LouHomey
From my favorite movies..
filippaberry84
I think this is a new genre that they're all sort of working their way through it and haven't got all the kinks worked out yet but it's a genre that works for me.
Brendon Jones
It’s fine. It's literally the definition of a fine movie. You’ve seen it before, you know every beat and outcome before the characters even do. Only question is how much escapism you’re looking for.
Quiet Muffin
This movie tries so hard to be funny, yet it falls flat every time. Just another example of recycled ideas repackaged with women in an attempt to appeal to a certain audience.
Serkan Cakarer
I saw this film some years ago. Then i saw it again. In one part there is a sentence which describes the film most: "we thought we can change the world, but now i can see the world changed us"The scene where guest appearing of Fellini and Mastroanni during the shooting of La Dolce Vita, creates a memorable part in the film. At the end of this scene a police officer wants to meet with Fellini personally to say him hello. But he confuses and says to Fellini "Glad to meet you Mr. Rosselini" Funny.At the end of the film, you get the feeling of the golden era of cinema where filmmakers, actors everybody is very special, very much in daily life, theaters are full of people etc. Which absolutely is not the case anymore..."C'eravamo Tanti Amati" is a must to see to understand the elements of Ettore Scola films.
FilmCriticLalitRao
Sorry for being much too lenient but in these perverse times where everybody is talking of global warming, please excuse me when I say that I just have wonderful praises for this great film. It is great on every front. What is the yardstick by which a great film can be measured ? A great film can be recognized by its inherent ability to make viewers shed some emotional tears and weep inconsolably. This is what this great masterpiece by Ettore Scola did to me. We all loved each other is such a pleasant film that it can be compared to a sweet lullaby. The ease with which the various dramatic events happen is a joy to behold. I am not really sure about this fact but I think that may be French master Claude Sautet must have been influenced by this film when he decided to make a similar masterpiece called "Vincent, François, Paul et les autres".Which one is the better film ? Watch both of them and find out for yourself.
imbluzclooby
I saw this movie many years ago on television. The imagery and the relationship amongst the characters was so interesting and involving I couldn't blink. This story evolves around the friendship of three men and a woman they each have loved. Life will teach us and destroy us, but our friendship will always endure.The three Italian men became friends during WWII. Although they remained friends they each took different career interests which led them to grow apart only to have their reunions spawn occasionally over the years. The woman friend is somewhat loose and not regarded favorably as a quality person, but rather as a tramp.The theme here is time. Time determines how life will have formed their personalities, goals and dreams. Unfortunately all their dreams fall short and facing each other afterward is anticlimactic and depressing.By the end we are left with a feeling of sadness, cynicism, but a true account of how friendship and familial relationships come and fade. Life will be most cruel to the ones who are eager and sincere and the others will float through easily and unaffectedly.This is a cinematic masterpiece. It's a shame no one has revived it yet.
André-7
Scenes just jump out at you. The three friends going down the steps as one of them describes Eisenstein's Battleship Potemkin and another breaks down and cries. The fantastic re-enactment of Felini's most famous scene. The game show in which the nerdy film teacher gets a film-related answer wrong on a technicality (shades of John Turturo in Quiz Show). The three friends looking over a fence in a freeze frame at the end... Their expression stuck in one final disapointment.