ThiefHott Too much of everything

ReaderKenka Let's be realistic.

ThedevilChoose When a movie has you begging for it to end not even half way through it's pure crap. We've all seen this movie and this characters millions of times, nothing new in it. Don't waste your time.

BelSports This is a coming of age storyline that you've seen in one form or another for decades. It takes a truly unique voice to make yet another one worth watching.

Silvia Hartmann I have just seen this for the first time and I've haven't been this delighted with any movie for a very, very long time.If you're a writer, illustrator, screen writer, film maker, artist and Bowie fan, which I am, you're going to love this. I usually feel like I'm not the target audience, but for this one it was so bang on, I am wondering whether I just imagined it as a movie tailor made for me. Top marks to the writers and director, they got together and created something truly delightful. A bright star among the usual cliches, handled with a wonderfully light touch and real intelligence. Absolutely loved it.

VinnieRattolle Spoiler-light. An artist draws a comic book about a film director; the director makes a movie about a novelist; the novelist writes a book about the artist. The movie shifts back and forth between the three stories, with none of the characters aware that they're directly affecting someone else's life. The artist (Alison Pill) works in a factory assembling sex dolls, which only strengthens her desire to have larger breasts. The director (Gael García Bernal) finds himself at odds with producers... and his own body. The novelist (Mariana Ximenes) dumps her boyfriend and gives up her modeling career to pursue her dream of writing.If you can wrap your brain around the strange narrative (and don't mind the sight of bare breasts, which the actual director seemed rather preoccupied with), this movie's thoroughly entertaining. Without question, the standout segment is the artist's, which kicks off the film and forms the backbone. The movie hangs firmly on Allison Pill's shoulders, and she exudes a lovable charm which engages you as her situation goes from kind of odd to downright bizarre. The director's segment ranks a distant second, but the entire thing is rotoscoped (filmed and then animated) which gives it a surreal beauty. The weakest link is the novelist's portion, though it certainly isn't the fault of any of the actors - the problem is that this third vignette is entirely devoid of the overt humor which pervades the other two stories.It's sort of a shame that there IS a weak link here, because this film is completely unique and has so much going for it. It's not perfect but it's one of those movies where it feels like everyone involved was pouring their heart into it, so the result is kinda magical. The performances are excellent across the board, the animation has a wonderful hand-drawn feel to it, the cinematography is exquisite, the music perfectly accompanies the visuals, it's well-paced and feels like a much bigger-budget film than it actually is. And then there's that ending. I literally had a big, dumb grin on my face all throughout the climax... though I recognize that what so greatly amused me could easily be off-putting to others.The bottom line is that if you're the type who prefers offbeat indies to cookie-cutter Hollywood crapfests, there's a good chance that you'll love Zoom.

johnconnerjtc You'd have to be crazy to like this movie. I loved it.Zoom has an original plot, great acting, and was just confusing enough to keep me guessing.The international story line helped shine a light on the meme of Hollywood's usual containment of creativity. Art for the sake of art becomes representative of the interwoven lives of us all.It would be easy to write this off as another experimental film but I predict it will become an iconic piece studied and used as a barometer for creative license. Finally, it was just simple fun.Highly recommended

subxerogravity Even though only a section of the film is animated using rotoscope, the whole movie has an indi comic feel, like Love and Rockets of Ghost World (which was made into a film) The animation looks like it's the same as A Scanner Darkly, possible done by the same animation team, but in A Scanner Darkly it seems like the animation was a bigger arch.It's an interesting circle about three people. Emma who works at a Factory that makes sex dolls, draws pictures of herself being a beautiful busty femme fatale, an image that the guy she's sleeping with finds absurd. In retaliation, she draws her dream guy, Eddie, a hot Spanish action film director who's doing a film he plans to use to take himself serious, but comes across a little problem when Emma, unhappy with her new boobs decides to get rid of the "package" that made him a hot commodity in Hollywood, and effects the making of his film about Michelle, a Brazilian model tired of being judge on her looks, who goes home to write a novel that just so happens to be about Emma.It's a nicely layered story and becomes very surrealistic, as all three story tellers take us through their creative process, and if anyone knows anything about the creative process, the story goes through constant changes which switches the tone in order to make the story work. It's a very unformulated movie that goes from the tame to the outrageous, and keeps me captivated with some very interesting personas moving on the screen. cinemagardens.com