V.I. Warshawski

1991 "Killer eyes. Killer legs. Killer instincts."
4.9| 1h29m| R| en
Details

Victoria "V.I" Warshawski is a Chicago based private detective who agrees to babysit for her new boyfriend; then he is murdered. Being the detective type, she makes the murder her next case. In doing so she befriends the victim's daughter, Kat, and together they set out to crack the case.

AD
AD

Watch Free for 30 Days

All Prime Video Movies and TV Shows. Cancel anytime. Watch Now

Trailers & Clips

Reviews

Ensofter Overrated and overhyped
Helloturia I have absolutely never seen anything like this movie before. You have to see this movie.
KnotStronger This is a must-see and one of the best documentaries - and films - of this year.
Allissa .Like the great film, it's made with a great deal of visible affection both in front of and behind the camera.
SnoopyStyle Vicky V.I. Warshawski (Kathleen Turner) is a brassy private investigator in Chicago. She meets ex-hockey player Boom-Boom Grafalk at a bar. She is surprised when he brings his daughter Kat (Angela Goethals) to babysit. Next he's killed in a suspicious accident. V.I. promises Kat to solve her father's death. With the help of reporter Murray (Jay O. Sanders), they investigate the death and the sale of the family dockside property and business.I like Kathleen Turner as this character. She fits the character quite well and her relationship with little tough-talking Kat is endearing. It's too bad that this is such a badly made movie. The action is done poorly. Director Jeff Kanew does a poor job overall.
RobertR Kirschten As a native of Chicago, I can't say enough about how beautifully the city was photographed in this movie. As for the film itself, the story kept moving at an engaging pace as detective V.I. Warshawski "follows the money" and solves the murder of a former pro hockey player. Turner is aggressive, sexy, sultry, and vulnerable in this role. Maybe more street-smart, Chicago toughness in her delivery. The writing, overall, was adequate. Warshawski's general observations about the stupidity and gullibility of men tasted to me like watered-down feminism on a piece of stale, Chicago deep-dish pizza after a while. I wasn't often convinced that the female detective was a physical threat to the male villains. The ending with a double-opponent elimination was OK but I would like to have seen her action skills equal those of Bruce Willis for true equality to prevail. After all, the key to this action genre is the ability of the detective to overcome overwhelming physical and mental opposition. A pleasant, movie-of-the-week kind of yarn, though better. And that beautiful city!
sandy40222 I have always loved this movie and I think it has to do with the strong woman character. Kathleen Turner was made for this precise type of role where she plays a wise cracking P.I. reacting to a smart mouthed 13 year old who becomes her next client. I love this movie and just finished watching it for the 15th time and still always enjoy it. I don't know why it never made it at the box office but maybe it has something to do with how she makes fun of men in the movie. But it all is done with tongue in cheek and it has something for everyone in it. Another movie where she plays the same type of character is "Undercover Blues." If you haven't seen it. Go rent it and enjoy!
foxbrick-1 It is remarkable to me how much affection and revulsion this watchable, incomplete misfire of a film can inspire, here among the Comments and elsewhere; I haven't seen more than a few minutes of it for several years, but did see it in a theater in its original run. Kathleen Turner as VIW is too much a flirt to conform to Sara Paretsky's portrait of her detective, but otherwise gives a decent performance that, better than the script, gets across Warshawski's toughness, wit and unwillingness to suffer fools any more than she has to. The film, as someone else noted, would've done well to be a more faithful adaptation of one of the early novels, rather than pulling bits from several and then letting the plot go completely slack by the last third. But there are nice touches, here and there; Wayne Knight was born to play the petty thug and childhood schoolmate of Warshawski. But the hastiness and corner-cutting of the production is unfortunately evident. One wonders if a second film, with a better script and crew, might've been quite good.