Werewolves of the Third Reich

2018 "When the full moon rises, the war begins."
2.2| 1h30m| NR| en
Details

In Germany at the height of World War II, a ragtag group of American soldiers discover Doctor Mengele's diabolical plan to create an unstoppable army of Nazi werewolves.

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Reviews

ManiakJiggy This is How Movies Should Be Made
WasAnnon Slow pace in the most part of the movie.
Steineded How sad is this?
Allissa .Like the great film, it's made with a great deal of visible affection both in front of and behind the camera.
Benedito Dias Rodrigues I was fully deceived by DVD's cover and what the title suggested,watching almost when l've been receiving the pack,my disappointment acctualy start in first half hour and how much is getting in the middle my angry is higher,stop wasn't an option acceptable in face of my expenses to get it,remaining spend my priceless time in a trash movie,the real low budge picture survives only by nazi werewolf premise which didn't appeared usually,just in few scenes,a bad make up is clear, looks like made by a beginner,well at least the main character likes to kill nazi!!!Resume: First watch: 2018 / How many: 1 / Source: DVD / Rating: 4
Nigel P I am not sure there are any film-makers currently as prolific as Andrew Jones, who, with production company North Bank Entertainment, continues to release low-budget horror films at a fast rate of knots. Most are enjoyable, some very much so. Never afraid to 'pay homage' to other projects, Jones here writes/directs something very close to Quentin Tarantino's 'Inglourious Basterds', but on his terms.It is bargain basement stuff, of course. Hitler's briefing room is backed with black drapes, while he sits in front of an un-ironed swastika drape, whilst true to Jones' direction, many scenes are a collection of close-ups. The best performance probably comes from Suzie Frances Garton as the resolute and duplicitous Ilsa (what else?) Koch - with suggestions of sensuality beneath that pristine cool veneer, she attacks the role with relish. In a disappointingly brief appearance, sometimes Jones regular Jared Morgan plays the bar-tender; he is always good to see. Perhaps it is ubiquity to blame, but I find it more difficult to be convinced by Lee Bane as 'Mad Dog' Murphy, someone too stylised to ever truly exist; whispering every line Eastwood-style, his avowed intent and catch-phrase, to 'kill Nazis' becomes more irritating than threatening. As ever though, he plays his role to the hilt and offers the key: don't take things too seriously. Other performances (and accents) vary greatly. Hitler, for example, provides Oliver Fritz an opportunity to display the Fuhrer as a bizarre, ailing grotesque.There are some interesting choices being made here and as is often the case with Jones' projects, the more you watch, the more these choices take you in. The long conversational scenes, the slow-burning story-telling, and some ripe performances combine with simmering interest, a good build-up of threat and as ever, some nice location filming that does enough to allow you to believe events are taking place in Nazi Germany 1944. That's another thing with films from the North Bank Entertainment stable - they cannot be accused of being unambitious. This could have been set in England with no Hitler appearance at all - but no, we have approximations of American accents, two curious werewolf hybrids and a bucket-load of Nazis.For a story with 'werewolves' in the title, we have to wait a long time for even the first mention of them by name. The reveal comes at the time the two main story-strands come together, in a midst of monster masks and CGI blood-splattering. Like the rest of the film, some moments will leave you impressed, others not so much. But it seems the adventures of (don't call him) 'Mad Dog' Murphy and his band of men are not quite over, as the post-credit flier tells us.
tomjablonski-30367 I havent seen such a trashy try to make something call a movie with crap actors.They didnt try to be like Tarantino,just they creativity and IQ didnt let them do this.Complete crap and garbage.No comments
Giles Ensor This is one of the worst movies of all time, and I use the word 'movie' generously here. And before I continue I would like to point out that I am a huge fan of the Asylum movies so I am no film snob.I'll only talk about the first 20 mins of the film because if I write any more, I will lose the will to live. So what happens in the first 20 mins? Absolutely nothing! No, I mean it. Nothing. Sure there are a couple of scenes but there is absolutely no point to them. We get to learn that some prisoners (more later) are going to have drugs tested on them and that's it. 30 seconds of 'important stuff' in 20 mins.My most enjoyable bit? Overweight concentration camp prisoners. I don't think the makers of the movie studied WWII history. The makers don't seem to know anything about Jews either since the biggest, fattest prisoner has a huge tattoo on his chest. It is pretty common knowledge that Judaism still frowns on tattoos and 70-odd years ago things would have been much stricter.Second favourite bit? The actor chosen to play Hitler - the only prerequisite being the ability to put on a moustache as far as I could see. I look more like Hitler and I'm 6 foot, balding, and fat.I would like to suggest watching it for the comedy value but Sharknado 5 this ain't. It is not even funny bad. It's just bad. Rather than spend 1 hour and 34 mins watching this 'movie', I would suggest that members of IMDb use the time more wisely. I won't give any suggestions. Literally ANYTHING would be time spent more wisely.