Unmarried

1939 "Romance was a word in a torch-song to her"
6.3| 1h3m| NR| en
Details

Pals Pat Rogers and Slag Bailey try to collect a debt from Slag's recently deceased boxing promoter but wind up collecting his child, instead, and raising him as their own son.

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Reviews

Solidrariol Am I Missing Something?
Cleveronix A different way of telling a story
Grimossfer Clever and entertaining enough to recommend even to members of the 1%
Bergorks If you like to be scared, if you like to laugh, and if you like to learn a thing or two at the movies, this absolutely cannot be missed.
mark.waltz Half prize-fighting film and half tearjerker, this programmer was one of the last films of melodrama tragedy queen Helen Twelvetrees, once a promising leading lady at RKO during the early sound era. Now a blowzy party girl, she and former prizefighter Robert Armstrong unofficially adopt the son of a late pal whom they were unaware he had. Young Donald O'Connor is the precocious youth who comes to adore them, and in one hysterically funny scene, Armstrong (who has obviously been knocked in the head one too many times) delivers a speech at O'Connor's commencement. When Jones takes over the part, it is obvious that the younger and older versions of the part look nothing alike, and tension erupts between "father" and "son" over Jones' desire to go into a prize-fighting career while Armstrong wants him to go off to college. It is the non-marriage between the two adoptive parents which motivates the title and their relationship which goes from antagonistic to affectionate. A moderately touching programmer, this is one of those unknowns that yearns to be re-discovered for its many charming moments.