Taraparain Tells a fascinating and unsettling true story, and does so well, without pretending to have all the answers.

Jenna Walter The film may be flawed, but its message is not.

Edison Witt The first must-see film of the year.

Francene Odetta It's simply great fun, a winsome film and an occasionally over-the-top luxury fantasy that never flags.

Hollywoodshack James Best plays the last soldier left in a German village raided by Allied Forces during World War II. He is wounded and nursed to health by a native (Susan Cummings) whose brother is still loyal to a local Nazi group. The couple falls in love and wants to get married, but it is forbidden by Best's commanding officer. Including some gritty footage of Nazi death camps and a daring rescue by Best of his girlfriend's brother from a burning train, this is one of Samuel Fuller's most underrated films. It was produced after RKO Radio Pictures had closed in 1956, sold to Desi Arnaz and General Tire and Rubber Company. There's an unforgettable opening scene, a shootout to the tune of Bethoven's 5th Symphony.

dbdumonteil "House of Bambou": a man infiltrates into a bunch of former GIs turned criminals."Run of the arrow":a confederate ,after the fall of the south ,leaves his people and wants to live with the Indians."The naked truth" : a prostitute tries to join the "respectable" world and works with disabled children."Shock corridor" : a journalist ,dreaming of a big scoop ,gets admitted in a mental hospital to unmask criminal but is slowly losing his mind....There are more Fuller movies which deal with the "intruder" subject ,the "hero" who wants to get out of his world ,and "Verboten" is one of them.An American sergeant fights in Germany;a young girl saves his life and he falls for her .The war comes to an end ;not only he wants to marry her ,but he also wants to live in Germany where an embittered youth is dreaming of another "Reich" -a burning subject even today-He has to cope with angry starving Germans who want to get rid of the Americans whose help is humiliating.In spite of unbearable pictures (Nuremberg),the movie is not as convincing as the five movies I mention above .The part of the girl is underwritten and it's difficult to understand her motives.Maybe Fuller wanted her to be an ambiguous figure.Like this? try this...."The big lift" George Seaton,1950

zetes Great film about an American G.I. who quits the army to marry a German girl who saved his life in the last days of the war. She accepts, but does she do it because she really likes him, or because he can support her with easier access to food and such? Meanwhile, her brother and an old friend form an anti-American terrorist group called the Werewolves, their purpose to drive away the occupants (you might remember the same group playing a major part in Lars von Trier's film Europa (Zentropa)). James Best, best known for his role as Roscoe P. Coltrane in the 1980s television show The Dukes of Hazzard, is shockingly excellent as the American. He should have become a big movie star – at this age he reminds me very much of Warren Beatty. The other main actors are good, as well. Fuller's direction is quite good, using a lot of long takes again (although they are not nearly as complex as they were in Park Row; the long takes more often than not consist of long scenes with a lot of dialogue). The only problems lie in the script, as seems to be the case with all of the Fuller films that I've seen. It's not too badly flawed, but it ought to have been expanded, fleshing out major characters and parts of the script. Helga, the wife, goes through a major change, but completely off screen. Therefore, the emotional center rests squarely on Best's shoulders. Fuller also should have killed off the sick mother early in the film. I hope that doesn't sound too harsh! She just doesn't really do anything throughout the film except lie in bed. She has so few lines. But Fuller keeps bringing her up as the film goes on. I would have had her death solidify David and Helga's relationship myself. And the film ends too abruptly, and it lacks payoff. These aren't really the biggest flaws in the world (the way I described them makes them sound bigger than they are). 9/10.

matt-201 Only two directors could get away with Beethoven's Fifth coming in under the Columbia Pictures logo--Jean-Luc Godard and Sam Fuller. This movie, a B-minus take on JUDGMENT AT NUREMBURG, may rank as the nuttiest of all movies about the National Socialist Party; Fuller's admixture of fetishizing of and loathing for the Nazis may make you feel cuckoo birds are flying out of your ears.