Softwing
Most undeservingly overhyped movie of all time??
WillSushyMedia
This movie was so-so. It had it's moments, but wasn't the greatest.
Roy Hart
If you're interested in the topic at hand, you should just watch it and judge yourself because the reviews have gone very biased by people that didn't even watch it and just hate (or love) the creator. I liked it, it was well written, narrated, and directed and it was about a topic that interests me.
movieman_kev
Justin goes home to live with his strict, hard-nosed police detective father, but it seems daddy has turned the upstairs into three makeshift apartments each with bizarre tenants residing in them. Straight-laced idealist Justin is thrust into the world of the occult, murder, under-aged drinking and other dastardly things. Ho-hum Wow, have I seen the same film that nearly all the other reviewers on here saw??? Clever, compelling, original, intense, clever, genius????!!? I witnessed none of those things. What I DID see was an uninteresting, bland, trite, extremely clichéd low-budget thriller that was ripe with implausibilities and no tension in the least bit as the killer is telegraphed as soon into the film as he gives his monologue/debate/discussion. And where are these humorous laugh-out-loud moments? I never so much as chuckled, perhaps because i was too busy struggling not to be put to sleep by the film.My Grade: D DVD Extras: Audio commentary with director Dave Campfield; Second commentary with various contributers as well as isolated music tracks; 4 featurettes (Making of, on the set, turning 1 room into 4, & Inside the black circle); Interviews with Felissa Rose, Desiree Gould, & Raine Brown; Alternate scenes; bloopers; a music video for 'Addiction'; A trailer for this movie; And trailers for "Shock-o-rama", "Chainsaw Sally", "Skin Crawl", "Sinful", "Bacterium", "Creature from the Hillbilly Lagoon", & "Millennium Crises"
bobgrayproductions
I am handed many DVD's from filmmakers across the country at film festivals. In most cases I tell the filmmaker that I will check it out after I get home. Sparring myself from a face to face "What did you think of my film" conversation that in most cases can be brutally honest and unrewarding. At the Long Island International Film Expo a young director named Dave Campfield handed me a copy of his film "Under Surveillence" and asked me to tell him what I think. I gave him the "I'll check it out later" and threw it in my car. As I sat in my hotel room and realized that there really is nothing on cable I broke my rule and threw "Under Surveillence" into my laptop. I have watched it three times since. This film is a masterpiece. Smartly written and directed with characters you actually care about. For a first time filmmaker Dave Campfield hits a home run. His script is inventive and edgy and keeps you at the edge of your seat. What really impressed me was how well his cast performed. Everyone of his actors did a really good job and not an over-actor amongst them. Shot on video, "Under Surveillence" has the look and feel of film. Something he must have worked hard on in post. When it hits the video stores you have to check it out. You'll be glad you did.
JakeJarvi
I've seen a lot of low budget thrillers and this one is the best. Fantastic writing and outstanding performances keep the movie constantly moving. The moments of tension are built really nicely but the thing that really took me by surprise was the comedy. Very intelligent humor that draws from what the audience expects, surprises them, and isn't cheap. It's always nice to find a movie that gives the viewers some credit and doesn't play to the lowest common denominator.Often times when a writer or director casts themselves in a movie it does a great disservice to the picture. But that is not the case with Dave Campfield's performance in this movie. His character provides many of the great comedic moments. If he hadn't pulled it off the movie could have fallen pretty flat. I really enjoyed this movie. Dave Campfield is a filmmaker to watch.
CDG-5
In Under Surveillance, Dave Campfield, in his first feature film, typifies the triple threat of writer, director, and actor (might we add, co-producer!). On a budget of $30,000, he transforms digital video into a slick, cinematic tour-de-force that rivals, if not surpasses, a 35mm concoction. He utilizes the camera's possibilities as a character in the cast, moving deftly and subliminally into and out of the mindset of mystery and psychological intrigue. He employs a writer's precision in pacing his screenplay with appropriate calibers of suspense and revelation, layering it with rich characterizations and subtext, brought to life by a compelling and well-assembled cast. Director of Photography Andrew Seltz maximizes the technical potential of digital video with lush and ominous color landscapes punctuated by Pixelvision-like black and white points of view of the surveillance cameras, offering us a peephole into the private lives of this repertory of players. Composer Evan Evans lends a haunting and enthralling score, reminiscent of early Bernard Herrmann, and contributes significantly to the overall tone of the piece. Under Surveillance is bound to elicit attention in the independent film arena; and as long as there are fine films to be seen and fine director/writers (such as Dave Campfield) to make them, it should secure a memorable place in that canon and beyond.
