Scanialara You won't be disappointed!

Cleveronix A different way of telling a story

Taraparain Tells a fascinating and unsettling true story, and does so well, without pretending to have all the answers.

Derry Herrera Not sure how, but this is easily one of the best movies all summer. Multiple levels of funny, never takes itself seriously, super colorful, and creative.

RaspberryLucozade Simon Brett's 'After Henry' was one of three BBC Radio 4 sitcoms that made a successful transfer to visual media ( the other two being the patchy 'Up The Garden Path' and the dreadful 'Second Thoughts' ), albeit on ITV. Despite its massive success on radio, the BBC felt it had limited visual potential and so passed on the idea. Far from giving up, Brett then took it to ITV, where it was picked up and made by Thames Television.It was all about middle aged widow Sarah France. Her husband Henry has recently died and she tries her best to cope without him, a task not helped by the burdening presence of her interfering mother Eleanor Prescott ( who lives in the flat below Sarah in their large three storey house ) and her insecure daughter Claire ( who lives in the flat above Sarah ). Sarah works in a second hand bookstore named Bygone Books where her employer is Russell ( who is openly and unashamedly gay ), the only person in Sarah's life whom she feels she can truly open up to.As if the interference from her mother is'nt bad enough, her ( Eleanor's, that is ) friends, whom Sarah calls 'the geriatric mafia', particularly the nosy Vera Polling, are not backwards in coming forwards in regards to poking their noses into Sarah's affairs.Prunella Scales, who played Sarah, signed up for the role as she did not wish to be typecast as tyrannical Sybil Fawlty from 'Fawlty Towers'. I don't think it would be inaccurate nor unjust to say Scales will always be remembered as Sybil ( even her appearances on the Tesco commercials are better remembered than this ). That said, 'After Henry' was a ratings success and proved popular enough to run on ITV for four series. Whilst I enjoyed it on the whole, it is nowhere near to the standard of 'Fawlty Towers' but then I think you are all already aware of that. Many of Pru's best scenes were with the priceless Joan Sanderson as Eleanor ( one likes to wonder whether Sanderson got the part after appearing with Pru in the classic 'Fawlty' episode 'Communication Problems' ). Jonathan Newth was impressive as Russell whilst the gorgeous Janine Wood made the heart beat as the sexy Claire.Joan Sanderson died in 1992, whilst the fourth ( and as it turned out, final ) series was being screened. To replace her would have been impossible, as well as disrespectful so it was brought to an end after that. The show was repeated on UK Gold in the early '90's but for some time remained forgotten until it was released on DVD in 2008. It is not brilliant comedy, far from it, but it is inoffensive and easy to watch and is superior by miles to Scales' dreadful 'Mapp & Lucia'.

banshee-liam I discovered this show by chance on a trip to Ireland and was exhilarated by its comic freshness and unexpected poignancy. The three lead actresses and one lead actor had terrific chemistry, and the writing could make you belly laugh and sob almost simultaneously. It is a mystery to me that "After Henry" has not made its way to these shores, where I'm confident it would join the top ranks of most beloved Britcoms. Are the programmers at PBS all dead in their offices at this point? They would do well to retire their endless reruns of jukebox "specials" and seek out savvy, unfamiliar programs like "After Henry." (If I hear "Amazing Grace" warbled just one more time, there will be havoc in Mudville.)

smurfboy A sitcom about a widow, her mother and her daughter living in three flats under one roof would never get made today - some producer with an eye on the under 25 market would probably insist on it being three young girls flatsharing. But back in the 80s, After Henry was the sort of gentle yet clever sitcom that thrived on British screens. The relationships between Sarah, Eleanor and Claire were so realistic you could imagine they really were related, with Prunella Scales successfully shaking off memories of Sybil Fawlty. Joan Sanderson as Eleanor is the real star here though. Sanderson may have ended up typecast as the slightly snooty, abrupt old woman, but like many typecast actresses, she ended up that way because she played that part so well.The show seemed to be running slightly short on ideas in its final run, but was still well worth watching. Sadly, Joan Sanderson died just before the 1992 run was transmitted, so the decision over whether to commission a further series was made for ITV. In a way, this may have saved the show from an undignified end, as suburban sitcoms suddenly became very unfashionable in the recession struck early 90s. A shame really, as all ITV's attempts at 'modern' urban sitcoms were appalling.

ffranc Television chiefs in Britain, desperate for new comedy ideas, seize on any successful radio series. When it first appeared, the idea of three generations of women under the same roof, and the sympathetic depiction of a gay man not in the first flush of youth were quite fresh. "After Henry" lost something in the transfer to TV, possibly because on TV it made fewer demands on the imagination. The cast, principally Joan Sanderson (qv) as Prunella Scales's mother and Benjamin Whitrow (qv) as the bookshop owner, were fresher, too.