Dorathen Better Late Then Never

KnotStronger This is a must-see and one of the best documentaries - and films - of this year.

Roy Hart If you're interested in the topic at hand, you should just watch it and judge yourself because the reviews have gone very biased by people that didn't even watch it and just hate (or love) the creator. I liked it, it was well written, narrated, and directed and it was about a topic that interests me.

Arianna Moses Let me be very fair here, this is not the best movie in my opinion. But, this movie is fun, it has purpose and is very enjoyable to watch.

tsjohn I was a huge fan of this series when it first aired. I recently stumbled onto the DVD Boxed set and just finished up with the final episode last night. I was reminded of just how much I loved this show. Granted, I haven't seen the original British version, but recently found a boxed set and I'm anxiously looking forward to viewing. Of course, I understand the desire for those who have seen both versions to make comparisons. I'm sure i'll be doing the same once I finish watching the British version. But if you just take the American version on it's own merits, it's hard to find another show comparable in quality and sheer grittiness. Pastorelli's Fitz is a deeply flawed human being. Many times his disgust and disdain for others is off-putting and makes one question why we care for him. Just as often though we see the kinks in his armor. His humanity is shielded with walls of self loathing. It's that dichotomy of his inner struggles which what make this such a great show and a breath of fresh air to watch. It's unfortunate that American TV just wasn't ready for the dark realities that this show portrayed. There's nothing better than watching a TV show that dares to be REAL with multi-layered characters. It seems there have been some on here reviewing this show with a black-and-white bias comparison to the original British version. I'm truly looking forward to watching Coltrane's Fitz with an open mind, which is what others here haven't seemed to be able to do with Pastorelli's Fitz.

Jackie Meyers Robert Pastorelli tried. The problem with this Americanized version of a great British series was the story lines didn't translate well. The story lines are so British. They would have been better off taking the characters and writing completely new scripts. It might have worked better if the series took place in New York. The LA area just didn't seem to fit with the dark feel of the show, all that sunshine just didn't work. I watched all of the episodes, waiting for an original storyline, never happened.It was an admirable effort to bring a good show to American television. But poorly executed.

George Parker "Cracker" (1997), a shoddy knock-off of Jimmy McGovern's popular Brit series of the same name, is a waste of time. A simple minded, dumbed down commercial product, this TV flick fails on all levels. The characters all look like scale actors and were poorly cast. The screen play is uninspired rote. The premise is nebulous. The acting is marginal. The script is soap opera quality. The direction...well, I'm not sure there was any. Even the DVD was crap and not only had no CC's or subtitles but didn't even have a menu...just the two 45 minute episodes. Passable, forgettable junk. (C-)Note - It's worth mentioning that I was spoiled by viewing the entire Brit "Cracker" series on DVD and consider it one of the best psychodramatic TV series ever made. Hence, my objectivity may be compromised.

Rosie-9 This excruciating remake of the excellent British series is not worth wasting your time on.The police in the original had skepticism coming out of their ears when it came to having a psychologist on the team, exactly as many real police officers would. The American version has them fawning after Fitz at every opportunity, which is not only unrealistic, it also set up little dramatic tension.While the English version has quirky, interesting, believable characters, the American one has typical American pretty people. Particularly disappointing is the lack of characterisation of the police. The original has a range of people we came to know well: Penhaligon, the young officer trying to cope with an inept boss and pathetic "lad" culture. Beck, the old-fashioned copper whose unpleasant exterior barely covers his mental instability. Bilborough, a nice guy, but so soft he has to get Penhaligon to do the talking when visiting people with bad news. What do we get from the American version? A token black character whose name escapes me and a chicky-babe who looks like Pamela Anderson's cousin.The actors who play Fitz and Penhaligon (renamed to something unmemorable) could easily be replaced by wooden blocks and no-one would have noticed the difference. There's no spark between them. You don't care about them and you aren't convinced by them. Same with the Fitz/Judith pairing - he says something soppy and she simpers "sentimentality becomes you, Fitz". The "real" Judith would have laughed or sneered.I could go on, but it just isn't worth the bother. Take from me: if you don't want to see a great show trashed, avoid this load of drivel.