GamerTab That was an excellent one.

Thehibikiew Not even bad in a good way

ActuallyGlimmer The best films of this genre always show a path and provide a takeaway for being a better person.

Ogosmith Each character in this movie — down to the smallest one — is an individual rather than a type, prone to spontaneous changes of mood and sometimes amusing outbursts of pettiness or ill humor.

clifforddancampbell I just went down to my local video store and rented this series that I read about. After viewing all the episodes I can honestly say that the series exceeded my expectations. Anne Francis' role as Honey West is the perfect combination of Kate Jackson's Sabrina Duncan and Jacklyn Smith's Kelly Garret from Charlie's Angels. Fans of the Russ Meyer movie Faster Pussycat Kill, Kill should look closely for Lori Williams. She has two uncredited roles in the 1st and 7th episodes wearing bikini's on both occasions. This show was truly ahead of its time and even though the idea was stolen from the Avengers, Arron Spelling sprinkled it with his own touch on TV magic. The episodes keep your attention right until the end and the acting and fight choreography are superb. Check it out if you can.

bobbywo Is anyone aware that the man who worked on Special Effects for Honey West is the same man who did the Special Effects for the Star Trek series just a year later? The man's name was Jim Rugg. He was my Pops. He also worked on such shows as The Rifleman, Burkes Law, Broken Arrow, Mission Impossible, Cannon, Barnaby Jones and Hawaii Five-O. He worked on such movies as The Wizard of Oz, River of No Return, Bus Stop, The Day the Earth Stood Still, On the Riviera and Silent Running. Pops had a pyrotechnic license and he made a living blowing everything up from cars to boats to airplanes... you name it. He was most proud of the fact that in no show that he was in charge of did anyone ever get hurt. My Dad is gone now but he was the best in the business... just ask anyone who ever worked with him.

mike robson The sort of show that epitomised mid 60's Hollywood hip-great clothes and cars,fab music,graced with the presence of slim beautiful Anne Francis as the foxy sleuth.Okay the plots are elementary at best,and can veer towards silliness("Little green Robin Hood" anyone?),and the show is too darn short at half an hour to do real justice to itself.Also it's in black and white-but who cares-just watch Francis and John Ericson in action.Like the "Burke's Law" series-where Honey West first appeared on screen-there's quite a lot of wit in the writing(this show,like "Burke's Law",is from "4 star" television productions).And there's Bruce,Honey's amusingly roguish ocelot.Some interesting guest stars include Everett Sloane(in one of his final appearances),Edd Byrnes,Alan Reed(Fred Flinstone!)and Dick Clark!Special mention should be made of the brilliant montage of pictures accompanying the jazzy opening credits.

schappe1 People see something of The Avengers in this series and the connection is stronger than some may realize. As I've read it, Aaron Spelling had been to England and saw The Avengers with Patrick MacNee and Honor Blackman. I even think I know the episode he saw: Both the 1962 Avengers episode `Death of a Great Dane' and the 1964 Burke's Law episode `Who Killed the Richest Man in the World?' are about a reclusive billionaire who is actually dead but his staff is pretending he's alive to split up the profits from his empire. He was so impressed with Blackman that he offered her a job as the star of a private eye series he would create called `Honey West'. But she opted to do `Goldfinger' instead. Spelling wasn't willing to give up on the idea and searched for the actress who most reminded him of Blackman and decided it was Anne Francis. Honey West was then introduced on the Burke's Law episode `Who Killed the Jackpot?' in 1965. The series began the following fall but lasted only one year as it was on opposite the huge hit Gomer Pyle. I don't think I ever watched a single episode of Gomer Pyle. I fell hard for Anne Francis, who I think was much better than the rather dower Blackman in The Avengers, (which I didn't see until A & E showed the earlier version of the series in 1990). If you rate Francis with the `Avenger Girls', the only one who really ranks with her is Diana Rigg, although I liked Linda Thorson as well. I think Francis and Rigg were easily the best actresses in those parts and brought both a dramatic weight and light comic touch to the characters and the show. Looking at Honey West now, it doesn't seem like much of a show other than what Francis brings to it. John Ericson is a `he-man' who's only job is to argue with Honey whenever she tries to do anything dangerous. Quite a difference from Steed's genuine respect for the capabilities of Cathy Gale and Emma Peel. Irene Hervey as `Aunt Meg' adds nothing whatsoever to the show. The pet ocelot was more interesting. The fact that the show was only a half hour show also hurt: it came off as a cartoon rather than a dramatic adventure. But a half hour with Anne Francis makes it worth it.