Tetrady not as good as all the hype

Tedfoldol everything you have heard about this movie is true.

FuzzyTagz If the ambition is to provide two hours of instantly forgettable, popcorn-munching escapism, it succeeds.

Ginger Very good movie overall, highly recommended. Most of the negative reviews don't have any merit and are all pollitically based. Give this movie a chance at least, and it might give you a different perspective.

mgl-92037 I agree with the other reviewers that Vanessa Redgrave's performance is the highlight of the film. She plays Jean so perfectly that you can imagine that they plucked the character out of real life and simply filmed her in her natural environs. You won't find any performance by an American star---and I include De Niro, Pacino and the other top Americans of the last 50 years---which is as natural, unaffected and moving at Redgrave's. The other real delight is watching Joely Richardson play the young Jean. She looks like her mother, and she foreshadows the later development of Jean perfectly. The actor who plays Jim is perfect in that small role: handsome, not too bright, very honest and devoted. The next great performance is in the character of John Morgan, perfectly portrayed as a young man who is mentally ill, but not to the extent this is noticed, or dealt with at school. He is intelligent, but unable to relate to people as more than objects, or objectified ideals. As a character, he is creepy in just the right degree---subtly, so that the pieces only fit together later.I'm not sure how to interpret the events which unfold or are revealed in the last 20 minutes of the film, but however you look at it, this is a depressing, very British outlook on middle age. A kind of, yes life is really awful, but we're here and the worst is behind us. In mood and final resolution, as well as in having a teacher as the central character, this movie has echoes of Michael Redgrave's very fine movie, The Browning Version. Finally, I don't see any significance to politics in this movie. The film is a story of character development and revelation. Don't watch this movie if you are easily bored, or easily depressed, for that matter. Watch it if you want to see some really fine acting, and want to be provoked a bit.

blackjakko The cover looks very promising. Unfortunately it fails to deliver despite having an exceptional cast. Incredibly boring and annoying. Had to stop watching it half way through, and I'm a die hard film fan. I am willing to give movies more than a decent chance to prove themselves. Why it fails? the deadly slow pace, the meandering/chopping back and forth between the two plots. The feeling that the movie is going nowhere and will leave you wondering why you bothered. Truly Vanessa Redgrave is always a good bet which is why I chose it, together with the fact that her daughter (Joely Richardson)is in it spurred me on. The premise is a good one, but the lack of momentum is excruciating. Ian Holm, Tom Wilkinson, Judi Dench, are all playing their roles adequately. What a shame.

trpdean I've always loved this movie deeply. I just watched it again for perhaps the sixth or seventh time. I fully agree with the Japanese reviewer that the mention of Nixon is in sympathy, not ridicule. His yearning to be loved by another, is very much meant as a parallel to the young and older Redgrave character - as well as to the young man at the dinner party.David Hare has a wonderful scene here that is very similar to the very end of Plenty - when we see Joely Richardson writing in her diary in 1947 or so (think of Plenty's flashback to Meryl Streep in 1944 or 1945 speaking to the French farmer). The scenes might be full of bathos - but gee, I was overwhelmed both times. This movie has much in common with other Hare ventures - movies like Strapless and Plenty, plays like Skylight and "Amy's View". Hare's deep sympathies are with the romantic, the compassionate, the sensitive, the foolhardy, the collective-minded and the lost. He is antipathetic toward the self-sufficient, the ambitious, the laconic, the individualistic, the successful. I only partly share his sympathy and his antipathy but he makes me appreciate his attitudes through dramas he creates with real living characters. Hare is sentimental in a nostalgic way, and can write wonderfully vivid, intelligent and lost protagonists. I think him a far more intelligent and better dramatist than such left-wingers as Mike Leigh or Ken Loach. Many of us will see much of ourselves in his protagonists' loneliness, our wonder at mistaken hopes from our past, and sense of our own frailties and faults as we grow older.Others speak of similarities to Pinter - I don't see them. Hare is more essentially romantic - even if he doesn't want to be - and I'd place him more with a Jacques Demy than with a Pinter-Mamet and their cold keen patterns of speech and behavior - though granted, he's more concerned with social and political background than Demy.This is essentially a sad movie about one who was once happy - and her wonder and self-realization about another sadder than she. This movie also started me off on two decades of strongly favoring Joely Richardson in any role - as I had always loved Ian Holm and Vanessa Redgrave. (I realized recently that among my several dozen favorite movies since the mid-1960s, about one quarter seem to have Ian Holm in them!). If you like movies like Sunday Bloody Sunday, Butley, Plenty, A Kind of Loving, Quartermaine's Terms - and I do - you'll love Wetherby. I love this movie.

Zootz Simms This is a great film. I just saw it for the first time. The comment above is completely wrong, however. I must set the record straight. The military scenes are not US soldiers, but rather a flashback for Vanessa Redgrave to a love lost. Royal Air Force, sir, in Malay. I whole-heartedly recommend the film. It has a great dramatic score. It also has tackles some real dark ideas about love and life. And it has a pace that doesn't exist anymore in many films, especially those with stars. Great performances from Ian Holm and Tom Wilkinson. Also a fine performance from a very young Joely Richardson (Vanessa Redgrave's daughter), who now stars on FX's Nip Tuck.