Incannerax What a waste of my time!!!

CrawlerChunky In truth, there is barely enough story here to make a film.

Brendon Jones It’s fine. It's literally the definition of a fine movie. You’ve seen it before, you know every beat and outcome before the characters even do. Only question is how much escapism you’re looking for.

Yazmin Close shines in drama with strong language, adult themes.

zoe-76147 Just as you get to the peak point of the storyline the series is discontinued. Perhaps it was to test audiences for a second season. Whatever the reason it's left a deep frustration as I just discovered this series in 2018. Well written and casted. Some lovely touches to background scenes, especially in the visitors room. It has some great comedic moments. Very British stock characters and some colour by numbers makes for all ages light entertainment. Here's to a denoumont that sees Helens response...once she gets through the appeals process. I think there's still comedy gold to be had in this series.

D Graham This sitcom is co-written by and stars Sharon Horgan, the co-creator of the rather brilliant Pulling, a sitcom which was axed to much outcry some years back. Dead Boss starts at a dizzying pace and the first episode has all the slickness of a 1970's heist movie. The jokes come thick and fast. Much has been made of the cameo by Jennifer Saunders but it is characters of Christina, Helen's arsonist cell mate and the disturbing Top Dog, played beautifully by Lizzie Roper that really steal the show. it is great to see a well written female-led show but after a terrific start the series began to drag, the jokes start to drag and the whodunit storyline begins to sag...it is hard to see how they will eek out a second or even third series. Good fun though

paul2001sw-1 Sharon Horgan's series 'Pulling' is my favourite comedy of recent years; but 'Dead Boss', her latest effort, sadly fails to hit the same heights. There are some moments of similar genius, of characters whose hysterically exaggerated behaviours are driven by their own deluded perception of reality; but whereas in 'Pulling', these occurred against a realistic backdrop, in 'Dead Boss', the scenario is an improbable murder mystery, and a women's prison portrayed in a manner you might expect of a 1970s sitcom. For all the sharp lines, the flimsy story fails to provide suspense, and the laughter is muted by the unbelievability of the situation. At times, the programme almost feels like a sketch show, with the plot merely providing an excuse for the jokes; but Horgan's sort of comedy needs to be founded in something that feels true. I've watched comedies with fewer good lines; but it's surprisingly amateurish, and a little disappointing for anyone who knows how good, at her best, Horgan can be.

Clairec4444 I don't understand how this programme has only received 5.6 so far, this comedy is brilliant I haven't seen anything better for ages (although last years 'Spy' is worth a mention). What else is there out there that you could possibly give any decent marks to. Sharon Horgan is surely one of the best writers of new comedy; more power to her. With Jennifer Saunders as a regular and others like Caroline Quentin popping in, well 5.6 is quite frankly an insult. I wouldn't mind so much if we were inundated with sit com after sit com that constantly has us rolling in the aisles but we most definitely aren't, which is why this comedy is even more worth while.Last nights episode with the music competition was hysterical, roll on season 2.