Vertigo

1958 "Alfred Hitchcock engulfs you in a whirlpool of terror and tension!"
8.3| 2h8m| PG| en
Details

A retired San Francisco detective suffering from acrophobia investigates the strange activities of an old friend's wife, all the while becoming dangerously obsessed with her.

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Reviews

Tockinit not horrible nor great
Sexyloutak Absolutely the worst movie.
Comwayon A Disappointing Continuation
BelSports This is a coming of age storyline that you've seen in one form or another for decades. It takes a truly unique voice to make yet another one worth watching.
amariesco-39264 There's a reason why Hithcock's Vertigo is seen in the eyes of many film critics as the best film ever made. It's truly a masterpiece. Hitchcock's crowning achievement. The acting by Jimmy Stewart, Kim Novak, and Barbara Bel Geddes is extraordinary. The music pulls you into the oddly hypnotic suspense even further. The cinematography is so beautiful and so vivid that it adds more depth to the film. It's almost as if it's the fourth character of the film.Both leads played two parts in the movie. Jimmy Stewart as the calm and mostly collected former detective, and Jimmy Stewart as the unhinged madman trying to get back to his Madeline. And Kim Novak as the beautiful wife of a former friend of Scotty's, hauntingly possessed by the spirit of Carlotta Valdez, and as the "tawdry" (original trailer's description of her character) redhead from Kansas.Haunting, hypnotic, beautifully strange, suspenseful and unhinged all are descriptives that can easily be used to describe this wonderful film. It is a MUST see!
domtaylor Despite being 60 years old, Alfred Hitchcock's 'Vertigo' still holds up today. Its breathtaking use of colour and camera work to tell the story is excellently anchored by Bernard Herrman's majestic score and some masterful performances by James Stewart and Kim Novak. The film perfectly conveys the theme of voyeurism, thanks to Hitchcock's amazing use of the shot-reverse-shot structure and eye-line matches, to place us inside the head of Scottie, who we begin to discover may not be the person whom we should be rooting for. The themes that 'Vertigo' explore are definitely ahead of their time, and it is confounding that Hitchcock actually managed to sneak them into this studio film. The story takes some genuinely unexpected turns and Hitchcock cleverly allows the audience to be one-step ahead of the characters, in order to create tension and excitement. Although the film does include some heavy exposition, Hitchcock's use of visual storytelling (especially in the first act) makes up for it, and this makes the film require much more thought than many from its time. My main issue with the film is its somewhat quick conclusion. A little more time to digest what is happening would have made the ending more satisfying. Still, 'Vertigo' is definitely a great film and, in my opinion, Hitchcock's best. 8/10
strike-1995 Unfortunately this coasts on the man's reputation.
Sasha Wannadamrong (trondolsen) What are these unrealistic characters, and why is this man so obsessed with the woman. There's no foundation for being so crazy about her, it just happens out of nowhere, and it's almost as if the story wants to portray how manipulative women are. Or maybe this man just never understood how much she troed to get away from him without being able to succeed due to her fragility.