Scanialara
You won't be disappointed!
SincereFinest
disgusting, overrated, pointless
Comwayon
A Disappointing Continuation
Jenna Walter
The film may be flawed, but its message is not.
info-8606
I am one of those frequenters to Visit here in "IMDb.COM" to repeatedly return here over and over, to read other folks opinions, views and reviews of their Movie Going Experiences.I would love to see a place in the IMDb REVIEWS Section given over to the following Information...1/ Did the Reviewer actually "See" the Movie on it's Original Theatrical RELEASE DATE ? 2/ Was the Movie experienced in a Movie Theatre, or was it experienced on Home Video? I believe that there is a Definite relevance & significance to the responses gained from knowing the ANSWERS to these Two Questions. What has this anything to do with the MOTION PICTURE Released in 1963, known as "UNDER THE YUM YUM TREE" with Jack Lemon and Cast? Plenty.. My being born in 1946, I was 17 years old in 1963. I got to see this film in an "ATMOSPHERIC Cinema" check out on the www... to find out what an "ATMOSPHERIC CINEMA" consisted of ...In this very "ATMOSPHERIC CINEMA" it was there, only Three Years later that I would be found working in the "Projection Room" of that Very same Theatre, I did not know that at that time, -as I was still in High School- In the Year of 1963, filmed Adult material was in short supply, and Movies were being altered gradually from very prudish story-telling and just venturing into territory where it had previously been prevented and forbidden since the years 1933/1935 by the ENFORCEMENT OF "THE Hollywood PRODUCTION CODE"!!! Le us not forget, that in 1959 we had "PILLOW TALK" with Doris Day and Rock Hudson which was a Ground-Breaking Comedy for it's time... Then we come to 1963 with "UNDER THE YUM YUM TREE" in the Glorious Technicolor process, a film Technology that would be deliberately phased out over the next couple of years, due to the Costs involved in Producing TECHNICOLOR MOTION PICTURES, more is the pity."... Yum Yum Tree", was about a mature-aged male ogling young women, and offering a relatively safe male fantasy for the guys in the cinema going audiences of 1963, we had not seen such characters portrayed on screen before. I can recall the beautiful Color of the Film, Carol Lynley's character portrayal of a Young Girl who could handle herself well from the ever advancing approaches of her lecherous Landlord played by Jack Lemmon ...who had generally played in Film comedies throughout the 1950's, at that screening in 1963, I found myself laughing at the antics and of the verbal sparring & repartee between Dean Jones and Jack Lemmon. It was a film made for it's time in "Hollywood History" and NOT a movie made for 2017 AUDIENCES, of present day audiences who kid themselves, believing that they know MUCH BETTER and looking from the present Vantage point of looking back to a time, that they cannot remotely hope to relate to, as they have no reference point from which to operate from, as they did not live in that ERA back in the early 1960's. Now that I am at the age of 71+ (plus) when I read reviews here on IMDb, when I read middling or negative comments, I am pretty sure I can discern who actually has Experienced the MOVIE being reviewed at the time of the Picture's Original Theatrical Release date, and someone who has only recently seen something for the Very FIRST TIME being "DECADES AFTER" and since the Original Release... We cannot alter the past, we have indeed lost a great many things over the intervening years, and a Number of the things that I most regret losing, looking back, is common Courtesy and Respect & Decency...These things are what this Present Era Lacks in, Just look around us...
ryancm
How could this movie have been made? A truly awful little comedy with top notch actors. JACK LEMMON plays the most despicable character ever in a comedy. No redeeming values what so ever. His character should have been arrested for his doings. A land lord can just open a tenants apartment any time he wants? The things he does to poor Dean Jones with his conivings and miss doings are horrific. Besides being dated, this movie isn't even funny and Lemmon's character borders on the insane. With so many great titles still unreleased on DVD, why put this one out? Even Jack Lemmon hated this movie. See it and you'll know why. But a fair warning. You can do something better with your time than spend one hour and 50 minutes watching this trash.
Poseidon-3
Films certainly underwent some massive changes during the 60's. Compare the "chaste" sex comedy of this 1963 movie with the far more permissive and blatant movies of the latter part of the decade. Lemmon plays a relentless, lascivious skirt-chaser who runs an apartment complex called Centaur Apartments. Renting only to women, he says goodbye to former flame Adams and, before he can adjust to it, has rented the vacant apartment to her pert and very attractive niece Lynley. Lemmon can barely contain his glee as he sets out to carve yet another notch on his figurative bedpost, but he's unaware that Lynley has arranged for her boyfriend Jones to live with her (platonically) as well as part of an experimental, pre-marital arrangement! While Lynley and Jones wrestle with their hormones and strive to shield each other from temptation, Lemmon peers through windows and hangs from the roof when he isn't just trotting right through the front door with one of his many, many keys. The goings-on are observed by Lynde, as an envious gardener, and Coca, as his disapproving, cleaning-lady wife. Plenty of predictable misunderstandings and shenanigans take place with opposing sides either vigilantly defending Lynley's virginity or trying to get it taken away. All of it is handled with a soft touch through suggestiveness, innuendo or comedy. Lemmon tackles a very unusual role for him and is at least partially successful with it. He outrageously skulks around like Wile E. Coyote, with a battery of tricks up his sleeve, while appropriately cartoonish music plays. His antics eventually grow tiresome and he overacts with abandon, but it's still fascinating to see him in this light. Lynley was probably never more beautiful than in this film and, most of the time, she's quite appealing. She handles a stock "liberal, progressive virgin" role with skill. Jones (impossibly skinny, especially during the seduction scene towards the end) is charming and endearingly lunkheaded. He and Lynley make a very nice couple. Adams is saddled with a fretful role, but she looks pretty nice and manages a few nice moments. Handsome Lansing, as her new fiancé, has a very thankless part (one which was not in the original Broadway play on which this is based.) Coca is afforded several amusing bits as is Lynde, but Lynde was capable of far more hilarious screen activity than he's allowed to show here. Some of the material was just a tad obvious and tired, even for 1963. The film would have benefited well from a little bit of pruning in the redundant dialogue and more lengthy sequences. Still, it's a very colorful, silly, wacky romp that, if nothing else, makes for a fascinating time capsule of what filmmakers of the era thought (or perhaps wanted audiences to think) was the right way for people to behave. The sets are quite amazing, actually, though patently artificial-looking at all times. The opening credits for the film are really bizarre with a big fake tree hovering over two dancers as James Darren croons the title song. It's amazing how similar Darren sounds to the much later Harry Connick Jr. Incidentally, among Lynley's belongings in the apartment is a Darren LP! Bixby appears briefly as a potential male tenant, given the brush-off by Lemmon. A few years later, Ryan O'Neal, Leigh Taylor-Young and Harold Gould would film a pilot movie intended to set this up as a series, but it didn't come to fruition.
fairwaters
Love Jack Lemmon? Then give this naughty little comedy a spin! Of course films made 40 years ago were not made to today's social standards. but that doesn't stop this wicked romp from being completely enjoyable. Imogene Coca offers up a spirited protagonist in this film. a performance that should not be missed! Shake up a swinging cocktail and sit back in your velvet lounge for a delicious sexual frolic.34 year old female.