BoardChiri Bad Acting and worse Bad Screenplay

SeeQuant Blending excellent reporting and strong storytelling, this is a disturbing film truly stranger than fiction

Teddie Blake The movie turns out to be a little better than the average. Starting from a romantic formula often seen in the cinema, it ends in the most predictable (and somewhat bland) way.

Myron Clemons A film of deceptively outspoken contemporary relevance, this is cinema at its most alert, alarming and alive.

tylim28 A classic story is retold and the result is at once delightful and hilarious. Reliable veteran actress Anita Mui plays the king of the Qi kingdom in a gender bender and revels in her role in providing most of the comic moments in the movie. Sammi Cheng plays the female warrior Chung Wu Yen, who is bound by destiny to fall in love with the king. Cecelia Cheung plays a fox spirit who is in love with both Wu Yen and the king, depending on which gender it takes when it is in human form. At the start of the movie, the fox spirit puts a curse on Wu Yen that causes her to be ugly as long as she is in love with the king. Wu Yen thus falls out of favour with the lusty king, who takes to the female form of the fox spirit. However, each time the king gets into trouble with other kingdoms, he goes to Wu Yen begging her to use her superior martial arts and military tactics to save him. It is absolutely brilliant of the plot that due to various circumstances, each of these three female leads play both the male and female roles through the course of the movie. Like many Hongkong period comedies, this one has plenty of modern day objects thrown in to hilarious effect. The king's four advisers provide plenty of comic relief as well, making the movie a bubbly affair. At times this movie is even slightly touching as it explores the ideas of love, loyalty and beauty in a couple of poignant moments. Anita Mui proves once again her natural prowess at doing comedy, while Sammi Cheng and Cecelia Cheung put in more than credible performances. This movie might be a bit long but it never ceases to entertain. At least 3 and a half stars out of five.

Christian This delightful production shows that great acting, good script and effective directing are still the basis of good cinema. This film takes a life of its own and transports us effortlessly to a fairytale world where virtues and vices are greatly exaggerated and fantastical elements are smoothly incorporated with our mundane understanding of the world.The writer/director Ka-Fai Wai and his fellow director Johnny To elected to play with subjectivity and let the audience continuously use its imagination. For instance, they chose to have the emperor played by a woman and allow for a mere mark on the face to be the symbol of utter ugliness. In that , and in all other aspects of the feature, they succeeded in maintaining the feel of a true fairytale. The sets and decor, the use of camera, the singing narration, and the over-the-top screenplay and acting all felt authentic to the genre. This respect of tradition is in fact the starting point of the ingenuity and originality of the movie.The foundation of the movie lie in the hands of three potent actress who play their various parts to perfection. The intensity of the acting transcends even the language barrier. The versatility of Anita Mui is breathe-taking. Sammi Cheng plays the strong role of Wu Yen with conviction and intensity, while Cecilia Cheng plays the conniving enchantress so well that you literally hate her. Even the supporting actors add flare to the movie in their small roles, especially the emperor's cohort.The script is of high quality with strong dialogue, witty humor (both subtle and overt), and a storyline full of surprised. Here again, Wai and Yau opted to keep the children story/fairytale feel with extravagant situations and moral implications prominent. This may feel a slight bit tedious as elements are repeated as if to emphasize points to a child, but it serves its purpose in involving us into the story and in keeping the package coherent in its aim and structure. Besides, the screenplay has enough steam to allow a few short, strategically placed, stagnating moments. The only unfortunate thing about this movie is that I don't speak Cantonese. The dialogue is so rich that I am certain to have missed some extra nuances. Also, the subtitles are cut short just as the movie is ending to leave place to the credit. I found this very regretful and I urge anyone who understands the language to fill me in on what happens at the end (you can email me). I also hope that the DVD version might remedy that problem.In conclusion, this movie is a humble masterpiece with an enormous amount of laughs, an interesting plot and an emotionally charged love story. Go see it!! (9/10)

eah I enjoyed this movie far more than I expected to. The whole cast of characters (or charicatures) was wonderful - particularly Anita Mui. This is light-hearted, whimsical storytelling about as good as it gets. A little bizarre at times, but a fun story throughout.

Zabadoh The laughs swirl around strong performances by Anita Mui, Sammi Cheng, and Cecilia Cheung.Anita Mui plays the Emperor Qi(yes, that's Emperor), a lecherous, weak, cowardly fool whose destiny is to marry the infallibly virtuous Chung Mu Yen, played by Sammi Cheng. Of course things aren't that easy because a mischievous, but innocent Fox Spirit (translated in the subtitles as Enchantress), played by Cecilia Cheung, has fallen in love with Mu Yen instead.The Fox Spirit curses Mu Yen by placing a large mark on her face, hoping the shallow Emperor's rejection of her will drive Mu Yen to love him instead. When that doesn't work, he turns himself into a beautiful woman to seduce the all-too-willing Emperor and drive Mu Yen away.There really isn't a good reason why Anita Mui, as opposed to a male lead, was cast as the male Emperor, but somehow it works. She also plays the Emperor's Great Great Great Great Great Ancestor, the royal family's incompetent guardian spirit.Adding to the fun are the Emperor's four flustered advisors, who record his mishaps in grand prose (a la Robin's Minstrels from Monty Python and the Holy Grail), and this film's low budget production.A few of the script's lightning fast puns eluded the subtitlers and will elude a non-Canto audience. but there's more than enough fun energy in this film to make it worth seeing.