Solemplex To me, this movie is perfection.

MonsterPerfect Good idea lost in the noise

Myron Clemons A film of deceptively outspoken contemporary relevance, this is cinema at its most alert, alarming and alive.

Benas Mcloughlin Worth seeing just to witness how winsome it is.

ksf-2 This one got hard to watch. So much hatred, so many derogatory epithets and swears being tossed around. Definitely NOT for the kids. Currently showing on netflix. The film opens with the towns-people introducing themselves, and how they first got to see or meet Craig Cobb,a white supremacist leader. The (true) story of how Cobb bought up land and encouraged other skinheads to come move into the town. A whole lot of people's religious beliefs and general statements being tossed around, from both sides. The writer/directors Nichols and Walker film the supremacists, the townfolk who just want the old, quiet way of life, and even the sheriffs who are caught in between. We meet the inter-racial couple who have lived here for years, and hope it doesn't get rough for them. For various reasons, Cobb ended up in jail, was subsequently released, and has since sold some of the property in Leith. Overall, interesting to watch. Kind of a lesson in legal rights and the line between legal and illegal activity.

glueShoe @davannacarter <-- posted a review that is incredulous.The story about Leith ND is captivating, riveting, and true. It isn't trivialized by the number of people in a small town.In fact, it is more impactful that the Neo-Nazis chose such a small town as a target. Predators prey on the weak.Hitler and the 3rd Reich didn't start with an empire, they built one on fear.This movie carefully exposes the narrative with each interview and each scene. Nothing appears to be 'over produced' or fake. You can feel the fear and terror the citizens felt toward the encroachment of fascism. They spoke up, fought back, and won.Give this documentary a chance to show you a perspective on Neo-Fascism.

Colin Lomas (colinlomasox) Leith, a registered ghost town in North Dakota, is home to twenty people and a single shop. The almost entirely forgotten town suddenly becomes the most discussed settlement in America as renowned white supremacist Craig Cobb moves in to buy up land and property to rent out or give away to the country's most notorious Nazi groups. Cobb's grand plan is to become mayor of the town and create America's first legal white-only town. This startling documentary details the events of the subsequent months.With its isolated small town backdrop and bleached, low-contrast colourisation of the stock, Welcome to Leith gives the impression of a fictional horror movie. During the winter months, you could be watching Fargo. As the feeling of threat and dread hover over the dinner table during the resident's mealtimes, it appears to come straight from a M Night Shyamalan nightmare.Cobb's appearance is part aging thrash metal guitarist, part Peter Stringfellow with jovial smiles that betray the viciousness below the surface. Dutton is an Iraq war veteran with possibly the worst Hitler moustache in history who seems to gain more sympathy from the audience than loathing. It feels that Dutton, although harbouring abhorrent beliefs, is principally concentrating on receiving approval from Cobb, who takes on an adopted father figure role. It's Dutton's girlfriend Deborah Henderson who is the truly chilling one, with a vicious uncompromising hatred for non-whites and a predatory growl constantly smeared across her face.What Nichols and Walker do exceptionally shrewdly is to give both corners of the ring the time to discuss their particular point of view. What this effectively does is give access to all of the players, something rarely achieved in a documentary about extremism, and this produces a wonderful insight into evil-doer's everyday life. Seconds after seeing Dutton performing aggressive sieg heils at a town meeting in the face of Leith's only black resident, Bobby Harper, we see him making banana fritters in his kitchen discussing his dreams of becoming a celebrity chef. The writers realise that given enough rope, the white supremacists will happily hang themselves anyway; the exasperated cries from the Cheyenne plains are clearly audible as Dutton argues that white births are now in the minority for the first time in American history. Cobb takes a DNA test on national television to prove his racial purity, only to find out he's fourteen percent African.This even handedness rightfully reaps rewards towards the end of the film as they manage to obtain video footage from Deborah Henderson's smartphone. This shows Cobb and Dutton marching through the town with loaded rifles shouting racial slurs at the residents. It is at this moment, with whispered comments such as 'Make sure they shoot first', the realisation sinks in that for all the talk and arrogant discrimination, there is a true threat of lethal violence involved here.Another attractive observation is the charming naivety the original residents have to extremism. Mayor Schock freely admits to not even knowing what a white supremacist was before meeting Cobb. It is refreshing then to observe how a community can pull together to defend one another's rights, and you get a stimulating insight into the way America works at ground level as the council try to work around the first amendment excuses Cobb obsesses on so well. When does one's right to freedom of speech become another's illegal hate- crime discrimination? The town's council at one point pass a new law requiring every living accommodation to have plumbed sewage, in one clean sweep making the majority of Cobb's rental properties, housing the white supremacists, illegal. This is a fascinating move to counteract Cobb's completely, and astonishingly, legal Nazi hate- speech and threats of gun violence.Welcome to Leith is a terrifying yet fascinating account of a dark recess of American society and culture. It is made with clarity and observed impartiality and stands out impressively against previous documentaries of a similar ilk.

FlashCallahan The documentary chronicles the attempted takeover of Leith, North Dakota by white supremacist Craig Cobb. What begins as an 'enemy within' story, turns into something more sinister, as the local townsfolk realise that the man buying their land is trying to create a hub for America's neo- Nazi movement. As Cobb's disciples arrive the locals rise up, and what was at first, a predictable war of nerves, turns into something deeper, questioning the concrete Amendments placed by the US government.......When seeing the documentary on face value alone, it's another perfunctory documentary made to exploit something that is already beyond exploitation, radicals and there abhorrent positive opinions on racism.It follows the same style as most documentaries do, have the good old talking head section, footage from cameras and news reports, acting as a narrative charting the occurring events.And whenever we see the main protagonist, or his 'disciples', there is this weird haunting musical score, like moans in a warehouse, which, if on a compilation of incidental music, would be called 'the epitome of evil'.And of course, the makers of the film are almost godlike in the way they can edit the footage. They alone decide how to make Cobb look during the film. Pure evil, snivelling wreck, pathetic loner, they use all the tricks they can to make him look powerful at first, and slowly lose his grip on reality. But to be fair, it wouldn't take much trickery, the man is a despicable piece if work.But if you took away all these simple tricks of the documentary maker, you can see the bigger picture, not only was Cobb trying to create his own little supremacist village, according to the first amendment, he was doing the majority of it legally.It's a fascinating insight to the legal system, and just how twisting the system ever so slightly can veer one persons judgmental perspective on a stale cult that should have ended over a century ago, can tilt in his favour.It's a scary though that even in today's climate, this sort of frantic hatred is still active and almost imperative to some peoples way of life.It's just desserts that Cobb becomes the 'fugitive' of the piece come the end, and he is the one banished into the middle of nowhere.Powerful stuff for sure, it will anger you, as you would expect it to, but it's a reminder that there are some absolute maniacs about,thinking that what they do is perfectly acceptable.