Actuakers One of my all time favorites.

Ariella Broughton It is neither dumb nor smart enough to be fun, and spends way too much time with its boring human characters.

Nicole I enjoyed watching this film and would recommend other to give it a try , (as I am) but this movie, although enjoyable to watch due to the better than average acting fails to add anything new to its storyline that is all too familiar to these types of movies.

Freeman This film is so real. It treats its characters with so much care and sensitivity.

GManfred Good, Old-fashioned musical of the kind no longer made in Hollywood - partly because musicals went out of style and partly because of the antiquated subject matter. In this case, you have to be of a certain age to appreciate the storyline. It concerns a made-up feud between two old-time names, Ben Bernie who was a band leader, and newspaper columnist Walter Winchell. The feud was carried on mainly on radio and in newspapers.Have I lost you yet? If so, you're probably too young to remember any of the stars or the songs. Alice Faye was as famous as she was pretty, but Jack Haley had yet to achieve immortality as the Tinman in 'The Wizard Of Oz". Patsy Kelly had a long career as an abrasive comedienne in many movies and Joan Davis had yet to hit it big in television. And radio was the main medium in those days - no TV or DVDs or internet or any related device.Us old-timers can appreciate, but you young folks who are movie archaeologists will find plenty to like here, including several good songs which were popular a long time ago, like "Never In A Million Years" and "There's A Lull In My Life", and the dubbed voice of Buddy Clark, a Golden Age singer. If you can find this picture, watch it - as far as I know it hasn't been released in any format yet.

mark.waltz In "The Wizard of Oz", Tin Man Jack Haley was searching for his heart, but in this earlier 20th Century Fox musical, he found himself searching for courage, afraid of a big metal box that could have been melted down to make the Tin Man's hat. He's billed way below a bunch of top stars, but really is the lead, a milquetoast radio station page who has a crush on radio singer Alice Faye but goes numb as he tries to face his fears of singing. One day by accident, he tries to get over his fear and sings into what he believes to be a dead microphone but which actually goes live on the air as bandleader Ben Bernie plays. Pretty soon, Bernie's hated rival, Walter Winchell, is forcing Bernie (a real-life bandleader) to come up with what he has named as "the Phantom Crooner", with all but Faye unaware that Haley is singing into what he believes to be just a rehearsal session. That includes Winchell's wise-cracking secretary Patsy Kelly (who happens to be Haley's sister) and Kelly's vinegary voiced boyfriend (grouchy Ned Sparks), providing a lot of laughs and plenty of fun big band late 1930's music.Plenty of insults fly around the room as Winchell and Bernie (the top-billed stars) go at each other-Winchell in his column and Bernie on the air. Like Jack Benny and Fred Allen, theirs is an obviously made up feud, and really, you can't help but realize that they actually worship the quicksand that the other one walks on. Having just played Haley's wife in the college football musical "Pigskin Parade", Kelly is very funny, while future star Joan Davis proves herself to be a very funny girl as she plays a knocked about Spanish dancer (!) in an amusing comedy dance sequence. Haley is actually dubbed by Buddy Clark, but it took some research for me to prove that. Haley had sung in musicals before, but something in his voice was very different, even if the crooner style is obviously not him, the sound is quite similar. "Never in a Million Years" is a very pretty ballad, but was overshadowed by Faye's big solo, "There's a Lull in My Life", a very blues style number that was part of her transition from brassy blonde bombshell to gentle leading lady.A hysterical group of character actors add even more laughs, with Walter Catlett part of the unbelieving Winchell team, and Etienne Girardot (the religious nut from "Twentieth Century" and Edward G. Robinson's miniature imperious boss from "The Whole Town's Talking") very funny as the man sitting next to Haley during a radio show whom Haley incorrectly assumes to be the phantom crooner. Barnett Parker is hysterically funny leading the radio show audience in a chorus where Haley's "phantom crooner" voice is heard in the radio station's office and leads to the confusion concerning Girardot. An above average song score by Mack Revel and Harry Gordon makes this a must for classic movie fans. There will be no time for napping once this comedy gem gets going, so waking up isn't an option.

F Gwynplaine MacIntyre Walter Winchell started in vaudeville as a performer in Gus Edwards's 'School Days' act. (A fictionalised version of this remarkable troupe became Bing Crosby's movie 'The Star Maker'.) Between engagements, Winchell wrote and published a vaudeville newsletter, filled with showbiz gossip. He eventually became a newspaper/radio columnist, utterly ruthless in his power, quick to destroy an enemy's career and (less frequently) to aid a friend. (The Broadway revue 'Hellzapoppin' was trashed by all the critics, yet ran for more than 3 years because Winchell plugged it in his column every single day.) Although many actors and entertainers desperately coveted a mention in Winchell's column, nearly everyone in show business despised him. (Ed Sullivan once threatened to shove Winchell's head into a toilet.) Winchell wisely avoided feuding with his many enemies, aware that such action would only give them free publicity. One of Winchell's few real friends was popular radio bandleader Ben Bernie, and the two concocted a public 'feud' that was a long-running publicity stunt for them both. Several movies - most notably 'Sweet Smell of Success' and 'Blessed Event' - feature fictional journalists who are blatantly based upon Winchell.'Wake Up and Live', an above-average Fox musical, features Winchell and Bernie playing themselves ... or, rather, fictionalised versions of themselves, designed to make Winchell look good and their phony feud look genuine. In a staged scene, Winchell rattles off his extensive knowledge of obscure nightclub acts while identifying a masked singer after hearing only a few notes. In another scene - equally staged, but funny - a shifty promoter played by Walter Catlett tries to offer Winchell a bribe. Winchell takes the money but immediately drops it into a charity poorbox. Catlett attempts to retrieve the cash, only to attract the interest of a passing policeman. This scene pays tribute to one of Winchell's few genuine redeeming traits: he was active for many charitable causes. (Winchell founded the Damon Runyon Cancer Fund.) It's fascinating to see Winchell onscreen, even though he's clearing playing a sanitised version of himself. To see him here, you'd never guess he bullied his daughter unmercifully and drove his son to suicide.Although Winchell and Bernie are prominently featured, the frothy plotline centres on Jack Haley as a would-be radio vocalist and Alice Faye as the singer who encourages him. The sexy and vivacious Faye sings the bouncy title tune. There's a very funny scene in which Haley arrives at the radio station, hoping to audition, when he runs afoul of a sour-tempered studio usher. The usher is played by none other than William Demarest, in his usual mode. It's astonishing to realise that, as late as 1937, Demarest was still playing bit parts like this one ... still, he's very welcome here in his brief scene. Demarest assures Haley that his audition will go well, providing he doesn't get mike fright ... a phenomenon which he then describes to Haley. So, of course, as soon as Haley tries to sing he develops mike fright. There's a delightfully surrealistic sequence in which we see the microphone from Haley's viewpoint, as it morphs into a snarling demon!There are some lively but irrelevant speciality acts, including a couple of dance routines that would never perform on an actual radio show. Lots of familiar faces in the cast list, and Patsy Kelly is less annoying than usual. The title song is the only good one here. One interesting trivia note: the opening credits of this movie feature two guys from the art department named Mark-Lee Kirk and Haldane Douglas, and their names are stacked onscreen so that 'Kirk' is directly above 'Douglas'. I wonder if a certain dimple-chinned actor, just aspiring to a film career at this point, took his screen name from the credits of this movie? I'll rate 'Wake Up and Live' 9 points out of 10.

Stan16mm Another classic motion picture that has never been available on video and another shame for eager classic movie fans. This 90 minute musical has everything you could ever hope for from a film. Great songs, dancing, comedy, drama, suspense and Alice Faye! The "feud' between Ben Bernie and Walter Winchell (as real as the "feud" of Jack Benny and Fred Allen) inspired this film which takes place during the great days of live radio.Bernie and Winchell are the main attractions here but Jack Haley, Alice Faye, Patsy Kelly and Ned Sparks are the real stars of this picture. With the fine backing of Fox, this film was one in the long series of musicals featuring Faye and a stellar supporting cast. It is in this film that she introduces the standard classic song, "There's A Lull In My Life".Jack Haley is featured as a singer who suffers from mike fright. Actually, Haley's wonderful singing voice is dubbed in this film by Buddy Clark! For trivia fans, Haley refers to this role in his next picture, "Rebecca Of Sunnybrook Farm", when he lets a young girl who is afraid of microphones know that he was once afraid of them too.The film is a timepiece of an era long gone. If you ever get the chance to see this great film with all of its wonderful songs, "It's Swell Of You","Wake Up And Live" and, "Never In A Million Years", you won't be mislead.