Alicia I love this movie so much

Ameriatch One of the best films i have seen

Sarita Rafferty There are moments that feel comical, some horrific, and some downright inspiring but the tonal shifts hardly matter as the end results come to a film that's perfect for this time.

Cristal The movie really just wants to entertain people.

SnoopyStyle Winnie Mandela (Jennifer Hudson) is the sixth daughter to a disappointed father hoping for a son. She tries to prove her worth chaffing at the paternalistic culture. Her father is the son of the chief and a ground breaking teacher. She studies to be a social worker and excels. She is fascinated by Nelson Mandela (Terrence Howard) and catches his eye. They are soon married but they are always hounded by the cruel De Vries (Elias Koteas). Mary Botha (Wendy Crewson) hires her despite the troubles and becomes her supporter.This is such a bland uninteresting biopic. With such an amazing complicated subject, this has no intensity. It has no life. The story has been simplified into a paint-by-number biopic. It's as if it's boiled down to highlights of a compelling life. It uses way too many montages. Terrence Howard is especially hamstrung by the script while Jennifer Hudson takes a backward step with her performance. Elias Koteas is a great actor but the movie appears to suggest that all of Mandela's problems stem from an over-zealous persecutor. Winnie is one of the most compelling characters in our modern history and this treats it all like a melodrama. I'm left a little uncertain about Hudson's skills after this. However I put most of it down to a bad script.

Nzinga19 After watching movie Winnie Madikizela Mandela, I wondered how much Winnie, the main character, narrated on this movie about herself. Winnie was referred to as the Mother of the Nation, she was statues and beautiful, very intelligent and warrior spirited. Yet so much was left out about her diplomacy, about how she traveled around the world from country to country to gain world support for the release of her husband Nelson Mandela. The greatness of the woman was laminated to half her greatness in this movie. I remember when Winnie came to United States to meet to appeal the world be aware of apartheid and unjust imprisonment of many South Africans under apartheid. People were naming their children after Winnie and Nelson because of her image, which I must mention was distained. The population of South Africa including Nelson are under the influence of apartheid also Stokholm AND Helsinki syndromes.

Tad Pole . . . the Lady Macbeth of South Africa. The trajectory for heroes is that they start out sinners like Saul of Tarsus and transform themselves into people such as Saint Paul. The Benedict Arnolds of infamy, on the other hand, begin lives of privilege and when the going gets a tad rough, they mutate into evil, self-centered cancers on humanity. This film, WINNIE MANDELA, perfectly captures her transformation from the one-time girl stick fighter champ into a chunky boozing adulteress with a lust for cheap sex and a penchant to enjoy sadistic "neck tie" parties involving her having trusting young orphan boys burned alive. No one can prove there actually is a Hell, or say whether Winnie deserves to be there forever, or just for 10,000 years. But as crispy critter Stompi Seipei's surviving sisters might point out, at least Hitler had the decency to kill his victims BEFORE burning them.

alexthewriter I saw this movie at TIFF and thought it was a very sad attempt to tell a very important story. Winnie Mandela herself is often a character that is larger than life, and the events surrounding Nelson Mandela's trials and incarcerations always deserve respect in how they're presented.Instead, this movie was choppy and disjointed and just a collection of hollow and pointless scenes, strung together with little reason or coherence. There is not much depth to any one scene, as if the director couldn't decide what to concentrate on and whose story it really was. Because of this, everything came across as empty and woefully underdeveloped. When dealing with a story as broad-reaching as Mandela's importance and impact with the anti-apartheid movement, you need to pick one point of view and stick with that; this director was all over the map, so that nothing was fleshed out properly.The acting, save for Terrence Howard, was embarrassingly stiff and disjointed. Jennifer Hudson never let you forget that she was just acting, that these lines were written for her by someone else. I would wonder if she did any research before shooting and really understood what someone like Winnie Mandela would go through, and what it would be like to have a flawed personality that wasn't always angelic and heroic. While her Oscar for Dreamgirls was well-earned, I would hesitate to actually call her a real actress with range and presence. She was definitely in over her head here.All in all, it was very unfulfilling and seemed to serve no purpose. It's no wonder that it has yet to be released in theatres or even to DVD, which, considering the amount of story that can be told about the Mandela family, is an inexcusable failure.