Hellen I like the storyline of this show,it attract me so much

ReaderKenka Let's be realistic.

Marketic It's no definitive masterpiece but it's damn close.

Keeley Coleman The thing I enjoyed most about the film is the fact that it doesn't shy away from being a super-sized-cliche;

BA_Harrison After the mysterious disappearance of one of the biggest names in Jai alai (a variation of the sport pelota), insurance investigator Mike Harber (Ross Hagen) is hired to try and find the missing sportsman. Mike's search leads him to the heavily guarded island fortress of Dr. Tsu (Nancy Kwan), where the unscrupulous surgeon has been harvesting the bodies of athletes abducted by her all-female army and using their limbs and organs in illegal transplant operations for the super-rich.Opening with a scene in which several topless female swimmers are abducted by Dr. Tsu's sexy hench-women, this early 70s USA/Philippines production starts as it means to go on by being unashamedly exploitative trash. As his film unfolds, director Robert Vincent O'Neill (who also gave us the equally exploitative Angel and Avenging Angel) piles on the outlandishness, delivering a prolonged chase scene through the streets of Manila (which involves some particularly perilous looking stunts), some really bad fight scenes (his actresses clearly total strangers to the martial arts), lots of leggy babes in revealing outfits, and a very silly finale that sees a bunch of Dr. Tsu's failed experiments running amok on the island (the daft creatures including a half man/half ape and a guy who sports a glass cranium with an orange beacon inside). All of this is accompanied by a cool funky '70s soundtrack.The movie's kitschy style also adds immensely to the fun factor: there are go-go boots and hot-pants aplenty, Dr. Tsu's operating theatre boasts cutting-edge psychedelic coloured lighting and swirly hypno-discs (while her PVC operating gown is the height of '70s surgical fashion), and Mike samples the delights of 'brain sex' via a silly high-tech headband covered with diodes.Add supporting roles for cult favourites Vic Dias and Sid Haig, and what you have is a delightfully daft piece of nonsense—not great film-making by any stretch of the imagination—but highly entertaining nonetheless.

Woodyanders Rugged insurance investigator Mike Harber (a charismatic and engaging performance by Ross Hagen, who also produced this film) gets an assignment investigating the mysterious disappearances of popular athletes in the Philippines. Harber stumbles across a remote island fortress run by the evil Dr. Tsu (well played with deliciously wicked relish by Nancy Kwan) and squares off against her lethal army of sexy distaff kung-fu killers. Director Robert Vincent O'Neil, who also co-wrote the compact and eventful script with Lou Whitehill, relates the hugely entertaining story at a swift pace, presents some funky local Manila color (yep, there's a cockfight at one point), handles the outrageous plot in a winning tongue-in-cheek manner, and stages the exciting action set pieces with rip-snorting brio (a lengthy car chase rates as the definite stirring highlight). This picture further benefits from a bevy of stunning exploitation cinema beauties: Ravishing redhead Maria De Aragon, fetching brunette Claire Polan (Hagen's real-life wife), foxy blonde Roberta Collins, black knockout Shirley Washington, and even the always sumptuous Marilyn Joi in an uncredited small part. Better yet, there are spot-on spirited turns by cult favorites Sid Haig as Tsu's suavely slimy business partner Gregorious and Vic Diaz as jolly cab driver Lapu-Lapu. Carson Whitsett's funky-throbbing score does the get-down groovy trick. Ricardo M. David's sunny cinematography provides an attractive bright look. A total grindhouse delight.

tim_8 A multi-racial gang of ladies with skimpy clothes, big hair and bigger guns is running amok in Manila - kidnapping athletes and skinny-dippers left, right and centre. When they nick a Jai Alai player, hero Mike Harber (Hagen) is called in. Hooked up with a sidekick jeepney driver (denim-clad Vic Diaz), Harber winds up on the island lair of transplant artiste Dr Tsu (Nancy Kwan). "Her genius and her talent transcends the question of human morality," says her debonair sales manager (Sid Haig) and Tsu's brain transplant techniques and stock of body parts are the key to longevity. With a labload of flashing, bipping and swirling things, brain sex, a high-speed downtown jeepney chase and an army of Filipino warrior gals enthusiastically belting the crap out of people, Wonder Women is a load of fun. And that's before Dr Tsu's mutant test subjects escape their cells! The ending - Harber, a blonde and another all-female hit squad - is a reminder that Ross Hagen was the producer of this manic actioner.

purakek What I remember about the film was the only known star was Nancy Kwan, which meant it was truly a low-budget effort. Set in the Philippines, Hagen stars as a private eye who's on the hunt for a group of women kidnappers. Hagen gets to fight one female; On second thought it wasn't much of a fight. Hagen gets tossed all over the room, ruining furniture and appliances in the process, but still survives(!), despite the strength of his genetically-engineered female foe. He wins her trust and she leads him to the lair of Nancy Kwan, the evil scientist (!!). Atrocious acting, some good fight scenes, lush Manila scenery, poor plot. Strictly for enthusiasts of apartment-style mixed wrestling.