Dynamixor The performances transcend the film's tropes, grounding it in characters that feel more complete than this subgenre often produces.

Lollivan It's the kind of movie you'll want to see a second time with someone who hasn't seen it yet, to remember what it was like to watch it for the first time.

Bluebell Alcock Ok... Let's be honest. It cannot be the best movie but is quite enjoyable. The movie has the potential to develop a great plot for future movies

Derry Herrera Not sure how, but this is easily one of the best movies all summer. Multiple levels of funny, never takes itself seriously, super colorful, and creative.

louisemarie-108-16577 I really like this show, and I can't believe there's only 8 episodes of it! I quite liked the dynamics between the officers and between the detectives. I felt like each person had a distinct personality, that would have been so great to see unfold. I honestly ended up liking the people I didn't really care for in the beginning - and even the people I didn't like in the end, I couldn't really bring myself to hate. I love how some of the main characters are homosexual police officers, and I would honestly have liked a bit more focus on their relationships (especially between Jake and Simon), as that seemed slightly rushed for my taste. All in all a really good show, that I can only recommend - it's definitely worth watching those 8 episodes.

Dave TheDoorman A tedious attempt at re-launching a parochial branch of The Bill, without the well-written script, long-established characters and solid story-line.The characters are unrealistic, and unlike-able as is the script, with politically correct nonsense taking the place of believable comments from minute one.Generally, the acting is abysmal, even though there are several tried and tested professionals involved, but otherwise the cast do not really deserve to hold their equity cards. The script leaves a great deal to be desired too, maybe the writers felt shackled by extreme PC or perhaps they are simply the new breed of BBC writer, who lack the ability to impart the charm, empathy and intelligence into their scripts that we have come to expect from the BBC.All in all, this is a very poor effort, not worth watching and needs to be killed off before it gets going. If it never showed another episode, I doubt that 'Points-of-view' would not have a single complaint, as no- one would notice it's deserved demise.Come on BBC - we expect far more from you than this bilge-water!

Siobhan Lydon The best 'cop' drama of all time for my money is 'Hill Street Blues' and while others attempt to reach that zen area of real, crazy and funny, none succeeds. I never got into 'The Bill' but 'Prime Suspect' was perhaps the best UK cop drama but 'Scott & Bailey' is well written.This show has a great cast, alright script and makes Brighton appealing (which is difficult in itself) but it is mostly a star vehicle for the very cute, Jacob Ifan. Episode 1 is his first day on the job.The other characters have perhaps more interesting stories and more talent and experience but get far less camera time. Each episode is centred on four beat cops who have different lives. 3 men, 1 woman. Based on the poster, Amanda Abbington, who holds her own on Sherlock, should be the main star but it hasn't worked out that way. They dress her in colours that don't suit her to make her look as though she is on chimo. Her story is a cliché, unworthy of the BBC. She is in a no- win sexual relationship with her boss but nobody knows. The writers fail her and us. Changing the cat to a dog is the only creative move made here. Why can so few writers write middle aged women? We are tough, experienced, own our own homes, survived having lived with men, in a world ruled by men and taken responsibility for all the difficult things in day-to-day life, take care of elderly parents, avoid siblings, change careers, survived over 1000 periods and I could go on. The writers failure here is to rely on a man's stereotypical view of women as needy when most people know that by the time a woman reaches 40 we don't care what you're thinking anymore.Having said all that - it was very watchable and I immediately tweeted my LGBT friends to alert them to the show. It makes a good nights viewing with 'London Spy'.

Paul Evans I know it's the obvious kind of comparison that everyone is going to make, I've done so myself. The Bill was watched by millions, and when it ended it left a gap. The eight o'clock slot is a difficult one, it needs to be grittier then the afternoon offerings like WPC 56, and it can't be as dark or graphic as say Silent Witness or Luther. The series aims to show what life is like on the front line for the Police, the lack of respect they face in their day to day jobs and the many obstacles in front of them.Full of multiple story lines, a lot going on, possibly too much. The format jumps from one story to another. A distinct lack of reality in some parts, but then so did The Bill. Nice to see Brighton used as a location, when it comes to mainstream TV you'd assume crime occurs in London, Manchester, Midsomer and Scandinavia.It's not a show you'd cry if you missed, but it's watchable enough, it's good to have a cop show on at 8, one you can catch before you settle down at nine with a glass of Red wine. 7/10