Matcollis
This Movie Can Only Be Described With One Word.
Beystiman
It's fun, it's light, [but] it has a hard time when its tries to get heavy.
Darin
One of the film's great tricks is that, for a time, you think it will go down a rabbit hole of unrealistic glorification.
Logan
By the time the dramatic fireworks start popping off, each one feels earned.
Vladimir Savin
I once enjoyed watching movie named "Vertical Limit" - a true hint of mountaineer's consciousness and spirit. Only this time the highest Mountain will put mens' guts to the test you can find nowhere else. The cameramen-sherpas have done outstanding job so the viewer is literally on the mountain with the expedition members witnessing their pain and struggle, defeat and victory. Plus the panorama views are almost to die for. This is the rarest scenery I have seen in my life so far! Both seasons are strongly recommended! However, may be, people who have never been to the mountains themselves will not be able to appreciate in full this excitement, almost awe of the mens' spirit. :(Overall, for me it's like the final breakthrough of Tim Robbins in "Shawshank Redemtion" only this time there are real people not just movie characters.
jmspiers
First, let me say that I thoroughly enjoyed the helmet cams and scenery and the triumph of the ordinary men and women over extraordinary obstacles. Hence, the 7 out of 10 rating.However, there are a couple of things that really bugged me about the show. I am in Season 2 right now and will watch Season 3, but I felt I had enough background now to write this review.Pet Peeves: 1. Fact checking. This is by FAR my number 1 peeve! 8 people died on the South Col in "the worst disaster in Everest's history"? By that I assume they mean 1996, when ONE person, not eight, died on the South Col. (The reason I think they are referring to 1996 is because they have mentioned that as the worst disaster several times, interspersed with photos of Scott Fischer and Rob Hall.)South Col is a "graveyard"? As far as fatalities go it is one of the least deadly areas of the mountain. Hardly a graveyard.1 out of 3 people who reach the summit die? Maybe 50 years ago. Now it's less than 3% (that statistic is pulled from AdventureStats; other mountaineering sites may have slightly different numbers, but no one comes even close to 1 out of 3 (Note that I do not count various news articles and random Web sites that claim incredibly high fatality rates without citing their sources).These types of glaring errors make the show very difficult to enjoy.2. Consistency. I'm in season 2 right now, and in one episode they say pulmonary edema is the worst danger to climbers, and in another they say it's cerebral edema. Which is it?3. Giving everybody fatal illnesses. It seems that every climber who gets tired is suddenly diagnosed with cerebral edema (HACE) or pulmonary edema (HAPE). Those two illnesses are definitely real dangers at high altitude, but I have trouble believing that every climber who's struggling to breathe trying to reach the upper camps from ABC is on the verge of death.In season 1 they show someone who is severely affected by cerebral edema. He's very sick, on the verge of death; he's not sitting in the snow saying he's tired and wondering "if it's a cerebral thing." I understand the severity of HAPE and HACE can vary, but at some point the script writers should step back and realize that they literally try to give HAPE or HACE to everyone who plays a central role in the episodes and is going up the mountain.4. Last, but not least, the spooky narrator voice. Just let the mountain tell its story. You don't have to hype it up. Trust me, it'll sell without the annoying radio commercial style narrating. Yes, a narrator is needed, but no, he does not need to sound like his day job is advertising used cars on my local classic rock station.Summary:Worth watching? Yes (mostly for the helmet cams and seeing the various climbers with disabilities or injuries summit). But if they just let the mountain tell its story without trying to hype it up then it would be a lot, lot better.
jaymzhimself
As an Everest enthusiastic I've read a lot of books concerning the mountain. Lately I've been searching for good films and documentaries on the subject as well. When I checked IMDb for a series I found called 'Everest: Beyond the limit' I was thrilled. With an average grade of 8.6 and produced by the Discovery Channel this should be a blast. I was curious to see what it would be like.The bottom-line of the show is simple. Every year, more and more commercial groups try to climb Everest. These groups consist of Westeners who have paid large sums of money to experienced Himalaya guides to get to the summit. 'Everest: Beyond the Limit' follows the commercial group lead by guide Russell Brice. The group consists of amateur climbers from all over the world, and his job is to get them to the summit. The series revolves around this struggle.Interesting ingredients to make a stunning documentary, I'd say. Even more when considering this all happens on the steep faces of the highest mountain in the world. So, apart from the struggle to get to summit, I also expected to see impressive images, interesting background information on the mountain and an intriguing views in the lives of the Sherpa climbers who make the ascent possible.But I can only say that after watching two seasons (I haven't seen the third yet) I am disappointed. Very disappointed. Instead of all the above, this show only focuses only on the Western climbers. The intelligence level of the show can be compared with MTV shows like 'Made' or 'My super sweet 16'. We are forced to watch the ups and downs of an asthmatic Dane and the mood swings of a Hell's Angel biker. We see a totally unprepared L.A.-journalist get pwned by the mountain. We watch them cry, suffer and struggle. Off course, this has to be part of the show. It's the reality. But in my opinion it's a side-subject and the reason why I watch the show is Everest. I know that human interest can be very interesting, but in this show the center of attention is not the mountain or the way to the summit. The center of attention are the ups and downs of the climbers. The show revolves around it and for because of that it turned the pulp we already have too much of on TV. Really, it's 'The Real World goes Chomolungma'.The first minutes of every episode are filled with flashbacks from the previous episode. I can understand that this is needed, to show the important things that happened before. But all the flashback focuses on is the human interest. After the flashback, we have to watch five minutes of previews of the coming episode. Off course, all focused on the human emotions. Every commercial break is preluded with a toe- wrenching cliffhanger. So dare not to swap your TV to another channel. In my personal opinion this is the exact opposite of the way the presentation should have been. But, considering all this, I still rate the show a seven. Because when I look through all the mind-narrowing garbage the makers throw at me I see the most intriguing mountain of the world. I see a highly experienced guide trying to get through to novice stubborn clients. I see strong Sherpa's with interesting traditions (where the show obviously doesn't attends any attention to). But to see this, I have to fast forward through the all the melodrama and crap that fills up 25 minutes of every episode. But when I've done that, I see 20 minutes of high class TV.
danibethb
As an armchair adventurer, I loved this series and the great camera and sound work that made it very real. The personalities are interesting and the dynamics between the expedition leader, the climbers and Sherpas provide plenty of drama for those of us who like to thrill-seek from the comfort of our living room. The only thing that might have made this series better was more of the in-depth interviews of the climbers and crew. I would have loved seeing the climbers returning home to their loved ones after their saga was over. Another thing I would have liked to have seen included is more of the behind- the-scenes footage of all the preparations that the leader, his crew, director and TV cameramen had to go through to get this documentary filmed .