Konterr
Brilliant and touching
Lidia Draper
Great example of an old-fashioned, pure-at-heart escapist event movie that doesn't pretend to be anything that it's not and has boat loads of fun being its own ludicrous self.
Allissa
.Like the great film, it's made with a great deal of visible affection both in front of and behind the camera.
letyw
I don't believe in the low rates people gave to this film. It is an cute romantic comedy, but apparently people like nonsense like Nicholas Sparks and 50 shades of Gray :( Both actors are believable and endearing. the whole story could happen to anyone deeply in love and this is what makes the film so adorable. I really enjoy watching it.Oh, and the soundtrack is great too and there are great shots of Paris. Simon Helberg has a great comic timing (we know that from TBBT!) and Melanie Lynskey is one of my favourite actress.It's really funny to think that this is a fictional version of something that really happened to Simon and his wife.
dusty-10041
The story is about an immature boy (Quinn) who lives in an awkward child-mother relationship (Devon). Although this situation is unhealthy for both of them, keeping stuck into this seems comfortable for them.When Quinn is sexually attracted by some girlie (Kelsey) who is surely unfitting for him as well and would doubtlessly take advantage of him as soon as she is able to, he seems to question his platonic relationship with Devon.However, this (to some degree) healthy development brings up guilt and fear so he regresses to a boy who seeks forgiveness by his mother in place (Devon) who basically turns away from him.After some back and forth between Devon, Kelsey and some others Devon moves to Paris to her grandparents where she meets some french guy (Guillaume).Afterwards we see some more boyish behavior from Quinn who tries to win Devon back which is to some part successful, however, there is then some tumult where everything gets very awkward and clumsy and it seems Devon is lost for Quinn.Out of the blue Devon travels back to the US where she tells Quinn that she came back for him - perhaps she misses her mother feelings? So he proposes to her and right after that Quinn regresses again and seeks for forgiveness for sleeping with another woman.After some back and forth (again!) Devon forgives him and takes him as his man-child.Wow - I can only hope that the "true story" behind this cinematographic awkwardness is based on very loose events.But what I wonder is: What is Hollywood trying to tell us with this film? I mean, many other pictures tells us about the so-called development to a man, where the relationship or some girl makes someone a man which enables so-called real love. Although this is also a silly cliché, to some degree it makes some sense to me: At least the "man" is the hero and the new hero will try everything to fulfill his girls dreams. Of course, he is still his mother's child, however, this dynamic is socially accepted and widely believed to be the ideal of any relationship.But this film seems to transport the awkward ideal of marrying his mother and I wonder whoever would like this?
squidantics
This took me three goes to get through. The writing feels so self-centered, characters are lacking depth while the lead is annoying to watch..a hypo, fumbling idiot. The film offers no opportunity to connect with the characters, which is a shame considering it's based on a true story. The comedy feels forced, but with more work on some of the gags and general tightening of the editing and pacing, some of it would have come across better. Soundtrack and cinematography were forgettable. It felt like a pet project that wasn't meant for wider distribution, maybe something you show your friends...."remember that time when my relationship went bad, and stuff happened?"
jackiecouchman
I think it's fair to say that most of us have known a Quinn-type character; excessively nervous, inclined to exhibit OCD tendencies, intelligent but inarticulate, lovable but not obviously attractive. Helberg couldn't be other than he acts himself, could he? His character is played out perfectly and hilariously. If only the same could be said for the other characters, most of which hardly got off the starting blocks. Major opportunities were missed to explore the supporting characters and their motives; maybe other movies will follow to redress this omission? Favourite moment has to be when Quinn realises that his dream "model" girl isn't at all compatible with him and his reaction to those deal-breaking traits. A funny, watchable movie which was exactly the length it needed to be. I would like to see a sequel which told us what happened next to Quinn and perhaps also what happened next to the other main characters, Devon, Kelsey, Jameson, Kurt and Terry (or maybe a retrospective for him).
