Cathardincu Surprisingly incoherent and boring

Infamousta brilliant actors, brilliant editing

Ogosmith Each character in this movie — down to the smallest one — is an individual rather than a type, prone to spontaneous changes of mood and sometimes amusing outbursts of pettiness or ill humor.

Stephanie There is, somehow, an interesting story here, as well as some good acting. There are also some good scenes

kayaker36 Those looking for a sports documentary will be keenly disappointed. By relying on a ridiculously small number of commentators and sources, Ken Burns has put together a four hour indictment of white America for its past racism and intolerance. The sources not only are limited in number but only one of them--he late Burt Sugar--could claim real familiarity with boxing. And never was there anyone so in love with sound of his own voice. The man simply cannot shut up.The rest all are far-left hacks like Village Voice journalist Jack Newfield or like Stanley Crouch racial militants with nothing relevant to contribute but with a heavy political agenda leading to some very warped judgments about the era in which Jack Johnson lived and the man himself. While Jack Johnson was a great heavyweight, a real genius inside the ring, outside of it he was in no way the icon of racial struggle he is portrayed as here. Any comparisons to Muhammad Ali are far off base.Mike Tyson is the closest parallel with, below the waist, some Tiger Woods into the bargain, and while professional boxing recovered from Jack Johnson with great sportsmen like Gene Tunney and Joe Louis to later hold the title, Tyson has left such a bad smell that the prize ring probably will never recover its former luster.

Roncarol-1 As a youngster I heard about this man Jack Johnson. Even then I thought those same stories were fiction. Afterall, no one could convince me that, in the early 1900's a black, Negro, could have possibly conducted his life in such a way to disdain social mores not only to the degree in and of itself, but more so in his audacity.Marrying and dating white women?? Come on. And he did not get killed? It shows that even for those times, America had this certain elasticity in dealing with a unique personality such as Johnson's.This movie weaves his life thoughtfully, slowly (a 2 disc set after all) and with dignity. The voices that contributed to this story is so widely varied that I implore you to check the movie's credits. From Ed Harris, Kevin Conway, Samuel L. Jackson and the lead narrator, Keith David. But these voices aren't the complete range of contributors. For this kind of talent to come together is a testament to the power of the story and the pull that director Ken Burns commands.Unforgivable Blackness ... is a powerful, thought provoking part of the American Experience. To that end, PBS deserves continued credit for bringing history to the masses.Humbly Submitted and with deep emotions, Ron W.

threedy ARE SPOILERS POSSIBLE FOR HISTORICAL DOCUMENTARIES? IF SO, THERE MAY BE SOME HERE.This inaccurate, intellectually dishonest propaganda puff piece represents a new low for ultra-PCers Burns and Ward. They have done their mightiest to make a hero out of a self-indulgent thug, making a mockery out of historical reporting in the process.Jack Johnson was indeed a man of the future: he would fit right in with the egomaniacal, spoiled-rotten sports "heroes" that are so prevalent today. In a sense, he had great courage, demanding liberties and privileges that the society of his day (virulently racist, by today's standards) considered monumental affronts. But his brand of courage was more a form of supreme gall, borne by an overbearing sense of special entitlement. There can be little doubt his behavior promoted racism by appearing to confirm the worst fears whites held toward black men – that they were, at heart, irresponsible brutes with an insatiable lust for white women. Contrary to the subliminal thesis here, Johnson was anything but a social reformer blazing a trail to freedom.Other heroic qualities are magnified out of proportion here, with editorial sleights-of-hand. Johnson's quotes come almost entirely from a ghost-written autobiography, making him appear more articulate than he really was. The herculean physical courage attributed to him is not confirmed by the facts: His first three fights after winning the belt in 1908 (McLaglan, O'Brien, Ross) were six-round, no-decision exhibitions; the fourth (Kaufman) was a ten-rounder of the same variety. The fifth was supposed to be an exhibition, but middleweight Stanley Ketchel got too frisky, so Johnson sent him to the oral surgeon. The phony nature of these fights goes unnoticed by the documentary, except for the Ketchel episode.Thus, Johnson's first real title defense was the 1910 bout against Jeffries, who had not fought in six years. Johnson held the crown for five years after this, during which he made only four defenses. By contrast, the man he dethroned – Tommy Burns – had made 12 defenses in the previous two years. (Interestingly, Burns weighed only 168 for the Johnson fight, about 10% below his normal fighting weight.) The film apparently ignores only one of Johnson's fights as champion – a draw. That seems to be a telling omission. (Perhaps it was mentioned in passing ; I DID blink a couple of times.)In the end, Johnson was toppled by untalented strongman Jess Willard, and here Burns & Ward go unbelievably astray. They ascertain Willard was 27 at the time, "a full decade younger" than the champion. The challenger was actually 33, a fact Burns & Ward obliquely acknowledge earlier, if your arithmetic is better than theirs. They note at one place Willard began his boxing career the day after the Johnson-Jeffries fight (1910); a little later, they report Willard started boxing at 27. That would have made him 32 at Havana in 1915 – almost correct.Was Johnson unmercifully persecuted by the government, as Burns & Ward claim? Yes and no. While the Mann Act was not inspired by the practice of rich men traveling with their in-house concubines, Johnson was clearly guilty of violating it. His selective prosecution probably had some racial motivation, but Johnson's violations were so blatant and well-publicized, he might well have been prosecuted if he had been white.Ken Burns' Civil War series (1990) was criticized by the PC lobby for being insufficiently anti-Confederate and driven by a white southerner (Shelby Foote). Ever since, he has been an increasingly obsequious afro-centric. It is getting pretty tedious.

thelockbox One of History's most amazing stories. One couldn't make this up because the facts of this man's life is unbelievable. Just amazingly pieced together documentary that flows seamlessly and doesn't have any dead wait despite length, although more boxing footage would be appreciated.Jack Johnson's words narrated by Samuel Jackson is just truly amazing and moving, a self-educated (extremely) articulate son of a slave that just happens to box, and not get murdered by a white mob, despite spiting in the eye of societies standards and the status-quo. One of histories truly amazing characters. Not to mention, one of the best fighters of all-time, if not the best. Far ahead of his time in every instance, a much more articulate and socially important version of Terrell Owens of his day, or even Ali. This is a must see with a great subject, filmmakers, and a dream team of narrators, although more James Earl Jones would have been fantastic.