TrueJoshNight Truly Dreadful Film

CommentsXp Best movie ever!

Sienna-Rose Mclaughlin The movie really just wants to entertain people.

Guillelmina The film's masterful storytelling did its job. The message was clear. No need to overdo.

Jim Fess Originally I've found this anime years ago but i never gave it a chance, i saw a half naked girl for the cover and figured it was gonna be some stupid anime with lots of ass and boobs with no decent story line or plot. But this year i saw it went on toonami and gave it a chance, best thing i could of done! This show has so much action, violence, and action!! with the very subtlest of romance(it does have boobs n ass but theirs a lot more to it). If you like real life guns that look exactly like they were thrown into your TV screen from your lap then this could be something you'd like. To the contrary to the normal anime or TV series where the hero beats the villain and everything is all good and happy, then this will be a nice change for you. I don't want to spoil anything for but if you like things like the mafia, gangs, and money then this is a must. The main characters just pull you in and leave you wanting more, unlike most series where the back story of every character is just thrown at you one episode after another, Black Lagoon slowly gives you bits and pieces of everyone back story's leaving you to just wonder more and more in suspense!Overall point: If you like action, guns, money, and violence, and detailed characters that make you learn to love there twisted ways, then this anime is definitely worth a watch! I enjoyed it very much.

k1001bg I was tricked into this show after watching the pilot, and unfortunately spent the next 20 or so episodes grinding my teeth and hoping for things to get back to where they started. They did not. The basic premises of Black Lagoon is fairly exciting - a bland Tokyo office clerk gets mixed up with a bunch of modern day pirates, who gradually help him find his real self and enjoy life. Not a lot, but mixed with a neat amount of gore and sexuality it could have worked. Unfortunately the show's biggest problem is that never really figures out what it wants to be about. Themes such as coming of age, finding love, loss of innocence, brutality of crime and the hypocrisy of the modern world get tossed around, only to be abandoned yet again as the characters indulge in another outrageous prepubescent fantasy action sequence, ridiculous in its unbelievability. Don't get me wrong, I am all about silly. And all about realism. It's just that for me, the two don't ever work together in the same episode. Or the same show. I call this the "Gungrave Syndrome". It seems like the writers did not believe they can have a successful show that is based solely on real-life physics and multi-dimensional characters. So they throw the whole one-man-killing machine thing, evil vampire twins, blade throwing women, bullet splitting samurais etc. etc....I AM actually grateful there were no zombies. I mean if you are going to make an Anime about ridiculous gunfights right out start it up as one, and maybe place it in some alternative universe, or at least far far in the future. "Trigun" worked exactly because of that. And because it had characters. Black Lagoon has two - Revy and Rock, but they struggle between ridiculousness and determination in such a pathetic fashion that midway through the viewer finally abandons all hope that they will ever care if something happens with either of them. Unsurprisingly, nothing happens. The rest of the players are barely worth mentioning, because all they ever do is more of the same. Over, and over, and over again.All in all, the way I see it, this is a kiddie show disguised as an adult one. It could have worked, had they kept it simple and realistic, but a failed opportunity is all it is in its current form.

FilmFlaneur A creation of eastern production team Madhouse and American Geneon from an original graphic novel by Rei Hiroe, this is an adult-aimed anime series which turns out well above average, even if not quite on the consistent level as such standalone Madhouse features as Millennium Actress (2001), or Tokyo Godfathers (2003).Much of the particular flavour and interesting tensions within Black Lagoon can be put down to its split production origins, a dichotomy also reflected in dramatis personnel. Besides Dutch there's a Jewish-American (Benny) and Chinese-American (Revy), as well as Rock's Japanese presence. At the same time, set pieces familiar from American action cinema jostle for screen time with characterisation and some graphic styling typical of homegrown manga. As the varied team undertake a series of assignments (at least in First Barrage, the name of the series' initial half, reviewed here), it gradually leads to an escalating tension between Rock and Revy. The new recruit, out of the boardroom and now onboard, so to speak, seeks to establish himself in a new and bewildering world, where he has a chance of gaining the respect previously denied him.Revy has issues and internal strife all of her own, increasingly aggravated by the new arrival. It's the relationship between these two that's at the heart of the series, and gives events a centre of gravity. As white-collar Rock gradually grows into his new relationships, so Revy has to face up to new emotions and truths. Confrontations will make her doubt the real strengths of her much vaunted self-reliance, and how much her troubled past still influences her. It becomes obvious that, despite her best efforts, a problematic relationship is forming between her and the new arrival. Meanwhile, Rock's corporate-inspired guile, outwardly conservative image, and sly negotiating skills gained in a past life prove an increasingly valuable asset, even as he assesses his past existence in the light of the new.Operating out of the south Pacific city of Raonapur as the 'Lagoon Trading Company', Dutch's small professional team one held together by a quirky mixture of greed, bravado and camaraderie. Their main, continuous interaction is with a former Soviet military officer known as Balalaika, a big wheel in the crime world they inhabit and service. She quickly uses the Lagoon Company to help secure her ascendancy. In events after that, concerning a group of Nazis and a sunken submarine, she is largely absent, but comes to prominence again as events proceed, notably during the episodes of The Unstoppable Chambermaid. Here she helps to adjudicate at the finish, bringing to a climax stormy events between Revy and the murderous servant Roberta (a peculiarly enigmatic figure, demure but full of unstoppable violence), which have played out with a due nod to The Terminator. Towards the end of this first series Rock and Revy again provide the most interest from point of character until, at the close, we learn some more about her personal history from the CIA, which continues the process of humanising her, putting her life more in context.It's no surprise then that the closing credits of each show are shown over a notably melancholic sequence, reflecting Revy's trademark emotional desolation. The viewer follows her feet and lower legs along a beach watching her slowly discard cartridges, shoes and trademark twin handguns into the sand. Then, with a final flourish, Revy turns abruptly and confronts us with another weapon, as if warning against any attempt at communication. In contrast to the interest generated by such handicapped and resentful psychology, other parts of Black Lagoon are less rich in character studies, as individuals too readily give up what secrets they have. For instance, the Nazis faced by the team in the three-episode Die Ruckkehr des Adlers sequence are stereotypes, cardboard fanatics with none of the originality we find elsewhere. Only the claustrophobic scenes set inside the sunken submarine, rife again with tension between Rock and Revy, give this section much interest.A good deal of the show is taken up with violent set pieces that, typical of the genre, often bring an episode's climax. This is all orchestrated with some élan, but in matters of sex Black Lagoon remains surprisingly reticent. Some viewers will note the coded lesbianism of Balalaika, or the constant smoking and cigarettes, those small symbols of virility, which are passed round or enjoyed by characters during the film. There are the hot pants of the busty Revy, clearly geared towards the fantasies of a male audience even if her continuously sexualised character remains an erotic aspiration only. She even expresses a surprising innocence early on when accidentally confronted by Balalaika's pornography ("do you mean he is actually going to put that up her ass?"). Mostly, adult sexuality is confined to the background: mute whores in bar rooms, or the surrounding street life.If the vividly realised experience of Black Lagoon can teach Revy - or us - anything more worthwhile, its the importance of establishing one's place in life with dignity, all the while discovering and valuing real friends. Worthwhile relationships are at a premium in a lawless city such as Raonapur. Those like Balalaika can only purchase the loyalty of associates; Nazis combine together through blind political obedience, Taiwanese assassins are necessarily hirelings, or servants like Roberta remain emotionally stunted. On Dutch's small, intimate boat however, people interrelate on a far more critical level. Here genuine loyalty and trust can quite literally mean matter of life and death.

picture show Watching an episode of Black Lagoon reminds me of an 1980s era action movie. There are fights, shootouts, car chases, explosions, and of course plenty of one-liners. Although the show's main aspiration is to be an action series, it has interesting characters and pretty good story lines, making it more than just a run of the mill action anime. The show is set in southeast Asia and centers around a mercenary group (Black Lagoon) whose members include the leader Dutch, mechanic Benny, Rokuro Okajima a.k.a. 'Rok' a businessman who gets shanghaied into Black Lagoon, and probably the best known, Revy, the group's best fighter who shoots up opponents with two pistols at once. Their ethics are of course flexible so they often take jobs from local criminal organizations, and unsurprisingly the Black Lagoon crew definitely qualify as 'anti-hero' types (except perhaps Rok). It could even be argued that they cross into outright 'bad-guy' territory from time to time. This is what makes this series interesting though, that the characters aren't trying to be good, and their only real code of conduct is their loyalty to each other and of course to turning a profit on their shady jobs (think Sam Peckinpah's Wild Bunch). As you may have guessed Black Lagoon is aimed squarely at an adult audience. There is occasional nudity (i.e. dancers in a topless bar), drug use, and killings and profanity are frequent. Although its concept may not be all that original, its execution is good, so if you like your action bloody and your 'anti-heroes' profane, Black Lagoon is definitely worth a look.