Walk the Proud Land

1956
6.6| 1h28m| NR| en
Details

Indian Agent sent to try new approach to peace with Apaches based on respect for automomy rather than submission to Army. Wins over reservation chiefs and the Indian widow (Bancroft) given to him as housekeeper. Through use of diplomacy and demonstrations of faith in Apache leaders, reservation is put on the road to automomy. Conflicts arise between Apache widow and Eastern wife but latter has a lot to learn.

Director

Producted By

Universal International Pictures

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Reviews

Titreenp SERIOUSLY. This is what the crap Hollywood still puts out?
Micransix Crappy film
TaryBiggBall It was OK. I don't see why everyone loves it so much. It wasn't very smart or deep or well-directed.
Neive Bellamy Excellent and certainly provocative... If nothing else, the film is a real conversation starter.
gkhege Audie Murphy could never shake his " War Hero" status but this movie gave him a chance to just act. It was one of his many movies in which his shortness never stood in the way of his character. Though he was a badass in real life, his baby face, always made him appear as a soft little man from Texas. Good movie...
JohnHowardReid Copyright 1956 by Universal. New York opening at the Palace: 7 September 1956. U.S. release: 1 September 1956. U.K. release: 3 September 1956. Australian release: 1 November 1956. Sydney opening on a double bill at the Capitol (ran one week). 7,925 feet. 88 minutes.SYNOPSIS: John Philip Clum is appointed Indian Agent at the San Carlos Apache Reservation, where he finds the Army using violent means to suppress the Indians. Clum asserts his authority to help the Apaches, thus earning the displeasure of the people of Tucson. In gratitude, the Indians send Tianay to keep house for him. This arouses the jealousy of Clum's fiancée, Mary Dennison. COMMENT: In the present=day climate of racial tolerance, integration and understanding, it's a big surprise that this screen biography of a true-life Indian agent who blazed this particular trail, is not constantly revived. Admittedly, next to its patent earnestness, the picture's main virtue is its expansive CinemaScope location cinematography. However, regard for a movie's artistic scope has never stopped TV managers dead in their tracks before. So why now? Maybe the film lacks excitement. That it does, though those who decry Hollywood for distorting reality will certainly have cause to rejoice in this exception. No doubt the nagging wife is pretty close to the essence of what really happened too.It's a pity that the direction of this worthy script should be so flatly pedestrian. Less than talented directors like Jesse Hibbs (former football star) welcomed CinemaScope because it relieved them of the burden of having to think in terms of visual excitement. Now simply the scope itself is the thing. No dramatic compositions, no effective cutting, no pointed camera movement necessary. No need to draw fine performances either, because for most of the time the actors are lost in the landscape. When studio scenes take over, why that's a good time for patrons to duck out to the candy bar. Unless of course you're such a rabid fan of Audie Murphy, you don't care a fig what long speeches he gets off his chest, or how stiffly he stands, just so long as his magnified pudgy face is right up there in front of you!
Armand it is its basic virtue. for theme and for its inspired manner to present as biopic. for acting and for the mixture of innocence, courage, force and beautiful images. for realism and for Audie Murphy performance. a film about the image and the essence of relationship and about a form of heroism who has not ordinaries rules. a classic western. and more because it is not an idyllic picture about Far West but body for a noble message who preserves the measure at high level. touching and convincing, it has a special note of melancholy and poetic message. a film. real good. a homage. like remember source about the respect for the other, out of ordinary tolerance.
NewEnglandPat This is a western that should have been better than it was, considering the fine cast and production values that went into the making of the film. Picture is about an Indian agent John Clum's efforts to have reservation Apaches police themselves and the surrender of Geronimo are the picture's highlights. There are the usual animosities between soldiers and Indians, and the agent's clashes with the military's preference to disarm the Apache police creates further tensions. An unnecessary sub-plot has an Apache widow smitten with Clum, who is already married. Audie Murphy was perfect for this kind of role and is good, as is the supporting cast. The movie was filmed in colorful wide screen CinemaScope which captures the beauty of western vistas.