NekoHomey
Purely Joyful Movie!
Nessieldwi
Very interesting film. Was caught on the premise when seeing the trailer but unsure as to what the outcome would be for the showing. As it turns out, it was a very good film.
Iseerphia
All that we are seeing on the screen is happening with real people, real action sequences in the background, forcing the eye to watch as if we were there.
Joanna Mccarty
Amazing worth wacthing. So good. Biased but well made with many good points.
bkoganbing
Jennifer Connelly's performance in the title role is the best and most interesting thing about this quirky film. Dustin Lance Black's story and direction examine all kinds of things about what ticks in the great heartland of America who just inflicted Donald Trump on the world.Virginia casts Jennifer Connelly as one most disturbed mother who for almost two decades has had a clandestine relationship with the local sheriff Ed Harris who now has political aspirations. Harris is a Mormon who would not have liked to see polygamy abolished. Essentially it's a question of him being Abraham having Sarah and Hagar. And we know what kind of raw deal Hagar got. But Virginia might be cast in the role as Hagar, being given the heave ho because Harris is running for State Senator as of course a law and order conservative. Choice between Connelly and the Sarah of the story Amy Madigan it's crazy Connelly coming up short.Complicating all this is Harrison Gilbertson Connelly's son who might be Harris's also. He's gotten interested in Harris's daughter by Madigan, Emma Roberts. That could really screw up things for Mr. Law and Order/Family Values.It ends in tragedy for some, just desserts for others, and escape for some more.Writer Black has created some colorful characters for director Black to work with. Virginia starts out slow, but the characters do grab you and hold your attention.I love that scene in the end with traveling Mormon Elder Lucas Grabeel caught in the middle of some madness and Connelly getting him to surrender that enchanted Mormon underwear for her son. We need all the help we can in this life and I guess it can't hurt.If you like quirky movies don't miss Virginia.
leplatypus
This movie has good things but at the end, its defects are too important. The first thing I dislike is the photography and set design because as a 2010s movie, world has become blue / orange ! I'm fed up with those blue props, blue clothes, yellow skin, yellow light
. When my mind focuses on the story, i see an jobless mother which is indeed a change from the usual upper classes but one more time, this kind of family is plagued ! In a way, it's like being jobless and poor in America is the trademark of fragile, unstable people ! The kids stories could have been interesting if the daughter wouldn't have lost her faith at once, which is not really believable ! The use of flashback at the start of the movie is useless as well as the sheriff's wife part ! On the positive side, the cast plays really well : Jennifer as a deranged mother, Harris as a pervert sheriff
In conclusion, it's like Hollywood wants to do a tearing drama but as it has never experienced real life, the final release is more a collection of clichés.
napierslogs
Virginia (Jennifer Connelly) is one seriously disturbed woman. One possible look at it is that she was screwed over by having an affair with an aspiring Senator, Dick Tipton (Ed Harris), who left her pregnant and alone to raise her son as a single mother. "Virginia" has a number of story lines, some in present time, some in flashbacks, but all resulting from the affair between Virginia and Sheriff Tipton.The first is one of a teen romance. Virginia's son, Emmett (Harrison Gilbertson) is in love with the Sheriff's daughter, Jessie (Emma Roberts). The problem is they are half-siblings and they're told they're not even allowed to see each other let alone be friends with each other. Nobody is supposed to know of the affair so their forced separation can raise a few eyebrows. Interestingly, it's Emmett who starts questioning what's really going on.What's really going on is that nobody is stable. The Sheriff is a devout Mormon and extreme conservative. In his Senatorial bid campaign, he needs a photo-op with a red, white and blue Ferris wheel, but the town's only Ferris wheel is pink and it's owned by an out-and-proud gay man. It is the simple conflicts like this which are resolved on the surface which lead to the very interesting dynamics in the film.Dustin Lance Black is a relatively young filmmaker who is making his directorial debut with "Virginia" and previously wrote the screenplays for "Milk", "J. Edgar" and the HBO series "Big Love". He was raised in a Mormon household and community and was worried about his sexuality. Most of his filmmaking career has been spent inspiring people to become LGBT activists. What is interesting about "Virginia" is that while none of the main characters are outwardly gay, the film appears to still be very personal with the boardwalk town likely doubling for Black's hometown of San Antonio, Texas. The religious undertones are very present but never over-powering. The overall plot of "Virginia" definitely has places to go but the story hasn't been too well received. What is more interesting is what the film is trying to say without actually saying it. Black is such a talented writer that there's lots to read in between the lines.
Fludlerk
I saw the premiere of this film tonight at the tiff festival in Toronto. Most of the starring cast was on hand for the premiere, which was nice, and they appeared very proud of the film.In all, the film was a bit above average, but the pacing was a bit off in places and so it seemed that just when it sucked you in it let you go, and that repeated several times during the show. It's a good film though, with a great deal of humour and subtleties, but doesn't quite get there enough to make it a great film.Jennifer Connolly gives a very inspired performance, and she's really the one who draws you in the most and really puts you through a bit of an emotional roller-coaster. She's over the top, silly, tragic, and lovable, though you never quite figure her out. Ed Harris plays a wonderfully complex and very understated role, but it's the underlying parts of his character that he brings out so well.In the end, you don't quite come out with a feeling that you were completely happy, but you have a lot of good parts to look back on. I would have given this film an 8 if not for the uneven pacing of the film, and if you're into character driven stories then you'll likely enjoy this one.