Alias Grace

2017
7.6| 0h30m| TV-MA| en
Synopsis

Based on the true story of Grace Marks, a housemaid and immigrant from Ireland who was imprisoned in 1843, perhaps wrongly, for the murder of her employer Thomas Kinnear. Grace claims to have no memory of the murder yet the facts are irrefutable. A decade after, Dr. Simon Jordan tries to help Grace recall her past.

Director

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Halfire Entertainment

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Reviews

Linbeymusol Wonderful character development!
Laikals The greatest movie ever made..!
Supelice Dreadfully Boring
mraculeated The biggest problem with this movie is it’s a little better than you think it might be, which somehow makes it worse. As in, it takes itself a bit too seriously, which makes most of the movie feel kind of dull.
kitellis-98121 Most of the seven stars I've given this are for the excellent period detail, cinematography, and production design, which helped keep me watching when the endless scenes of sewing started to become wearisome.This piece is slow-moving. That isn't necessarily a bad thing, if the dialogue is top-notch and the directing assured. Here, unfortunately, we are treated to scene after scene of two people sitting in a room while one talks (and sews, and sews, and sews) and the other listens. This gives way to a voice-over which narrates the central storyline in the form of flashbacks - an uninspired device which also tests ones patience after a while.If the story was gripping, or at least told with more inspired directing, it would be a rewarding experience, as it is certainly very well made. Unfortunately, each flashback lasts just long enough to begin to arouse one's interest before lurching awkwardly back to the talking and the sewing - effectively destroying any build-up of tension.Sadly, one thing that seriously challenged my ability to become immersed was the casting of Anna Paquin, whose facial gurning and increasing resemblance to Val Kilmer (as both their faces grow ever wider) was distracting, and her ill-fitting presence made the whole thing feel consciously like a TV show. Overall it's worth a watch, but could be so much better with more inspired writing and directing.
nickmorgenstern I am somewhat sate of all these flashy trailers that leave me breathing air through my mouth and then i realize i've fallen for the same old marketing trick.Like many others that probably watched this show, i myself have not read the book, nor do i intend to because it just leaves me questioning so many different aspects of this book/show that i never thought i would be questioning. What i expected was a psychologically disturbed pathological liar that got away with killing and manipulating more than five people in her favor, what i got was a bible study of the feminist mind and her hot 50 year old master. He is hot, stop denying it.The last two episodes should or could have been so much more but they never culminated for me it just went up, up and then down down and flatlined.I have the feeling we are probably missing a lot of backstory. Nevertheless i think the show was good...maybe. Let's leave it to god shall we?
swilliky A murder mystery and historical drama from the great author Margaret Atwood makes for a great Netflix limited series. The show begins with Grace Marks (Sarah Gadon) already locked up for a murder, though the circumstances of that crime are not yet revealed. Psychologist Dr. Simon Jordan (Edward Holcroft) interviews Grace to figure out if she is guilty or if her story is true. In flashbacks, Grace is kicked out of her father's home. She searches for work and finds a job as a maid working for Mrs. Parkinson (Martha Burns). She forms a relationship with another maid Mary Whitney (Rebecca Liddlard) but Mary comes down with an illness which turns out to be a pregnancy as she was flirting with George Parkinson (Will Bowes). Forced to keep it a secret, she gets the dangerous operation of an abortion but does not survive the bleeding.Grace believes she hears the voice of Mary and fears she didn't open a window fast enough to let her soul. Distressed, Grace faints but she wakes up under the impression that she is Mary and Grace is missing. Dr. Jordan is skeptical of Grace's claim but continues to listen to her as he daydreams about a romantic relationship with her. Grace meets Jeremiah Pontelli (Zachary Levi), a traveling salesman who finds Grace attractive. Nancy Montgomery (Anna Paquin) recruits Grace to work as a maid at the home of Thomas Kinnear (Paul Gross). Strange rumors surround Kinnear and Nancy, though a maid herself, has a more personal relationship with her employer. Check out more of this review and others at swilliky.com
jimparrett Wonderfully acted with beautiful sets and of course, a superb script. Unfortunately, Atwood's words are sometimes at the mercy of tepid pacing made worse by gratuitous and flowery music, a device often used by filmmakers to compensate for lack of dynamics in the direction. While Sarah Gadon's performance is a wonder, she often speaks with such rapid-fire mumbling as to obscure the words she is speaking. I found myself watching about 10 minutes at a time, often with subtitles, before my brain began tuning out. It all begins to be a bit of a drag by episode 3. The superb script by Polley from Atwood's words deserves a bit more meat on the bones of the direction. As it is, "Alias Grace" is worth watching if you can forgive the uncomfortable, frustrating moments, of which there are too many.