Protraph Lack of good storyline.

Spoonatects Am i the only one who thinks........Average?

Guillelmina The film's masterful storytelling did its job. The message was clear. No need to overdo.

Francene Odetta It's simply great fun, a winsome film and an occasionally over-the-top luxury fantasy that never flags.

bkoganbing We Were Dancing was one of the small playlets that Noel Coward wrote for his show Tonight At 8:30. Two years earlier Coward told anyone who wanted to hear how much he disliked what MGM did to his production of Bittersweet when Jeannete MacDonald and Nelson Eddy starred in it. MGM must have had the rights for this show before that because Coward said that he would never allow another of his shows to be filmed in Hollywood.Back in the day Norma Shearer and Robert Montgomery did Coward's Private Lives back in 1931 to good acclaim. It's the only reason I can think of why Shearer chose to do this film as opposed to Mrs. Miniver which she was also offered. Other than Greta Garbo, Shearer as Mrs. Irving Thalberg had first refusal on any part there. Of course it was Thalberg who did the choosing and he was gone.Whatever possessed the folks at MGM to take Coward's British based story about a pair of titled individuals who make a living as permanent party guests and bring it to an American setting we'll never know but through séance. Occasionally you'll hear some flashes of Coward's witty dialog, but it only shows how mediocre the rest of the words are.Norma Shearer and Melvyn Douglas do get a solid supporting cast of decent players, but the whole bunch can't lift this film above average.

jjnxn-1 This is a pleasant little comedy but a minor work coming as it does from Noel Coward. Perhaps his name on the script was part of Norma's decision to participate in this instead of the other films offered that she rejected to do this one. It certainly has an estimable cast: Melvyn Douglas an expert as this sort of fluffy comedy, Gail Patrick and Lee Bowman both able performers and a handful, Connie Gilchrist, Marjorie Main, Norma Varden, Alan Mowbray, Florence Bates etc., of the best character actors MGM had under contract. The main problem with this and perhaps part of the reason it tanked on initial release is that even all dressed up in fancy 40's fashions this is a relic of the sort of drawing room confections that were popular a decade earlier and had fallen out of favor by the war years. Unfortunately without Irving Thalberg's strong guiding hand to pick the right properties for her Norma's script sense failed her. She had done well with her previous film "Escape" but would blunder again with her follow up to this her last film "Her Cardboard Lover". Still taken as is without all the back story an enjoyable trifle but unmemorable.

1953calif I must most courteously beg to differ with all the previous comments on "We Were Dancing." This film is quite simply a frothy, delightful romp---filled with witty dialogue and great chemistry between the two leads, a luminous Norma Shearer and a suave Melvyn Douglas. Shearer's comic timing in most of her major scenes is exquisite. The banter exchanged between the two obviously smitten spouses is well performed throughout the movie. There's even a poignant dramatic scene where Douglas' character comforts Shearer's because she's sacrificed a significant chunk of her pride in order to help him financially.I'm not sure why this movie has gotten such a bad reputation. So what if its tone and style is more akin to 1930s screwball comedies rather than World War II dramas. The 1942 timing of its release near the start of U.S. involvement in the war was simply unfortunate. And yes, Shearer's career was never the same after she turned down the lead in Mrs. Miniver, but so what. It doesn't mean that both the film and her comic performance in it cannot be savored and appreciated some 60 years later. Skip the preconceptions and give this movie a look when you're in the mood for a most diverting and enjoyable comedy. You won't regret the choice. You may even feel like dancing after watching!

Pat-54 In 1936, MGM Producer, Irving Thalberg died, leaving his widow, Norma Shearer, to pick her own scripts. An example of Miss Shearer's lack of good judgment is her appearance in this dud that she chose to do rather than play Kay Miniver in "Mrs. Miniver," which won Greer Garson an Academy Award. Based on Noel Coward's "Tonight at 8:30," critics called this comedy as sparking as "flat champagne." Norma Shearer made only one more film after this and retired from the screen at age 40.