Hayes. I have no idea why they weren't in this film but instead Jane Frazee and Andy Devine are on hand to fill these roles. And, both seemed up to the task.Like so many of Roy's later films, he essentially plays an idealized version of himself. Like in real life, this Roy is celebrating ten years in Hollywood. And, after completing his latest movie, is going back to his Double-R ranch for a needed vacation. There he learns that some local baddies are killing range horses. Roy sees one of these guys about to kill one when he intervenes--and you KNOW that these two will become instant enemies.The baddie (Lige) is a brute and he and Dad both mistreat a nice little kid, Ted, and are crooks. They plan on stealing Roy's best friend, Trigger, and hold him for ransom. But it becomes a lot more serious when later one of the gang is murdered to keep him from telling Roy where his horse is. Can Roy solve the murder and rescue the smartest horse in movies? And, what of poor Ted--he's in need of an operation and needs a good home!! Well, this last part is a bit schmaltzy--though the rest of it is quite nice. Overall, while not a great film, it's very enjoyable worth seeing--particularly if you enjoy B-series westerns.

classicsoncall I was curious about the premise of this picture, since an early scene reports that it's Roy Rogers' Tenth Anniversary in movies. Sure enough, a check of Roy's film credits shows "Under Western Stars" as his first feature role for Republic Films back in 1938. He had appeared in about a dozen films before in bit parts, usually as a member of the Sons of the Pioneers, and usually credited as Dick Weston or by his real name, Leonard Slye.It was a bit odd to note that Dale Evans wasn't around for this flick with the female lead going to Jane Frazee. Another reviewer on this board posits that Dale may have been in a motherly way at the time of shooting. Frazee's character is a cousin to Andy Devine's 'Cookie Bullfincher', and the story gets some comic relief from additional Bullfinchers on hand who Cookie has hired during Roy's absence. Ever the softie when it comes to his close pals, Roy takes it all in stride.The story reminded me a little of the 1946 picture "My Pal Trigger", as that one also involved a kidnapped horse. In that story it was Trigger's dad, going by the name of Golden Sovereign, and Roy was framed as the kidnapper! The villains this time though were a much more dastardly lot, as they threatened bodily harm and even death to Trigger, Roy, and a young boy who figures in the story's outcome, played by Michael Chapin. A hundred thousand dollar ransom for Trigger doesn't sound like a whole lot today, but sixty years ago I'm sure it was a pretty big deal."Under California Stars' winds up being a fairly standard Western for Roy and his sidekicks as they outwit the bad guys during the run for the ransom money. There's the usual share of double crosses that trips up the bad guy bunch, as the 'Smartest Horse in the Movies' spends a fair share of his time doing battle with the baddies as well. Fans of Rogers might notice as I did that the ten years of working for Republic must have been pretty good, as Bob Nolan and his partners all seemed to have added a few pounds around the middle. Roy however looks as trim and fit as ever, even though it's fairly evident a stand-in took his place for a running rear mount in the latter part of the picture.

Brian Camp UNDER CALIFORNIA STARS (1948) is a fairly typical postwar Roy Rogers vehicle with a routine B-western plot enlivened by some excellent Trucolor photography. Roy plays himself, the movie star dubbed `King of the Cowboys,' and is briefly glimpsed on the Republic Pictures soundstage before the action quickly shifts to Roy's rural property, the Double R Ranch, for the occasion of a radio broadcast celebrating the star's tenth anniversary in movies. The event is marred by the kidnapping of Roy's palomino, Trigger, by a group of henchmen working for Pop Jordan, a local horse trader. Ted, a boy who ran away to Roy's ranch after mistreatment by his stepfather, witnesses the kidnapping but is warned to keep quiet or they'll kill Ted, Trigger AND Roy.Given the fame of Roy and his horse, it seems a mite foolhardy to go around kidnapping Trigger, especially since the event makes national headlines. But, in the insular alternate universe of the postwar B-western, the matter is left entirely up to the local sheriff of Saddleback, a town which offers no sign of a gas station, diner or paved road. Neither the FBI nor the state police nor any other pertinent law enforcement agency is called, nor do they show up on their own. (Had J. Edgar Hoover never heard of Trigger? Was he too busy chasing commies? Or did he simply not exist in this world?)Eventually, Roy and his crew, which includes Cookie Bullfincher (Andy Devine) and Roy's backup singers, Bob Nolan and the Sons of the Pioneers, work with the sheriff to come up with a plan to trap the kidnappers when they show up for the ransom money. There is lots of outdoors action and furious horse-riding, before a violent confrontation or two ends the problem. The action is shot almost entirely on location, with none of the studio-shot closeups that one finds in a later Roy western like NORTH OF THE GREAT DIVIDE (1950).There's a surprising amount of bad behavior and violent death on display. Even though these films were set in the modern era, they featured typical B-western type villains who were invariably local businessmen who are secretly corrupt and embark on capers which threaten Roy in one way or another. A somewhat alarming development in this film is the constant threatening of Ted, the runaway boy, first by his stepfather, Lige, Pop Jordan's chief assistant, and later by another henchman, Ed, who threatens to blow Ted's head off if he says a word about who kidnapped Trigger. These darker elements serve to counterbalance the song and comic interludes. The lead villains here are authentically crusty, hefty western types, well-played by George Lloyd and Wade Crosby.Andy Devine provides the comedy relief, a role that would be taken by Gordon Jones and Pat Brady in future Rogers westerns. Singer-actress Jane Frazee is the female lead, playing a cousin of Cookie who comes to the ranch to train horses. The catchy title song is heard more than once, culminating in a lovely duet performed by Roy and Jane. The film is not as well-plotted or packed with incident as such later Rogers Trucolor westerns as THE GOLDEN STALLION and TRIGGER JR., but it remains a must for Roy's fans. Unfortunately, public domain videotapes in circulation don't serve the Trucolor process well. This one remains a prime candidate for restoration by Republic Pictures Home Video.