Wild West Comedy Show: 30 Days & 30 Nights - Hollywood to the Heartland

2006
6.2| 1h40m| R| en
Details

In the spirit of the old west variety shows, Vaughn played host to the ensemble of comedians and performed improvisational sketches with surprise celebrity and musical guests. The film chronicles the journey of Vaughn and the comedians as travel over 6,000 miles and perform 30 shows in 30 consecutive nights in cities across the nation.

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Reviews

Solidrariol Am I Missing Something?
Tayyab Torres Strong acting helps the film overcome an uncertain premise and create characters that hold our attention absolutely.
Zlatica One of the worst ways to make a cult movie is to set out to make a cult movie.
Aspen Orson There is definitely an excellent idea hidden in the background of the film. Unfortunately, it's difficult to find it.
jdesando In Vince Vaughn's Wild West Comedy Show: 30 Days & 30 Nights—Hollywood to the Heartland, if the four relatively unknown comics (a "Guido," an Ohio rube, an Arab, and a non-descript guy) accompanying Vaughn on a 30 day tour of 30 cities had been better, the documentary would have been better as well. Sadly this tepid montage of the trip is rarely funny, rarely imaginative, although the infectious good will of Vaughn saves it from total banality.Jerry Seinfeld's Comedian (2002) and the arch Aristocrats (2005) have far more humorous moments while also revealing the humanity of the performers. Vaughn tries with limited success to show the heart of the comics between acts, but, alas, not one is interesting enough to have more than a beer with.As with most of these documentaries, there are only snippets of the acts and then cutting to another performer or a personal note. Thus, we can never understand fully why a comedian will or will not make the big time. One thing I do know, this January graveyard toss off will not make it big time. I'll ask you in December if you think it should be nominated for best documentary; you'll haveto research it on IMDb to remember.
closeupman I went to a preview screening yesterday and I must saw I was presently surprised. There was a negative review here and I thought it wouldn't be that good.It was a great movie, and the serious side (as short as it was), made it even better. They give free tickets to Katrina survivors(although I'm disappointed that Vince didn't go out there with the other comedians and help hand out that tickets, he just took a photo after the show with some of the survivors), I think it was a poignant moment and helped to not make the movie just one continuous cavalcade of laughs. It's trying to show not only the human side of the comedians but of the audience as well.One of the funniest moments is when one of the Katrina survivors, a young teen, recognizes Keir by saying,"You're the gay guy!" The audience was laughing so hard at that! I think too that Ahmed Ahmed didn't get enough time. The irritating comedian got way too much screen time...how much of his 'swearing' do we need to hear.I think though that the short 'montages' without audio need to go, either have the audio of the stick or cut it out, it's no fun to just watch the comedians do something and not hear it.8/10
socialdynamo-1 This movie should be a stand-up concert film, but for some reason its a road movie instead. The comedians are funny when you do get to see them on stage, but most of the movie is spent looking at a "Raiders of the Lost Ark" map trace the trip across America, cut with footage of the tour bus and then an audience laughing. Insert a cliché song about the city we're about to visit. They pad the movie out with a last minute Katrina benefit show, which seemed kind of melodramatic (especially for a comedy). Vince Vaughn even shows up on occasion throughout the film to show us his range of talent (see wedding crashers...NOT!). The money shot is definitely Vince and his friend Peter Bilingsley acting out their parts from a steroids after-school special.
TODude I just saw this last night at the Toronto Film Festival. Whereas some of the comedy bits by all 4 comedians were hysterically funny (Bret Ernst and John Caparulo both outstanding), the film itself was too long to constantly maintain interest. This doc still needs some major editing. Vince Vaughn should be commended for instigating this project and giving the 4 guys major exposure, but perhaps he should tone down the Tom Hanks mannerisms. I found that very disconcerting. But many in the audience cheered wildly throughout the film, and when all appeared on stage afterward for a Q&A, they were all witty and gracious. I would like to see more of Bret Ernst in the future. I was also a little disappointed at the amount of screen time given to Ahmed Ahmed. He was almost lost in the shuffle. One small spoiler, so be warned. Sebastian finally quit his day job!

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