Nonureva
Really Surprised!
Ogosmith
Each character in this movie — down to the smallest one — is an individual rather than a type, prone to spontaneous changes of mood and sometimes amusing outbursts of pettiness or ill humor.
ben-eck
James Marshall (our erstwhile hero) slumps into a chair in a black-lit, glow in the dark bedroom. For a second, this could be something in 'Flatliners'. But no. What transpires is far more frightening. Scott Cohen (Max Medina from the Gilmore Girls playing basically the same character but with 808 State instead of Proust, plus a backwards cap) leaps behind a keyboard. A synth sax solo follows. A glissando. "Do you know anything about techno" asks Max. James Marshall stares back, dead eyed. "See, the idea is to get the vibe going". Dead eyes. "Then you maintain the vibe with a transducing bass" (sic). Dead eyes. "We're primal, heading for cosmic". Dead eyes. "And just when you think we're in galactic ecstasy... We go... ACIIIEEEEDDDD!". In walks Christina Applegate. "This is hardcore nutronic mutilation!!" exclaims Max Medina. Yet still, dead eyes. "We're going on a psychotically calibrated, electronically executed, digitally compressed, pus excreting, journey to sonic grooviness!". Finally, those dead eyes light up! James Marshall smiles. He is no longer a drunk deadbeat with no hands. He's a sober hard worker with robot hands and in just a moment he's going to snog Christina Applegate. Things are looking up. That's worth a grin, right? Or perhaps he's just excited about the pus. This film is a utopian vision of all we have lost as a society. They serve mango juice at free parties, for goodness sake. You could afford a spacious NYC apartment just by working in 'marketing' (read: sellotaping fluorescent posters to lampposts and selling t-shirts at parties). If you were behind on your rent you could just sexually abuse your landlady. Wholewheat bread was apparently a novelty. You could wear a white t shirt with a black leather waistcoat and look moderately cool. I wish I was about 15 years older. And the music is actually really good, throughout. Really. There's a moment when they all sit around eating dinner discussing their generation. "We're generation x" says Appleby, "the generation with no name". "Yes" says Max Medina "there's nothing left to invent, no frontiers left to cross. The boomers did all that, we just get to enjoy it". "Actually" says the geeky character (whom they just call 'geek' all the way through) "there is one frontier left. Cyberspace. The space inside a computer. It's the last great unknown". Man. He had his revenge alright.
legzem
I LOVE this movie. Yes it's low budget, yes the fashion/script/and some of the music is incredibly cheesy and laughable, but that's part of the beauty of it that people don't see. It's kind of like one of those "so-bad-it's-good" films but a lot of things about it aren't bad, they're great, which is what makes this my favorite movie ever. I LOVE the plot. It's original, it's exciting..I laugh constantly throughout this movie but when he wakes up in that first rave I always dance on my couch and you can feel the energy of how that would appear to an outsider not knowing that world existed. When Fierce Ruling Diva comes on I always tear up because I love what the rave scene was about and that was such a powerful and pretty spot on moment...and then some of the music I just cringe and laugh at how terribly cheesy it is. While the film does try to throw around too many "buzz" words like vibes and grooves constantly and it makes the script clumsy and funny, I also can't help but find it endearing because this film, unlike other rave films, actually tries to embody what the rave scene used to be about, besides music and partying. For many it was also about being a better person and being kind/caring about others. This movie is amazing on so many different levels, from different angles. Not for the average movie watcher..I think to love it you have love electronic music and have some idea of "the scene" and you have to have the ability to find humor in things that aren't meant to be funny. If you have those 2 things, then this is the greatest film you will ever see.
lost-in-limbo
First you don't know what to expect with a title like this, yet alone the cover on the video case (which is different to the one that's on this site). Sci-fi thriller? Far from it. This low-budget straight-to-video fare is set-up through the industrial techno (music of course) scene and inspired for the generation X. Well it seems to think so. It's a drama/blossoming love story/redemption and revenge all rolled into one.TJ Cray has big plans as a musician, but on his way to his first major concert he gets in an altercation with some thugs which involve his hands being served. Depression hits hard where he flees his family and friends and bums around New York City mostly drunk. Soon he's rescued by Anamkia and though hard work he discovers a way around living his music dream again.It was a pleasant diversion in the end with a constantly throbbing, loud and upbeat soundtrack to boot. Well with the subject at hand, you would hope so. Anyhow it won't win any awards and within is a cheesy feel to it all, as at times it goes over board with the sweetness. At least the script remained snappy, quick-witted and involving even though it wasn't the best. A red-headed Christina Applegate gives an appealing performance and certainly glows. James Marshell along side is likable too. Scott Cohen adds to the fruity factor.The story (one of those feel-good types) goes through the motions (and it flows rather well) involving the states that TJ finds himself in (angst, pity and relieve) and when the music scene opens expect a lot of sequences of DJ's doing their stuff in dance raves. This is when everything is turned around. The costume that's created for TJ is rather well-etched too.A decently charming time-waster that's truly grounded in its matter.
Trace Oakley
When I first saw VIBRATIONS back in 1996, I described it to friends who swore I was making it up. A keyboardist (James Marshall) has his hands cut off by some thugs playing around with a backhoe. He becomes a homeless bum after his girlfriend flinches at the touch of his fake hands. Our hero then catches some zzzs in a warehouse next to a rave, and is booted out by the manager, played by Christina Applegate. She is later accosted by some thugs - not the same ones who cut off James' hands - and he comes to her rescue just as they pull a switchblade which lands squarely in the palm of one of the fake hands. This frightens the thugs, who wander off muttering that "that dude isn't real or something." Charmed by his heroics, but not his smell, Christina takes James home for a bath. She just happens to live in the same building as some techno-wizards, who create "cyberhands" for our poor disabled protagonist. Just like that he becomes the top handless techno music star in the country. The scene where he's reunited with his policeman dad is too precious, excruciating, and unbelievable to describe, as are the final moments of the film, which involve revenge against the first batch of thugs, and a cryptic nod of the head to dad that clearly signals, "those are the guys who cut off my hands." The acting is atrocious, the script is beyond ludicrous, and it's astonishing that anyone could keep a straight face while on screen.That said, in the spirit of PLAN 9, GLEN OR GLENDA, and others of that ilk, VIBRATIONS is a lot of fun.
