wes-connors
Marine buddies Edmund Lowe (as Sergeant Quirt) and Victor McLaglen (as Captain Flagg) carouse through World War I, and eventually become rivals for the affections of sexy Dolores del Rio (as Charmaine de la Cognac). This successful stage comedy-drama became one of the biggest late-term "silent" hits, also making it to several top five lists and winning a "Best Picture" honor from Quigley Publications. The comedy hits a high note when Mr. McLaglen tells new recruits three things not tolerated are, "Running wild with these French dames, getting drunk, and fighting among yourselves." McLaglen's adept at all three, of course...Moments later, he dramatically notes, "There's something rotten about a world that's got to be wet down every thirty years with the blood of boys like those..." Director Raoul Walsh throws the film slightly off pace by increasing the comedy quotient, though he certainly must be admired for his celebration of the female "derriere" and the ability to get animals in camera range. The wild motor-scooter ride seems too slapstick. Like their characters in the original play, the co-stars used some mild vulgarities; at the time, lip readers were shocked. Of the principles, McLaglen received the best notices. Among the supporting actors, "mother's boy" Barry Norton (as Kenneth Lewisohn) was most singled out for praise; you should have no trouble determining why. Production values are excellent.******* What Price Glory (11/23/26) Raoul Walsh ~ Victor McLaglen, Edmund Lowe, Dolores del Rio, Barry Norton
bkoganbing
What Price Glory was one of the great plays of the Roaring Twenties, a shuddering look back at the greatest war in history and people's determination not to go through that again. People actually took time away from their partying to go look at this one. It was one of the biggest hits that the Shubert organization ever produced, running 435 performances in the 1924-25 season on Broadway. And it was a popular choice for little theater companies to stage for the next 30 years or so. If you remember in the film It's A Wonderful World, James Stewart and Claudette Colbert find themselves in such a revival production at a company in the Hudson Valley.What Laurence Stallings and Maxwell Anderson wrote got to the silent big screen for Fox Films in 1926 and it was deservedly a box office hit. Unlike The Big Parade it's Broadway success brought a built in audience to the movie theaters. The male buddy film may well have originated with this film as Victor McLaglen and Edmund Lowe as Captain Flagg and Sergeant Quirt gave such powerful performances. Later on Warner Brothers by teaming James Cagney and Pat O'Brien teamed them in a variety of films and situations whereas McLaglen and Lowe only played variations of Flagg and Quirt when they weren't using those names. You can make a case for either McLaglen/Lowe or Cagney/O'Brien for inventing the genre.One thing that is important is that like The Virginian which novel and play set the standard for western characters, What Price Glory did so for the male buddy film. These were not stock characters then, this is the original.I'd be hard pressed to pick out whether The Big Parade or What Price Glory did the battle scenes best, capturing the horror of total war that the First World War was. In terms of plot I'd say What Price Glory has it over The Big Parade as a story. The two Marines McLaglen and Lowe are friendly rivals over women or liquor, but fierce fighting companions in combat. The object of their affection is Charmaine played by Dolores Del Rio, the comely innkeeper's daughter. Charmaine has her own song, one of the earliest written for a film of the same name that was a big seller in The Roaring Twenties. That also contributed mightily to the box office for What Price Glory.The First Marine Division was the first American troops to actually see combat in France. These two and their fellow Marines might well be part of the Belleau Wood operations where Marines were rushed into bolster French and British troops when the German offensive threatened to break through.What Price Glory holds up magnificently from the silent era, still as a reminder of the futility of war and the plucky comradeship that can develop from that shared experience.
marcslope
Fox's answer to MGM's "The Big Parade," and I think it's a markedly superior movie, thanks to better pacing and the rousing direction of Raoul Walsh. He's in his element here: a big war movie with loads of comedy and romance, and three strong personalities at its center. McLaglen was born for this sort of stuff; Lowe wasn't, but he's a very convincing roistering-randy soldier. And Del Rio is so beautiful you don't much care what she does. The horrors of war are amply displayed, and the Hollywood hills doubling for the French countryside work just fine. But what made it such a hit, I guess, was the utterly winning frenemy relationship of Quirt and Flagg. They fight for dames, they hurl insults back and forth, they curse each other with all-too-lip-readable epithets, but you never doubt their loyalty and respect for each other. Maybe there's one skirmish too many--it gets a little repetitive-- but it's much faster-moving than "The Big Parade," and the soldier stereotypes commented on elsewhere don't hurt so much. Also, Leslie Fenton is excellent.
lugonian
"What Price Glory?" That is the question. Directed by Raoul Walsh, this initial teaming of Victor McLaglen and Edmund Lowe has been said to be Fox Studios' answer to MGM's immensely popular World War story of THE BIG PARADE (1925) starring John Gilbert and Renee Adoree, but while this, along with THE BIG PARADE, goes on record as one of the many top silent movies of all time, WHAT PRICE GLORY (1926), did prove successful. However, due to countless imitations and semi-remakes that followed, either with McLaglen and Lowe, or others, this wartime offering, which combines comedy, witty one liners: "I'd as soon find a skunk in my sleeping bag," to some heavy-handled drama, it has become a movie categorized in terms of cliché, it's best highlighted by a couple of tough Marines shouting profanities at one another "heard" only by experts in lipreading. Labeled a war movie, it consists of two spectacular battlefield sequences, one longer than the other, an attempt to recapture the essence to the horrors of war shown in THE BIG PARADE. Much of the story, however, takes place away from the war-zone while the focus is set upon the two aforementioned roughnecks who fight amongst themselves, particularly when it involves their women, without appearing too theatrical.The first reel centers upon the introduction to the central characters through the course of three years, starting in Peking, China "where professional soldiers serve as legation guards." Sergeant Quirt (Edmund Lowe) is introduced as "hard-boiled non-commissioned officer of the Marines," while Sergeant Flagg (Victor McLaglen), seen getting tattoos placed on his torso, is "soldiering for wages, loving, and fighting for fun." Next introduction is Shanghai Mabel (Phyllis Haver), "who has just divorced the Army and is announcing her engagement to the Marines." The involvement amongst Flagg, Quirt and Mabel moves forward to the Philippines where the Marines become involved with women over there, followed by next segment in 1914 France, then in 1917 as "the Americans join the allies and the old Marines were in the biggest war of all," where Flagg has been elevated to the rank of captain. While in France, where the duration of the story takes place, Flagg meets up with Charmaine (Dolores Del Rio), a beautiful French gal. The two hit it off until Quirt enters the scene.The supporting players consists of William V. Mong as Cognac Pete, Charmaine's father; Elena Jurado as Carmen of the Philippines; Leslie Fenton as Moore, a young lieutenant "who takes his war seriously"; Sammy Cohen as Private Pipinsky; and Barry Norton as Private Lewisohn, the "mama's boy" soldier, among others. What, no El Brendel? While Fox might have borrowed Renee Adoree from THE BIG PARADE fame to play Charmaine, it was offered to the Mexican born Dolores Del Rio making one of her first Hollywood screen appearances. Coming close to the physical resemblance to Adoree's character, Del Rio succeeds solely due to the fact that her Mexican accent cannot be heard in a silent film.Based on the popular play by Laurence Stallings and Maxwell Anderson, the movie version to WHAT PRICE GLORY, which runs for two solid hours, is perfectly cast by a fine trio of McLaglen, Lowe and Del Rio, actors not necessarily known for their work in silent movies. The success to WHAT PRICE GLORY inspired three sequels produced during the early sound era with McLaglen and Lowe reprising their roles: THE COCK-EYED WORLD (1929), with Lili Damita; WOMEN OF ALL NATIONS (1931), with Greta Nissen; and HOT PEPPER (1933), with Lupe Velez, all forgotten curios due to lack of revivals. While a sound remake of WHAT PRICE GLORY featuring McLaglen and Lowe during the 1930s or early 1940s might have seemed a logical choice, a remake, however, was eventually made, but starring the miscast combination of James Cagney and Dan Dailey for 20th Century-Fox. In spite of John Ford's 1952 direction, it fails to come close to the caricatures immortalized by McLaglen and Lowe.WHAT PRICE GLORY became the introductory movie presented on the 12-week public broadcasting series of "The Silent Years" (1975) hosted by Lillian Gish (WNET, Channel 13, in New York City), with WHAT PRICE GLORY accompanied by William Perry piano score from the Paul Killiam collection. The print presented in this series was used for the 1996 limited time only video distribution through Critics Choice Masterpiece Collection. American Movie Classics cable channel offered a rare showing to WHAT PRICE GLORY in June 1998 as part of its annual film preservation series, this time accompanied by the original Fox Movietone synchronized musical score with the theme song of "Charmaine" composed by Erno Rapee and Lew Pollack, in place of Perry's expert piano playing.WHAT PRICE GLORY may be something from the time capsule, but any movie that introduces its female co-stars with the camera's focus on their "seated bottom" instead of their charming faces can't be all bad. What price glory!! (***)
