When Night Is Falling

1995 "A visual treat on lust."
6.5| 1h36m| en
Details

Camille is a professor at a Protestant college who is engaged to Martin, a respected minister and fellow professor. When Camille meets Petra, a bold and flamboyant performer in a circus troupe, she is inexplicably drawn. Pursuing Petra, Camille throws her whole conservative life into disarray.

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IslandGuru Who payed the critics
Mjeteconer Just perfect...
Clarissa Mora The tone of this movie is interesting -- the stakes are both dramatic and high, but it's balanced with a lot of fun, tongue and cheek dialogue.
Winifred The movie is made so realistic it has a lot of that WoW feeling at the right moments and never tooo over the top. the suspense is done so well and the emotion is felt. Very well put together with the music and all.
itamarscomix When Night is Falling is notable for one of the strongest and most realistic depiction of a lesbian sexual relationship ever seen on screen, and to its credit it portrays a lesbian relationship more naturally and positively than most films do, and if it helped any person anywhere feel better and more secure about their own sexuality, then it did its part and I applaud it. As a piece of cinema, though, it didn't really work for me. Pascale Bussières and Rachael Crawford are both quite good, but I didn't see any real chemistry between them; there's a sense of connection between the two only in the (very powerful and sensual) sex scenes, and since the film tries to portray their relationship as a romantic one in addition to a sexual one, I feel like it failed. Camille and Petra are clearly attracted to each other and Camille is in love with the concept that is Petra, but I never felt convinced that there's any genuine feeling between them. The romantic relationship between the two women remains a fairy-tale, and it doesn't have the realistic emotion that the film tries to achieve.It doesn't help matters that the film tries for a statement against organized religion for trying to repress same-sex relationships. The problem here is that in the same breath the church chastises heterosexual relationships with about the same fervor as same-sex ones, and the criticism comes off muddled and vague.The film tries hard to make itself memorable with some very pretty cinematography and tons of metaphors, but in the end it felt clumsy and amateurish to me. On one hand it strives for an honest and realistic depiction of a love affair; on the other it muddles it up with religious imagery and spiritual symbolism and it all feels like too much of an effort. It's all quite pretty, and the film indeed has some very memorable scenes, but it doesn't help the story or the message in any way, and it's not done well enough to make the film a real artistic achievement. For all the good it does, it stays on the level of an after-school special, rather than a true piece of cinema.
madcardinal Camille is a professor at a conservative Christian college who is affianced to minister and co-worker Martin. When Camille meets and is attracted to nervy and vivacious circus acrobat Petra, an inner tension begins to build within her. One gets the feeling the film-maker double majored in Art and Theater as this film is bursting with circus-themed surrealist metaphors and intense use of saturated colors. The surrealism sometimes seems a little heavy-handed, but I understand the film-maker was trying to contrast the Christian college milieu with that of the circus folk. The acting is very good and the film excels at depicting the hesitancy and awkwardness involved in striking out in an entirely new direction. Can you simultaneously reach physical fulfillment and grow spiritually by finding your erotic center and exploring new sexual possibilities? That's the question this film deals with. To the scriptwriter's credit, the professors and ministers who espouse decidedly conservative positions with regard to homosexuality are not superstitious, fire- breathing gay-bashers. There are some beautifully filmed and - by U.S. standards - quite revealing scenes of lesbian love-making in "When Night Is Falling," so if this sort of thing disturbs you, steer clear. In sum, this film works well and conveys the difficulty, awkwardness and joy of discovering new ways of being. To quote first Camille and then Petra: "I'm nervous." "So am I; I think you're supposed to be."
banshees When Night is Falling is the most exotic love story I've ever watched. What I admire most is the idea of putting together two women of very different patterns and create a romantic masterpiece: Camille Baker, a strict but sensitive university professor who teaches at a religious college and Petra, a charming circus performer.I reckon Camille Baker and Petra's encounter resembles a child's first visit to the circus. All those colored and glittering lights, the clowns who make him burst into laughter, the most risky numbers make him feel odd but happy. For Camille Baker, visiting the circus is entering the tunnel of love. Instead of thousands of lights, she sees only one and she's afraid of reaching it, instead of risky numbers she is dealing with love and hopelessly tries to deny it. She is no longer Camille Baker, the conservative figure, but plainly Camille. They are just two women, Camille and Petra, an expression of pure love.WNIF is an emotional and haunting film which also gives a fascinating a insight on circus life. I express my admiration towards Rachel Crawford who portrayed an intelligent, deadly feminine and independent woman who didn't give up her pursuit of happiness.There is a chemistry between Camille and Petra which is kind of rare. They are both beautiful women with loads of sex-appeal, but they're beautiful in different ways: Camille is the sober type, betraying her chained passion by a pair of "exquisite lips" and Petra is the exotic beauty, like a panther in captivity which is left into the wild. Along with her appearance, she put Camille's boyfriend (Martin) into shadow and straight away, he becomes Camille's cat's paw in her process of denying her feelings for Petra. I give this movie 10/10 because it didn't come out as a lesbian movie, but as a gorgeous love story.
epscylonb Pretty average film, the lead seems like quite a decent actress, shame that her love interest was so wooden. There were attempts to make some sort of religious points but they never seemed to lead anywhere, the plot is basic and shallow. The carnival elements were really campy but served their main purpose so far that they contrasted with the lifestyle of Camille. I thought it was a made for TV movie to be honest but it looks like it is supposed to be an art house film.The best thing about this film ?, there is an absolutely hilarious payoff at the end (although I am sure it was not intended to be funny by the film maker).