Solidrariol
Am I Missing Something?
DipitySkillful
an ambitious but ultimately ineffective debut endeavor.
Blake Rivera
If you like to be scared, if you like to laugh, and if you like to learn a thing or two at the movies, this absolutely cannot be missed.
Cristal
The movie really just wants to entertain people.
Rainey Dawn
Two muscle men: Gordon Mitchell is Pluto this time and Rod Flash is Vulcan! Monsters are terrorizing the people of the land and Vulcan must save them before Mt. Olympus falls to ruin.This one does have enough cheese to make the bread taste good. It's dumb enough to be entertaining, yet bad enough that most people will not watch.This one could have been a good movie if was done right. I'm not advocating a remake but if the film makers would have done this one properly it could have been almost as good as Clash of the Titans 1981. Sadly this one didn't have the money pumped into it to create a film as good as "Clash"... it had the potential though.4/10
Leofwine_draca
Possibly one of the cheapest peplums ever made, this low-budget epic is not totally without merit, although it does get pretty bad at times. Thankfully, instead of being so-bad-it's-boring, this is a so-bad-it's-funny kind of film which is pretty enjoyable to watch, even if the film itself fails to hold up as an effective slice of escapism as many of the pepla were. The story, which is simple and confusing at the same time, inter-cuts footage of the gods in a dry-ice temple in heaven arguing and discussing things with more standard sword-and-sandal action down on earth.Our first introduction to Vulcan is when we see him banging away on his anvil. The sexist Vulcan is played by Rod Flash, who never became a peplum star for obvious reasons. Physically he's very impressive, however, with an impossibly broad chest and a Steve Reeves-style beard. Sadly, Flash's acting is non-existent, and his acting style is the most wooden that I've ever witnessed in a peplum movie. It's so bad as to be cringe-worthy. Flash fights people by beating them over the back or throwing them around unconvincingly, so in the action scenes he's not too good either. Thankfully the supporting cast are more interesting.Vulcan's major opponent is Mars, played by Roger Browne (The Incredible Paris Incident). Browne in comparison is small and lithe, making the protracted battle of the pair at the end of the film a bit unnecessary. Still, he makes for a nice baddie, pairing up with an angry bald warrior king who looks like a cross between Peter Lorre and Telly Savalas. The pair are fighting over the love of Venus, an incredibly floozy who drapes herself over any man nearby; obviously the Italian's idea of the Goddess of Love is as a flirty, shallow, blonde bimbo woman! Appearing as a "special guest star" is none other than peplum favourite Gordon Mitchell as the evil Pluto, who is criminally under-used in this film. Appearing in only a handful of scenes, all he does is stand around, laugh, and occasionally act. In the end he gets banished back to his own kingdom by Jupiter - huh? Thankfully, the love interest (not Venus but Etna, a slave girl) is played by Bella Cortez, whose incredible figure is highlighted in the number of skimpy costumes that she wears; her exotic dancing is one of the film's highlights.From the moment a lightning bolt appears, having been scratched manually on to the film, you're made aware that the special effects aren't up to much. In fact the only other "effects" (if you can call them such) are of the lizard men, obviously just green-painted actors with bad rubber covers tied to their backs. I mean, no attempt has gone into them to make them even look halfway realistic and not like actors, but there you go. What can you do when you don't have a budget? Other highlights include a scene where the delectable Cortez is attacked by primitives in a mountainous valley (probably the film's only good bit of action) and a cat fight between Venus and Etna, with the pair whipping each other!! Sadly these scenes are countered by the presence of a (very) annoying dwarf character who acts as an unwanted comedy sidekick for Vulcan. He does things like disguise himself as a bush and push people over and is one of the most irritating characters in a peplum movie ever. So, finally, VULCAN, SON OF JUPITER is worthwhile only for bad movie fans who may get a kick out of Flash's wimpish hero, or undemanding movie viewers who may get a kick out of grown men hitting each other with lumps of wood. The choice is yours.
Cristi_Ciopron
The previous _peplum seen was also a GM one, but this one's better right from the beginning, and _unreluctantly so—a bit more adult yarn, aimed at teenagers as opposed to kids
. This one at least has a rousing, knockout score, signed by none other than Giombini. It also has slightly better production values, a sense of playfulness, etc.. It's a bit more colorful, sexier, violent enough, the protagonists are the gods Vulcan, played by Iloosh Khoshabe, Mars—played by Roger Browne, while Venus is the delightful Annie Gorassini; there are Vulcan and Mars on Earth, Mercury and Pluto in Olympus, Thracians, Sicilians, Neptune, various barbarians with raping propensities.Emimmo Salvi, Bella and Gordon are movie pals that have met more than once; someone seemed intent on promoting Bella, who has nice thighs, Gordon is credited as a genuine star, here they don't have any scene together.And yet these outmoded fairy tales with athletes also express my willingness to indulge in a free, unrestrained physical life.Sets, cast, broads, score, fights, effects, production values.A movie should never be chided for cheapness—but for stupidity, lack of ability, etc..Neither Gordon M., nor Cameron M., were original Mitchells; the first was a (Ch.) Pendleton, the second was a Mitzel. This one was almost 5 yrs older than the strongman.You might have already noticed that these newer, more playful reviews, are governed by overtly social, not aesthetic norms; that is, they transcribe more of a social awareness—chatting with my audience—than an uncompromisingly aesthetic one, as once. Now my writing is molded by social concerns.
SanFernandoCurt
For folks who have no lives and avoid deep thinking, the sweaty Italian beefcake films of the late '50s/early '60s rank right up there with the Japanese "Godzilla" series and Mexican masked-wrestler epics as the ultimate in brainless entertainment. I'm not alone in this conclusion: Studies from Bulgaria in the 1970s provide the proof. They've got the data; let's not argue.If you hanker for bad dubbing, rotten special effects, and ridiculous plot lines, this genre is your meat. Universally, they feature poorly staged action scenes - always a bad sign in action movies - and richly saturated color that jumps off the screen and toys sadistically with human eyeballs."Vulcan, Son of Jupiter" is a better-than-usual entry for one simple reason: There are a lot of half-naked women running around, too. Set in Bronze Age Greece, it details a war among the gods of Olympus over who's gonna snag the tail of Venus. Or Aphrodite - can't remember exactly; she's the Goddess of Love, anyway. There's fighting, infighting, scheming and a very brave midget. Chariots... yelling. Y'know.It stars a guy named Rod Flash. Of course, that's his real name... And I'm Queen Wilhelmina of the Netherlands. Doesn't matter. He's got a bod that could sell a whooole lotta Blueboy subscriptions. In fact, I wonder how these guys manage stay so oily. Was there a pec-lubrication specialist on the set?One bright spot is a beguiling showgirl-style dance by the astoundingly sexy Bella Cortez. Could any other woman so mesmerize with the gemstone jiggling in her navel? Whatever happened to this beautiful Cuban actress? At the end of her dance, the god Mercury shows up and tugs playfully at a jewel on her scanty costume; the quick gesture leaves a strangely potent erotic jolt.Interestingly, most of the over-the-hill bodybuilders in peplum were Americans who hung out at Gold's Gym in Santa Monica. Gordon Scott actually had a brief Hollywood career - as the first Technicolor Tarzan. Steve Reeves was... well... he was in a Ed Wood film in the mid-'50s. Gordon Mitchell, who's in "Vulcan" and was a kind of poor man's Charlton Heston, was the best actor of the lot, with a career mostly in Italy lasting until the early 2000s (He played the catamite-hungry gladiator in Fellini's "Satyricon").