Voodoo Woman

1957 "A woman by day... a monster by night!"
4.2| 1h15m| en
Details

Deep in the jungles a mad scientist is using the natives' voodoo for his experiments to create an indestructible being to serve his will. When a party of gold seekers stumbles upon his village, the scientist realizes that Marilyn the expedition's evil leader is the perfect subject for his work.

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Reviews

Grimossfer Clever and entertaining enough to recommend even to members of the 1%
Sameer Callahan It really made me laugh, but for some moments I was tearing up because I could relate so much.
Brennan Camacho Mostly, the movie is committed to the value of a good time.
Geraldine The story, direction, characters, and writing/dialogue is akin to taking a tranquilizer shot to the neck, but everything else was so well done.
GL84 Looking for gold in a remote African village, a team of explorers stumble upon a mad doctor working with the natives to create a race of people using black magic to rule the world, and that the first test subject is stalking them in the jungle along their journey.This one here wasn't all that bad of a low-budget voodoo effort. What really gives this one a lot of enjoyable elements here is the fact that it really generates a pretty intriguing atmosphere with the use of the voodoo angle to really help sell this one's connection to the jungle setting here. This one gets that element off to a great start here with the opening voodoo ceremony being performed where the gathered crowd gets whipped into a frenzy as the ritual items placed on her and the enhanced dancing before the transformation makes which for a great start to this, and with the ever-present tribal drumming throughout here as well as the jungle- dwelling atmosphere that really helps to solidify the voodoo-filled atmosphere of this part of the film. As well, this also makes use of one of the strongest and most vital aspects of voodoo about it not being able to force someone to do something they usually wouldn't do, and it really sells this aspect of the religion by forcing a critical plot-point to come from this and to be able to stick to conventions is to be commended. Other fun here comes from the scenes with the voodoo-raised creature as the different resurrections in the bunker are incredibly creepy and the action scenes of it charging into villages and destroying everything are quite fun, though it's the finale that really sells this one. Bringing into play the ceremonial altar deep in the fog-enshrouded jungle, the wild dancing and chanting being quite fun and there's the fine set- pieces of capturing the wife as well as the different battles to be found at the ceremony which is where this one really makes for a great time here. With the fantastic creature design and the low- budget charms on display, this one is enjoyable enough to overcome the few minor flaws here. The main issue against this one is obviously the cheap, low-budget nature of the film which doesn't really make any part of this one look like anything else here except for a cheap cash-in. The sets, the simplicity of the locations and the whole atmosphere is so obviously and easily seen as such it really takes a lot out of the film in that state. Likewise, that continues into the overall length of this as the film takes on barely enough to reach the hour mark and really only gets there with only a few minor set-pieces that stretch that length out with the rather lame scenes of her being kept hidden in her room, the time- wasting scene in the motel room where they get held up from going on their trip and the scenes of them in the jungle wrestling for control with each other are quite lame and really just seem stretched out variations just to get it to a proper running time. These issues, along with the rather cheap look, all lower this one somewhat.Today's Rating/PG: Violence.
lemon_magic Random thoughts that popped into my head while watching "Voodoo Woman":1) Poor Tom Conway. Either he thought this role was beneath him (but took it anyway to keep the wolf from the door) or he was completely out of his depth, because he gives a completely squirrelly and disconnected performance where he is obviously reading from cue cards most of the time. Plus...that HAT!!! 2) Poor Lance Fuller. The guy had a certain way about him, but alas his talent is strictly 3rd tier, and it doesn't help that the character he plays is a greasy slimeball.3) Poor Mike Connors. He pretty much carries the movie, but he should have carried it straight out the door and into the dumpster.4) The lead female - someone should have gently taken her aside and told her the difference between "tough noir temptress" and "irritating, hateful harpy". She actually looked pretty good in the role, but every time she opened her mouth, I wanted to punch her.6) The final scene where the murderous harpy tries to retrieve the final remaining chunk of gold from the edge of the volcanic pit where it came to rest, only to lose her balance and fall in...is the single most badly staged and unbelievable choreography of a "fall" I can remember seeing. Apparently it never occurred to the poor lady to bend her knees.7) This wasn't nearly as bad as earlier AIP fodder like "Beast With A Million Eyes", and I am sure someone had fun watching it as the bottom half of a Drive in double feature...but 40+ years down the road, it has not aged well. Good AIP/Corman stuff almost always had the germ of something interesting and creative driving them...but this poor cast- off just comes off trite, rote, and derivative.8) At the end of the day, people who were trying to make a living in the movie business got paid. At least there's that.
MartinHafer "Voodoo Woman" is a super-cheap film from American-International Pictures. Now you know it's cheap as instead of giving the project to Roger Corman (who had a knack for making good films out of nothing), Edward Cahn directs this silly mess of a film.The film is set in voodoo country--a land inhabited by obese people who inexplicably have allowed a totally loony white man (Tom Conway) to live among them with his wife. I say inexplicably because these natives hate outsiders and keep threatening to kill him--then minutes later they're teaching him their deepest secrets! At the same time, an incredibly violent and vicious woman (Marla English) and her male cohort are planning on an expedition to the tribe with whom Conway lives--as the place apparently is loaded with gold. They need a guide, so they convince tough-talking Mike Connors to join them.By the time Connors and his new 'friends' meet up with Conway and his 'friends', it's obvious that bad things will happen. That's because Conway is truly crazy and plans on using his personal voodoo monster to kill (bummer)--all with very predictable results. All the viewer knows is that it's all pretty confusing and messy and you just want them all to die. Fortunately, most of them do! This film is just plain dumb. Often the plot just made little sense so someone would just kill someone of Marla would turn into a monster--the story itself made little difference. Bad acting, horrible writing and awkward direction--there really isn't anything to recommend this film unless you like bad movies. Pretty dumb...and made worse by the omnipresent soundtrack consisting of bongos--lots and lots of bongos! Yuck!
babeth_jr This 1950's howler is so bad it's unintentionally funny. Tom Conway portrays Dr. Gerard, a scientist who is turning natives into a monster using voodoo. His poor wife, played by Mary Ellen Kay, is being held captive by her wacko hubby who has no time for her but threatens to kill her if she leaves him. Along comes Marla English as a greedy murderess who has already killed a man to find treasure in the jungle. Her idiot boyfriend, portrayed by Lance Fuller, is along on the safari. They hire "Touch" Connors, (later renamed Mike Connors, of Mannix fame) as a guide. English is a terrible actress, but hey, no one else in the cast were turning in academy award winning performances either. "Touch" (I'm sorry, I can't even type the name without cracking up, I mean, what the...) gave the only half way decent performance of the bunch and that's saying a lot. The monster is only seen briefly, and the ending is predictable to say the least. I would say this movie falls into the "it's so bad, it's almost good" category of movies. It's good on a rainy night when nothing else is on the tube.