Kattiera Nana I think this is a new genre that they're all sort of working their way through it and haven't got all the kinks worked out yet but it's a genre that works for me.

Infamousta brilliant actors, brilliant editing

Solidrariol Am I Missing Something?

Ella-May O'Brien Each character in this movie — down to the smallest one — is an individual rather than a type, prone to spontaneous changes of mood and sometimes amusing outbursts of pettiness or ill humor.

Ole Sandbaek Joergensen William Kunstler was a great lawyer and when I say was, it is because that is what the story/documentary tells us, it is told by his own daughter and she gives a really good and loving memory of her father in his great days.But she also tells the story of a man that loves the lime-light and the attention that he was getting from the media. He loved his worked, maybe more then his family at times, and he was very passionate about standing up for his believes and the wrong-doing of those with power towards the ones they could oppress.It is interesting to watch this media person and how he uses the media and court room like a theater and spins them in his direction.

Roland E. Zwick Don't let the fact that the documentary "William Kunstler: Disturbing the Universe" was produced, written and directed by his two daughters, Emily and Sarah, lead you to assume that this is just some reflexive puff-piece on the man and his life. Indeed, with a scrupulous desire for balance and fairness, the filmmakers acknowledge the controversial nature of their father and his work, while at the same time evincing the love and affection any daughters would feel for a devoted parent. In fact, they even admit that, as youngsters, the sisters often disagreed with the types of cases he was willing to take on and the types of people he was willing to defend (gang-rapists, assassins, Islamic terrorists), and often lived in fear for their own safety due to those choices. But with maturity comes the longer view, and now the Kunstler girls are able to appreciate more fully their father's unwavering belief that true justice can be achieved only when it applies to everyone equally - those we love and admire as well as those we hate and fear.Kunstler was, of course, the civil rights attorney who became a household name when he served as lead counsel for the Chicago 7 in the late 1960s, an act for which he served several months in prison on charges of "contempt of court," a sentence that was later overturned. But it was this trial - and the obviously unjust way in which the defendants were treated (especially Bobby Seale) - that forever "radicalized" Kunstler, making him see the American legal system as a racist machine hell bent on discriminating against minorities and the poor and those who lacked favor in the eyes of society. After this crucial turning point, Kunstler dedicated his life and his career as a defense attorney to full-time anti-war and civil rights activism, which garnered him the near-constant attention of an ever-suspicious FBI. Kunstler was actively involved in trying to bring peaceful resolutions to the famous standoffs at Attica (where he clearly did not succeed) and Wounded Knee (where he did).It was in the second half of his career, where, in his capacity as a criminal defense attorney for the city of New York, he began defending some pretty loathsome characters - he is even shown physically embracing John Gotti - that many of his former supporters, including his daughters, began to question his moral convictions. But Kunstler, who died in 1995, always maintained that every person accused of a crime was entitled to a vigorous defense, and it is this philosophy that ultimately won over many of his critics and even his daughters in the end.A mixture of file footage and interviews with numerous people who both knew Kunstler personally or were deeply affected by his work, the documentary itself is fairly conventional in style and form, but its portrait of a man who insisted, often at great personal risk to himself and his family, that all people be given a fair trial - and of his daughters' growing understanding and eventual acceptance of what he was all about - makes it truly inspiring.

frankfar This film is first-rate, very thoughtfully written and elegantly made. Very inspiring. Its strengths are many. There's no fluff, despite its being a valentine from these sisters to their dad. It manages to convey the complexity of their feelings and knowledge of him as a man and of the work he did. Remarkably, as busy as he obviously was, he truly loved these girls and his wife with all his heart. It charts his transformation from Long Island lawyer to national institution through the Civil Rights and antiwar movements and his later work as criminal attorney for the most reviled defendants around. The girls themselves had strong misgivings about these later cases, as did his wife, but he persisted, and in one important case was vindicated after his death. We don't see lawyers like this these days. America has become so pacified that Bush and Cheney can steal two elections and the people won't even get off the couch. Idealism has been replaced by cynical, money-grubbing materialism. This picture reminds us of what constitutes a life well lived.

williammessing This film by Kunstler's daughters Emily and Sarah, is a wonderful memorial to their father. Kunstler, along with Noam Chomsky Fred Hampton, Martin Luther King, Nelson Mandela, Huey P. Newton, was one of the twentieth century's giants in terms of fighting for the rights of those oppressed. To give recognition to Sam Melville and all the other martyrs of Attica, to give thanks to the Estate of Nicholas Ray, to give recognition to those who led the insurrection at Wounded Knee, seems to me already sufficient justification for this film. Joris Ivens would have been happy to have made this film, as he clearly would have recognized Kunstler's importance. A magnificent film. Power to the People!