MoPoshy Absolutely brilliant

Comwayon A Disappointing Continuation

Ketrivie It isn't all that great, actually. Really cheesy and very predicable of how certain scenes are gonna turn play out. However, I guess that's the charm of it all, because I would consider this one of my guilty pleasures.

Hadrina The movie's neither hopeful in contrived ways, nor hopeless in different contrived ways. Somehow it manages to be wonderful

deadman22 Barbershop was on everybody's so so list. By now this show should have no problem getting viewers.The first 2 or three episodes were slow but it came together.The show is funny and entertaining.Maybe you have to be a certain or have a certain preference to laugh. Calvin is the mild argument fixer upper and everybody else is a great supporting cast. The run in and outs of the barbershop and its character are put together very well. I believe this show should stay on for another couple of years.Showtime doesn't really have any standout shows anymore.If you count weeds which probably wont come back on because the show was boring. But getting back on Barbershop the season ending left a big question for next year on what will happen. Seeing how Showtime has no premier shows this can really succeed .This is probably second only to Soulfood

Judson Knight I can't believe a lot of the complaints I see about this show here. I guess for some people, the idea of a show that's extremely witty and sexy, with an interesting set of characters about whom the perceptive viewer instantly cares a great deal, is just not enough. Maybe it doesn't fit with preconceived notions of the proper attitudes, but--in part for that very reason--*Barbershop* is the bomb!After a long day of work, I sat down in front of the tube to find something relaxing and entertaining--something intelligent but not tedious, funny but never infantile. And then I found this, a show that manages to pull off the witty sex-talk that *Sex in the City* supposedly offered, even though to me *that* show always rang false. Whereas SitS seemed to try too hard, this one just flows effortlessly, with an effervescence that springs from strong writing and acting.I've seen many shows that attempt to create a world like that of *Barbershop*, with its ensemble cast, its spiciness, its clever dialogue, its sardonic treatment of timely themes and its heartfelt approach to universal ones--and usually the result is a tired-looking mishmash designed (however inexpertly) to fool viewers into believing that they're watching something worthwhile. But this one actually achieves what so many others have failed to do. Maybe I'm supposed to be irritated or offended, but I'm too busy enjoying Omar Gooding (a fabulous actor who I loved in *Playmakers*), the great Phil Lamarr of *Mad TV* fame, and a number of other gifted performers.

Maximus Parthas As an writer, I'm ashamed of John Ridley for creating something so culturally poisonous as the HBO series barber Shop. And I'm ashamed of the entire cast of actors for allowing themselves to become iconic puppets for someone's racial or political agendas. Notoriety is not worth your dignity. After watching 2 shows. (all I could stand) I was sickened at the callous handling of serious social issues. I laughed at a few thing but all of that was easily overshadowed by truly offensive content. It seems all of Mr. Ridley's talents were applied liberally into creating a socially demeaning disgrace. I still can't believe he, as a black man wrote this trash. While listening to the actors uncomfortably recite someones badly scripted ideas of black humor and consciously demeaning an entire race. It sounded just like it had been written by some purebred 250,000 a year, middle age white mans vision of what a black person would say. Do. Put up with. No basis in reality at all. Just a long list of slanderous perceptions handed out as freely as you would penny candy. All the "Strong Black Men" (They sure use that word a lot too) men are either criminals or idiots. But sensitive idiots so it's OK. Sex is not even a surprise in this neonazi misrepresentation of black culture. Each of the actors must have a mandatory nudity clause in their contract because promiscuous romps with any and everyone is standard fare. With predictable white bred humor it usually comes full view right after discussions of someone's mother. No depth, no pride and no respect. This series should be yanked from the air as soon as possible and all the institutions involved with creating or promoting it should be boycotted. Just knowing they are a part of such a destructive act of hypocrisy and social degeneration will haunt these struggling actors long after the series is gone. And I sincerely regret being witness to the moral judgment of the female cast in particular. The precedents you set now are not yet in stone. Speak up and out before you doom another generation of young minority women into mandatory nudity clauses. Even Sherly Lee Ralph lent her name and body to this shameless venture of comedic propaganda campaigns. A beautiful, intelligent actress with years of experience. I won't even ask why. To watch this series is to contribute to a cultural disgrace. A blatantly racist and sickeningly offensive diatribe of garbage. There may be some gems inside but the vehicle they reside in is completely unlike it's successful predecessor and far from any roots.A quote from Mr. Ridley when asked about his movie Undercover Brother and it's potential to "help" the black artists:{{{ I don't know if white people would have made this movie. I don't know if white people would have had the same kind of love of the blaxploitation movies that we sent up. But also we weren't trying to put down anybody. We were trying to make fun of the stereotypes that everyone has. By nature, coming from two black guys, it has a different feel. The white version is the Austin Powers movies, which are about having fun, and being funny, those are really funny movies but we wanted to add a different layer to it. }}}I don't think they would have either. Only an insider could ignorantly achieve such deep betrayal and get away with it.

nick rostov It's an uncomfortable feeling, watching talented actors (the awesome Barry Shabaka and others) and writers (John Ridley, the man who wrote the awesome Three Kings) strain and strain for a joke and never entirely land one. Dismayingly two-dimensional characters, tired routines (guy coaching guy about how to talk sexy to a girl, somebody walks in and thinks it's a romantic/sexual moment between the guys, ha ha ha), strained plotting--something about a woman being hounded by a broadly drawn completely non-real anti-abortion activist and a broadly drawn completely non-real pro-choice activist--an old fashioned nudge-nudge wink-wink attitude to sex--a ridiculously caricatured would-be politician with a fake expensive watch--all adding up to a mish-mosh of wannabe. Where will it all go? Will the innate talent of all these players make it work as the series progresses? Will this be the old quality-challenged Showtime or the new?