Comwayon A Disappointing Continuation

FuzzyTagz If the ambition is to provide two hours of instantly forgettable, popcorn-munching escapism, it succeeds.

Dirtylogy It's funny, it's tense, it features two great performances from two actors and the director expertly creates a web of odd tension where you actually don't know what is happening for the majority of the run time.

Lidia Draper Great example of an old-fashioned, pure-at-heart escapist event movie that doesn't pretend to be anything that it's not and has boat loads of fun being its own ludicrous self.

SnoopyStyle Jack Ketchum (Lou Diamond Phillips) loses control and crashes his car in the deep woods during a driving rainstorm. He is brought to a cabin with the Yates. Lyle Yates (Charles Dance) is a gun-totting paranoid mountain man. His woman Willie (Mia Sara) is demure and painfully quiet. A hurricane is coming to wash out everything but Lyle refuses to evacuate. Then everything gets confused like Lyle.I watch this to see Mia Sara and also noticed the Kathryn Bigelow writing credit. It holds a bit of promise at the start as a disturbing three person play. However the movie falls apart along with everything else during the storm. LDP has always had this manufactured intensity to me. He tries to act tough rather than simply be tough especially during this time in his career. I rather have Ketchum be weaker and more of a city dweller. Lyle's craziness is too random. The romance is too abrupt and melodramatic. A simple psychological thriller turns messy and confused.

biker45 I sat through this turkey because I hadn't seen it before, and because the premise sounded like it had potential. It was mildly entertaining until the hurricane sequence. At the height of the storm, the wind is strong enough to blow windows out of the house, yet the trees in the background are perfectly upright and not a leaf is moving! In fact, when the characters move outside the house, bright sunlight is visible illuminating the treetops. At that point, whatever credence the filmmakers had developed evaporated faster than the highly localized rain in their film. Too bad all hurricanes aren't like this one, it would surely help our homeowners insurance rates here in the Sunshine State.

Alex-372 This is one strange movie, because it has two great names writing and directing it, Kathryn Bigelow (Near Dark) and Eric Red (The Hitcher). It's almost as if some one said: how can we make the leanest, most effective thriller? This is a movie with literally only three actors (3), no extras and the carpenters and assistant carpenters outnumber them more than 2 to 1. As well, this movie, even though it is supposedly located somewhere in "The Carolinas", is shot on location in Latvia (maybe that's why they only flew over 3 actors). This shack could have been anywhere, though, they never needed to leave Hollywood. The major problem with this movie is that the theme has been done to death (hapless traveller drives through the country side, a car breaking down and is scooped up by the locals - where have we seen that before? Texas Chainsaw Massacre, The Hills Have Eyes, Deliverance, Children Of The Corn...). Anyway, the actors do what they can and there are some suspenseful moments, but they're not sustained until the end of the movie. Cliches abound.

Adec Despite (or perhaps because of) high expectations Undertow started off as an interesting thriller but had trouble sustaining it's (relatively short) length and just didn't seem to have the pace or intensity required to carry it to it's end successfully.Being a fan of much of writer/director Eric Red's previous work, most notably as a writer of such fine films as The Hitcher, Near dark and Blue Steel (the last two in combination with his writing partner here, Kathryn Bigelow) I was expecting a taut, suspenseful film. However while the film didn't match up to these earlier works it definitely wasn't a total waste, and on a smaller scale was a quite entertaining, if somewhat limited, experience.Overall the acting from the three leads was quite good, with Dance's performance especially being distinctly well handled without relying on over the top histrionics, while Phillips and Sara both playing their less flashy parts solidly enough. Eric Red handles the direction well for the most part but is perhaps, if anything, a little too meandering at times in what ultimately unfolds more like a play than a film.Probably the film's biggest fault is that much like Red's direction, the film itself is just a little too understated for the most part, and then, as is often the case with films of this nature, it tends to go from believability to stretching credibility a tad too far just for the sake of theatrics at the end, the result of which ultimately just diminishes the overall impact of what has come before.Overall Undertow is a solid, if unremarkable thriller that definitely has it's moments, it's just that not all of those moments are as good as they could have been.One man's opinion. 7/10