Violence in a Women's Prison

1984 "The strong ones take, the weak ones give."
4.6| 1h38m| R| en
Details

Laura Kendall, also known as Emanuelle, arrives at a remote prison with a long, fictional rap sheet that will allow her to go undercover to report on the cruelties behind bars.

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Reviews

Spidersecu Don't Believe the Hype
Dynamixor The performances transcend the film's tropes, grounding it in characters that feel more complete than this subgenre often produces.
Grimossfer Clever and entertaining enough to recommend even to members of the 1%
Cheryl A clunky actioner with a handful of cool moments.
Leofwine_draca This is a Bruno Mattei take on the women-in-prison genre. The director of the infamous ZOMBIE CREEPING FLESH, Mattei is much derided by fans of Italian trash because of his inability to direct a decent movie. This is pretty poor stuff, but actually better than some I've seen, so any film that shows Mattei in a good light has to have something going for it. As well as being a stand alone WIP/exploitation movie in itself, Mattei ties this into the BLACK EMANUELLE saga by casting Laura Gemser and her real-life lover Gabriele Tinti as the flick's two main stars.For the most part, this is business as usual, and it's notable that the stars are more attractive than you'll find in a film like this. Gemser is sent to a hellhole of a prison, but wait, there's a twist: she's actually working undercover for Amnesty International to look at prison standards. The usual elements are here, rather undistinguished: there's a sympathetic prison doctor; rape scenes; a sadistic warden; butch inmates; plenty of lesbianism; and an inevitable jail break come the climax. Mattei is no stranger to sleaze and the nude shenanigans are what you'd expect from this particular genre. Gemser is great value for money, as is Gabriele Tinti, but there's nothing or no one else here who stands out from the crowd. Cat fights, torture, nudity, sex and violence (although not as much of the latter as you'd expect from the title) and there you have it.
Coventry Ugh...this is only my second Black Emanuelle experience (after the even more infamous "Emanuelle and the Last Cannibals") and I'm already bored senseless with the character. "Violence in a Women's Prison" is a textbook example of the temporarily popular Euro-exploitation culture. These WIP-movies are notorious for their many vicious-sounding alternate titles and their supposedly controversial substance but, if you actually take the effort of seeing one, you'll agree that they're in fact very dull and far too inept to be taken serious. The ambitious reporter Emanuelle sets up a fake criminal record and goes undercover in a feared women's prison with the purpose of exposing the inhuman barbarities that take place inside the penitentiary's walls. She soon finds out that it was a lousy career move as she ends up in hell itself! All the inevitable sleaze-tricks to stuff up a typical exploitation flick with are exaggeratedly present: sadistic lesbian guards, humiliation, girl-on-girl action, rapes & beatings and a seemly endless amount of cat-fights. Everything the avid cult-fanatics adore, in other words, but I suppose that even they can't get passed the awful dialogues or the completely irrational plot-twists. The film isn't gory or shocking at all (apart from that one sequence in which our heroine is almost entirely devoured by red-eyed rats) and the uninspired overload of nudity becomes boring pretty quick. Slightly positive aspects are the neat musical score and the surprisingly well-handled directing by Bruno Mattei (or Vincent Dawn, as he likes to call himself here). The success of "Violence in a Women's Prison" – as well as of the entire Black Emanuelle series – entirely depends on the gorgeous Laura Gemser. She sure is one of the most beautiful women who ever lived...but she hasn't got the slightest bit of acting skills. If you browse around IMDb regularly, you'll notice that there are many WIP-movies on the market. Jess Franco made a lot of them, of course, like "99 Women" and "Barbed Wire Dolls", but even the more respected filmmakers like Jack Hill (Big Dolls House) and even Jonathan Demme (Caged Heat) have them on their repertoires. You can either do like everybody else and avoid them because they are "naughty" or watch one and see for yourself that's it's a whole lot of fuss about nothing.
SlasherReviewer Spoilers ahead....Yes this movie is awesome. One of the better women's prison flicks for sure. A female reporter fakes a criminal record and dives head first into the brutal prison system. She gets raped, bitten bad by rats, beaten, whipped, and just plain tortured!!!Good movie for sure with lots and lots of female on female sex. This movie was also filmed in Rome which makes it unique. If you like female prison exploitation flicks this is a must see. Slasher reviewer, although this is not a slasher movie, gives this masterpiece a big thumbs up!!!!Check it out you won't be disappointed!!
Dr. Gore *SPOILER ALERT* *SPOILER ALERT*I just finished watching this DVD. Shocked! Yes shocked am I by the retching awfulness of it all. Buffoons who can't make a decent women's prison movie need to be sent to movie prison to do hard labor. This movie would have a tough time being any lamer. My head is throbbing in pain.So Emanuelle goes undercover in a prison to expose corruption. And that's that. So if there's no more plot, why not fill it with the usual breasts and beatings? No, this movie would rather be terrible. There is nudity and there is a lesbian scene. A very lame lesbian scene. The lame far outweighed any exploitative elements in this flick. Any fight scene looked incredibly fake. All of the torture scenes were weak. What I'm saying is, it stinks. Laura Gemser always looks good naked but it's not enough to save this one from the landfill.This movie is light on the sleaze, heavy on the awful drama. It will start to go down the right road and then hit the brakes. Don't be a gullible sucker like me. Steer clear.